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PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.
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@simple-wanderer
Messmer The Impaler š£

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Reminder.
Artist is narutoss_ramen on Twit ą»ź°ą¾ą½² ā© āøāø ā© ź±ą¾ą½²į
Patching him back up.
mumbattan's one and only pavitr prabhakar!!
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these guys friggin crushed me istg this is not fair
Diverge
āYou read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important. Art would not be important if life were not important, and life is important.ā
ā James Baldwin, Conversations with James Baldwin
obsession.
iām just reminiscing about bars and nightclubs bc havenāt been to one in over a year for very obvious reasons, and also wanted to draw them (pretty men)
bo got distracted by his crush. understandable.

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Bereniceās tresses, 1878; Ambrogio Borghi exhibited in the Exposition Universelle in Paris.
you chased a falling star to the end of the world
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It took so much time and love U v Ụ
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i genuinely donāt get cishet monsterfuckers. for context, in the wake of shape of water i participated in this loving-the-monstrous type discussion event slash publishing party wherein i debuted a short story about a woman who ābefriendsā a cave monsterābut that isnt the point. the point is i had to hear straight women talk for hours about how the appeal of monsters is some kind of weird ātaming the beastā fantasyāloving a monster until it loves you back, sounding like every bad beauty and the beast take ever.
And thereās my queer ass being like literally none of you get it. this isnāt about power, this is about love and alienation and acceptance. you dumbasses, Iām the monster. this isnāt a metaphor for your shitty boyfriend, this is a metaphor for my own alienation from a society that tells me a the way i am and the way I love are grotesque. this is a fantasy of love free of judgement, separate from societal standards that Iāll never live up to anyway. that ghoul doesnāt care if Iām fat, they think itās hot that I eat well. that immortal fae creature doesnāt care if the gender on my birth certificate matches the one I use now, they barely have a concept of gender in the first place. that tentacle monster doesnāt care if I shave, they donāt have eyes
monsterfucking is queer culture, everyone else go home
Oh. I'm guessing those were all yt women, too. Del Toro isn't Queer, afaik, but he -is- Mexican in the us. It wasn't really that long ago that interracial relationships were just as forbidden and taboo as Queer ones and there's still obviously race tensions going on. The other in Shape of the Water is just as much, and likely written as, being a different race and the feeling of alienation of having a different place of origin. It happens to resonate with everyone who's ever been considered a monster by society, and there's not just one way this has happened.
The whole ālove someone until they're not a monsterā is extra, super gross in that context because people don't feel BIPOC are actually capable of human emotions who need to be taught to be human by some benevolent yt person who's fetishised their body.
reblog this version pls
Itās important to remember that disabled people are also included in this other, both by society and textually in Shape of Water.Ā Elisa, the lead, is mute, and deals with a lot of shit because of it, particularly from the cishet white man villain.Ā Her disability is also what allows her to connect to the monster, as sheās able to teach him ASL signs he can communicate with.Ā Theyāre able to connect because theyāre both different.Ā To this day, disabled people face a lot of barriers to relationships, like potentially losing disability benefits if they get married in the US.Ā
Del Toro has a lot of works that boil down toĀ āDifferent is good and the people trying to fight for the status quo are the true evil hereā (shoutout to Panās Labyrinth where, in a world full of monsters, the primary antagonist is a white fascist general and abuser).