Pick from some of my favorite musicals
Hadestown
The Phantom of the Opera
The Lost Boys
A Gentleman's Guide to Love and Murder
Mean Girls
Rent
Jesus Christ Superstar
The Lightning Thief
Little Shop of Horrors
Aida
Never seen them/ results
$LAYYYTER
untitled
macklin celebrini has autism
Doug Jones
Noah Kahan
The Bowery Presents
occasionally subtle
Cosmic Funnies

Discoholic 🪩
Sweet Seals For You, Always
Monterey Bay Aquarium
hello vonnie

Jar Jar Binks Fan Club
Interview Vampire Daily
RMH
Xuebing Du
The Stonewall Inn
noise dept.

Andulka

seen from Brazil

seen from South Africa
seen from Germany

seen from Latvia

seen from United States
seen from United States
seen from Ecuador
seen from Trinidad & Tobago
seen from Chile
seen from Panama
seen from Chile

seen from Türkiye
seen from United States
seen from Philippines

seen from United Kingdom
seen from United States

seen from Panama
seen from Bosnia & Herzegovina
seen from Malaysia
seen from Brazil
@sirensfindings
Pick from some of my favorite musicals
Hadestown
The Phantom of the Opera
The Lost Boys
A Gentleman's Guide to Love and Murder
Mean Girls
Rent
Jesus Christ Superstar
The Lightning Thief
Little Shop of Horrors
Aida
Never seen them/ results

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whoever was in charge of cinematography for the hadestown proshot needs 500 awards immediately
Unburdened and unbothered
Winter's nigh and summer's o'er Hear that high and lonesome sound Of my husband coming for To bring me home to Hadestown

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japanese curry with rice + apple earl grey tea
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
Everyone loves a cycle aware Orpheus but what about a cycle aware Eurydice? Eurydice who tries her hardest to resist the hunger and the cold. Tries to convince Orpheus to just LOOK UP time and time again to no avail. Eurydice who KNOWS and still fails. She knows he’s gonna turn around. She knows they’re not gonna make it out of hell together. But she hopes. Every time she hopes that he loves her a little bit less than the last time. Hopes he won’t look back. But of course, Orpheus is still Orpheus. And he loves her more than anything.
😫😭😭😭
Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.
OH. OH MY GOD. 😶
GIVE ME WHAT I NEVER HAD BE THE PLACE WHERE I BELONG I WANNA BELONG TO SOMEONE request by anon | 🎥 @angelofmusicishere

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tlb musical + textposts
PROJECT HAIL MARY (2026) deleted scene 🦊
“And brother, you know what they did? They danced”
Mr. Hades is a mighty king Must be making some mighty big deals Seems like he owns everything Kind of makes you wonder how it feels
it's time for spring. we'll try again next fall.
(happy time loop tragedy musical in movie theaters day to all who celebrate)

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We could be so much more
i think this proshot also made me realize how similar hades and orpheus are. at the same time hades is telling persephone how much he's done for her (how much he hasn't listened to her and is just doing what he THINKS she'll like instead of paying attention to what she's saying and what she needs) at the exact same time orpheus is distracted by his song and not paying attention to what eurydice is saying and what she needs. what she's begging him for, what she's crying out to him for. he's so wrapped up in his own mission and his job that he forgot to listen out for the person he loves most. hades knew orpheus would turn around because that's exactly what hades himself would do
THIS.