SILVIXEL

so we have to talk, therefore, about the "platonic ideal" if you will, of an f1 driver. we all know, that except the bubbles of f1blr and f1tiktok, which fall into more of a "fandom" concept, and are therefore necessarily the domain of women and queer people, motorsports as a whole is a hyper-masculine pursuit as both a participant and a spectator, as is the case with most sports. we might therefore, gravitate towards thinking of this platonic ideal as some kind of super-jacked mega-sports guy. we do have to alter this a little to account for the specifics of f1, which prefers a smaller build, though still muscular, to complement the car. f1 has also long cultivated an aura of elegance to set itself apart from other motorsports series like NASCAR. this is not a diesel-huffing crowd, this is a champagne on yachts crowd. our faves all come out somewhere on the classic hollywood leading man to meterosexual sliding scale. i would volunteer charles leclerc as the best example of this platonic ideal in recent memory. the evidence of this? the amount of "traditional" f1 fans (i.e. men who watch the races and do not engage in fandom) professing an obsession with him.

where does nico fit in in relation to this platonic ideal? on paper, he seems pretty damn close. he's also got a slighter, lither build and also has always carried around an aura of elegance. he was even born and raised in monaco, like charles, whatever his passport says. there's a whole sub-essay i could write on the way that, in so many ways, both within and outside fandom, charles has picked up nico's baton, occupies the space he vacated, but we'll save that post for another day. so if nico is so close to the platonic ideal, why then is he not more celebrated? why then is he regarded with such suspicion? well, we can't micro-analyse his physical features, or pinpoint the source of the feelings he generates in others. not only would this be an exercise in futility, it would also be remarkably close to an exercise in anti-queer eugenics. the answer is that, for whatever reason, the feelings he generates in the traditional, heterosexual, cisgender male audience and participants of f1 are different to the feelings that charles generates.

let's analyse. they're both openly acknowledged to be/have been beautiful, but what's the difference here? well, charles presents in a subtly more masculine way. his haircuts have, since he reached adulthood, typically been shorter and he usually sports some degree of facial hair. nico's hair is often best described as long, for a man, and he's always clean-shaven. charles is also much more gender-conforming in his fashion choices, and more conservative (even when he makes poor choices), whereas nico's fashion choices (especially since leaving f1) are typically much more considered, "put together", and he takes bigger risks with patterns, colours and cuts. he also often carries a bag, which is associated with femininity. it's subtle, but on some occasions we could even make an argument that nico is gender-nonconforming in his fashion choices, at least within a hypermasculine sphere.

why does the way in which they dress and groom themselves matter so much? it's a huge part of how we signal gender and sexuality. susan sontag's notes on "camp" explains this in great detail. camp fashion emerged during the time in which homosexuality was illegal and therefore couldn't be announced publicly. instead it had to be signified somehow. this was achieved through a combination of fashion and mannerisms. camp, then, is even when performed by cisgender heterosexuals, inextricably and viscerally linked to queerness, particularly the queerness of amab individuals. this is because, later, "butch", which achieved the same results by travelling the opposite direction was separated from camp as its own entity. it is therefore a deviation from expected masculinity, and proximate to femininity. in a hypermasculine sphere, the threshold at which camp emerges is much weaker. nico rosberg presents camp. charles leclerc manages to avoid doing so. (side note, since nico retired, lewis hamilton has become much more daring in his own choices and is also finding himself flaunting gender presentation norms in f1. interesting, wouldn't you say?)

but this isn't the only way that nico rosberg has developed an association with queerness. the second way is entirely out of his control - it's the uncomfortable attraction of other men to nico rosberg. again, lets compare nico and charles. whilst plenty of people, fans or those who work in f1, are happy to admit that charles is "handsome", or even "beautiful", the word "pretty" is reserved (again, excepting in fandom spheres) for nico. why is this important? well, charles represents a male fantasy. men want to /be/ charles. even when a few cis-het male fans go as far as to say they have a "man crush" on charles or would make an exception to their heterosexuality for him, it's not a real suggestion. why? well, when these cis-het men say they would sleep with charles, what they mean is that they have mentally attempted to put themselves in the shoes of someone who is attracted to men and then found what they believe to be the best example of a man. charles is the platonic ideal of an f1 driver, he is therefore maximally fuckable, assuming one is attracted to men. for these men, saying that they would fuck charles is the end result of a thought experiment. what they are really saying, in quite a masturbatory fashion, is that they would like to be charles and fuck people.

