Vénus (often referred to as Victorious Venus or Vénus victorieuse) (1875) by Alexandre Cabanel (French, 1823 – 1889), oil on canvas, 149.5 cm (58.8 in) x 97.2 cm (38.2 in), Musée Fabre, Montpellier
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Vénus (often referred to as Victorious Venus or Vénus victorieuse) (1875) by Alexandre Cabanel (French, 1823 – 1889), oil on canvas, 149.5 cm (58.8 in) x 97.2 cm (38.2 in), Musée Fabre, Montpellier

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Nam June Paik, July 20, 1932 – January 29, 2006.
Nosferatu the Vampyre (1979), dir. Werner Herzog
Many places have a "forest that shouldn't be entered." Even people who are used to working in the mountains feel there is something there. They are suddenly overcome with fear and it becomes the custom to avoid certain places. These places exist. I don't know what is there, but I think they are real . . . The world is more than we can fathom with our five senses. The world doesn't exist just for humans. So I think it is all right to have such things. This is why I think it's a mistake to think about nature from the idea of efficiency, that forests should be preserved because they are essential for human beings . . . I am concerned, because for me the deep forest is connected in some way to the darkness deep in my heart. I feel that if it is erased, then the darkness inside my heart would also disappear, and my existence would grow shallow.
Hayao Miyazaki, “Totoro Was Not Made as a Nostalgia Piece” in Starting Point: 1979-1996

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La maman et la putain (1973), dir. Jean Eustache
Lady Poison - Beasts of the Underground (1994), dir. Kazuya Konaka
Delphi, Greece
Edward Yang talking with college students about his latest film 'That Day, on the Beach', 1984
Bertolt Brecht, (1965), Me-ti. Libro delle svolte, [[Definizione del pensiero]], Translation by Cesare Cases, «Nuovi Coralli» 220, Einaudi, Torino, 1978, p. 29

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Punishment Park (1971), dir. Peter Watkins
Bertolt Brecht, (1965), Me Ti. Livre des retournements, [[Définition de la pensée]], Translation by Bernard Lortholary, L'Arche, Paris, 1979, p. 28
“JUDITH WITH THE HEAD OF HOLOFERNES” CRISTOFANO ALLORI // circa 1613 [oil on canvas | 139 x 116 cm.]
Simon of the Desert (1965), dir. Luis Buñuel
The Nun of Monza, 1865 by Mosè Bianchi (Italian, 1840--1904)

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“Electra-Orestes,” by Hilda Doolittle
Burning (2018), dir. Lee Chang-dong