nico rosberg, however, brings uncomfortable tangibility to this thought experiment. we've already established that nico has an association with femininity and femaleness that charles simply does not. for a heterosexual man, a feminine person is the typical subject of their attractions. nico expresses himself, both in fashion and mannerism, in a similar way to the women that are the object of many heterosexual men's desires. "pretty" is a word that is reserved by heterosexual men for women, and yet, it is/was routinely used about nico rosberg. a small case study in this is jenson button. by his own admission, jenson button had a psychosexual fascination with britney spears. what nickname did he immediately pick up for nico rosberg? britney. (note, i am aware that mark webber is the origin of this nickname, but jenson really took the baton and ran with it out of a few options). not only does this double down on nico's proximity to femininity, it also highlights jenson button's attraction. he doesn't just give him the name of any woman, but the woman he, self-admittedly, desires the most. jenson might be the most flagrant example, but he's not the only one. giving rapid one-word responses to drivers, mark webber gives nico as "pretty". another nickname that emerges for nico is "princess" - again, associated with not only femininity but highly desirable femininity.

so then is it all a big gay panic? while that certainly doesn't help and causes fractious relationships on an individual level. it's actually not the only problem nico rosberg's gender expression poses. to understand the other problem, we have to talk about the entrenched misogyny of f1. the platonic ideal of an f1 driver is, always has been, and will likely continue to be for a very long time, a man. a particular kind of man, as we have understood, but nevertheless, a man who manages, despite the preference for a smaller build and elegance, to skirt around the edges of femininity without touching it. nico rosberg is too close to femininity and worst of all, he is a champion.

one of the most curious things about women in formula 1, is that they are perpetually forgotten. even long-time fans of the sport, are often surprised to discover that there have been five female f1 drivers. it's a truly stunning display of repressed memory. even then, women in the world of f1 are necessarily "butch", simply for their presence within it. with a very small pool of exceptions, to participate seriously in sport as a woman is to be masculinised, voluntarily or otherwise. this is to say nothing of the over-representation of women loving women or women who by personal preference present more butch in sport. even though f1 represses its women as a traumatic memory, when women enter its sphere, they are masculinised, the sport is not feminised, well at least as long as they remain minor players.

nico rosberg's championship immortalises him in the annals of f1. by the rules that they have put in place, he cannot be repressed in the same way that the memory of lella lombardi or maria teresa di fillipis or even mike beuttler (a driver revealed to be gay after his retirement who subsequently died during the AIDS epidemic) can be. the role of champion is meant to be fulfilled by the platonic ideal of an f1 driver (side note, we can read into charles's title of "il predestino" quite a bit here). if it isn't, then it necessarily shifts the platonic ideal and therefore the identity of f1. nico rosberg's championship win represents not just a crisis of sexuality, but a crisis of identity across the entire sport, all of which is tied up in gender presentation. when nico rosberg won, the sport got camper, and it hated that.

to make matters worse, by immediately announcing his retirement for the express purpose of spending time with his wife and then newborn daughter (since then, he has had a second daughter), rather than shrugging off his associations with femininity by leaning into having a title and taking off in pursuit of more, nico doubled down on this. proximity to children, especially day to day, is another thing that typically falls into the domain of femininity, although we are beginning to dismantle this a little bit in the 21st century. however, f1 remains a hyper-masculine space in which its participants are expected, or even demanded, to spend large quantities of time away from any children that they might have. there are no accommodations made for parents on the grid. despite nico's decision to retire, when we reflect upon it, being highly understandable, its associations with femininity add to the impulse to call the decision "cowardly". it is an emasculating decision, and therefore incomprehensible to the hyper-masculine world of f1.

following his retirement, nico's campness only increases. i might speculate here, that part of this is the lifting of pressure to present in a way that people surrounding him in f1 are more comfortable with - you can see that his outfits when he is doing punditry for sky, for example, are much more conservative. nico has been open about not liking who he was when he was putting in serious bids for the f1 championship, and pressures to behave in a more masculine fashion might have formed part of that. likewise, nico goes out of his way to emphasise his relationship and closeness to women and femininity, branding himself as a "girl dad" (we could compare here to kevin magnussen, who is also the father of two daughters whom he clearly cares about very deeply, but hasn't, to my knowledge, referred to himself as a "girl dad". when we consider nico's behaviours post-retirement to be "cringe" we might then want to interrogate which behaviours, exactly, we mean. "cringe" very frequently, is a disguise that misogyny and homophobia wears to be let back into he building.

how does the world of f1 react to this? by attempting to repress nico rosberg. mercedes fails to mention and credit their only other champion besides lewis hamilton, even in the same breath in which they claim closeness and proximity to michael schumacher. fans undermine the validity of his win by implying it was merely the culmination of lewis hamilton's bad luck with regards to car reliability, which not only undermines nico's achievement but so to lewis's (to be truly the best, one must triumph over greatness and skill, not untalented hacks, as many would you have believe). new fans of the sport are often shocked to discover that nico rosberg is in fact a world champion, even though only two drivers have won the title since him, and only one new driver. where nico can't be erased, he is cast in the role of the villain, the way disney villains almost always carry an association with camp and gender nonconformity.

*fireworks*

HELMETLESS DIN DJARIN!!!

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