Aqua Utopia|海の底で記憶を紡ぐ
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祝日 / Permanent Vacation
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#extradirty
Sade Olutola
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things
Three Goblin Art
Claire Keane
Not today Justin
RMH
hello vonnie
let's talk about Bridgerton tea, my ask is open

titsay
Mike Driver
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@silverandsunflowers

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If you are young and fit and healthy, get a hobby you can do while ill. Something that brings you joy and you can still enjoy while laid out with flu or whatever.
Future you will thank you for not pinning your ability to enjoy and get any sense of achievement on having the base energy levels of a teenager.
Sure, you might still be dancing and playing tennis and running marathons in your 80s. Or you might be walking short distances with a cane between breath stops in your 30s, and really glad past-you found those breath stops were so much more enjoyable if you brought a pencil and some paper to draw the pigeons you were sharing a bench with.
aheem heem 🥺 whimper
I just think that Rocky is the most feral possessive bitch to ever exist when it comes to Grace. Sorry, if you don’t fix my space horse I’m NOT giving you any of the bacteria we almost died to get- oh hello mate Adrian, yes yes, Rocky DOES think this is perfectly rational, why do you ask? No, Rocky ran out of his Eridian Lexapro like four years ago this is now a hostage negotiation-

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So I made notes when I read Pride and Prejudice because I had so many spoilers for this book thanks mostly to tumblr, and yet here are some things that took me quite off guard:
The narration just dips into anybody’s head whenever it feels like to give us a summary of who they are as a person and what they care about. Very straightforward. Very effective. Very much not the modern approach.
This extends to telling us straight out, like half a chapter after the iconic Darcy-snubbing-Elizabeth scene, that he had now developed a massive crush. This comes as a great shock to Elizabeth quite a bit later, but the audience spends much of the book enjoying the layers and/or dramatic irony. Who knew!
Elizabeth on the other hand had a crush on Wickham.
Wickham is genuinely good at being likeable not an obvious sleaze and the fact that he’s a bad guy was an actual plot twist, though I’m sure plenty of people saw it coming even when the book was new.
As much as the book attends to women’s concerns, being as it is a book very much about a woman, the greatest explicit thematic force of the novel is the question of class.
Specifically, that great and renowned engine of Anglophone egalitarianism, the conviction of the upper middle class that they are every bit as good as the true upper class, or that if they aren’t it’s only a question of opportunity.
Seriously, the fact that the ultimate symbol of emotional resolution the story closes out on is that the new Darcy family has over for Christmas Elizabeth’s aunt and uncle the Gardiners, who are in trade and don’t even live in the nice part of London but are nice and sensible and not at all people it is mortifying to be related to, even though Darcy assumed as much without having met them, while avoiding both her tawdry shallow mother and his awful smug aunt, who are very similar people for all one is a wretched social climber and the other a minor aristocrat obsessed with her own consequence…that’s it, that’s the book.
Additionally the fact that this novel is from the end of the 18th century , when in England the Industrial Revolution was gaining momentum but no one knew what it meant yet, including I’m pretty darn certain Jane Austen.
(Though since she waited 16 years to publish it she may have had a better sense by then, and even made amendments to that effect.)
So everyone’s sense of what is real wealth and security and thus valid social status is still vested in land ownership and income specifically from agricultural rent, and yet you can feel the change coming, because the desire to write this book in this way arises from the cultural forces that were at that time in play, particularly the question of upward mobility.
Elizabeth’s grandsons will have to get into trade in some sort of way, or their children in turn may not be able to keep Pemberly in adequate repair.
By loosening the stubborn Darcy/Fitzwilliam pride in this particular regard Elizabeth may in fact have saved the house from dissolution.
Btw the thematic import of Mr. Darcy having his mother’s maiden name as his first name, in part because she actually ranked his father, as wealthy and respectable as the Darcys may be. His family legacy is literally his whole identity and part of what Elizabeth brings to the marriage is having helped him understand that it doesn’t have to be.
Seriously how did I not hear about any of this.
"Why do you talk so much about being intersex?"
Over 90% of parents of visibly intersex children opt for cosmetic surgery on their infants.
The ones that don't experience medical violence then, likely experience it as a teenager.
I didn't.
I am very rare in that I did not experience medical violence.
Why? Because I learned what intersexuality was as a young age, and I actively fought against what doctors wanted to do to me. All the way down to legal research on what medical care minors can be forced into. I remember walking into that doctor's appointment with the state law written down that proved that if I did not consent they could not do surgery.
That is why intersex activism is important. It saved me and it will save more.
My guy folded under ZERO pressure. (ToT) LmaO. Have a safe and Happy Pride Month, everyone~! 🌈🌈🌈🙏✨ -Bubbly💙
“In the first three seasons, Kripke had a staunch “no angel policy.” Supervising producer Sera Gamble posited the idea of angels back in season two, with her episode ‘Houses of the Holy’, “but the reason [the creature] didn’t turn out to be an angel in that episode,” Kripke relates, “was because at the time I had the no angel rule – I just didn’t want them. I had this notion in my head that the only forces of good in the universe were humans, and that it was sweaty, disheveled, confused humans up against this overwhelming supernatural threat. But in humanity lay the power and the ability and those tiny moments of grace which allowed good to triumph. That’s my world view and it’s what I wanted to attribute to the show. I didn’t want massive supernatural creatures, who were good, to come in and save them. Salvation has to lie with your main characters, or else what’s the point? So I’d been very resistant to the idea, but then in between seasons three and four, I was thinking about the problem of how demon mythology was just getting kind of boring for us. Every time a demon came up as an episode idea [in season three], my co-show-showrunner, Bob Singer, and I always sort of sighed and said, “Alright, what are we going to do with the demons this time?’” But then Kripke had an epiphany. “I was just puttering around my house,” he says, “just stewing on the problem of what to do besides demons, and wondering, ‘How can we possibly expand and twist our mythology?’ I remember the moment, I remember where I was in my house, and I remember the thought clear as a bell: ‘Well, if you’re looking at it purely in a yin-yang way, if you’re looking at two sides of a coin, angels are the other side of the demon coin.’ Then one of my first thoughts was of Christopher Walken in The Prophecy – ‘Well, you know, you can do angels where they’re not good guys. You can do angels as nominally good in that they’re fighting for Heaven, but they’re soldiers.’ I started thinking about the smiting of the first-born, and of Sodom and Gomorrah. I was considering all that and I thought, ‘Well, you actually could have angels and have them be truly terrifying.’ To give credit where credit’s due, it’s Sera who showed me the poems by Rainer Maria Rilke about how scary angels could be, so in the back of my head there was already this notion that angels in their true forms were such overwhelming powers that they could be really terrifying. Along with the realization that angels could actually work on Supernatural, Kripke also realized that more than that, they needed the angels. “We were attempting to have this massive off-camera scope of the universe in which these sides were battling each other, but we only had one massive side,” explains Kripke. “We had the evil side, the demons. And then we had our hunters. With our production, we couldn’t afford the size of demon-human battles we wanted, we just didn’t have the ability. But what the angels give you is the other army. Now suddenly we can have these massive off-camera clashes. And massive off-camera drama that you can bring into the storyline that you never have to see, you can just reference in dialogue. With that, the world started to feel more epic and much more of the Star Wars/Lord of the Rings-on-a-budget mythos we were going for. We could have this massive war between angels and demons, but the story could still be about these two Midwesterners in a muscle car. It just gave us so much more territory to steer through and around.” “The other thing it did is for the first time it made Dean a coherent and central part of the mythology. We’d always had Sam being the dark side’s chosen one, but it never occurred to us to say, ‘Well, maybe Dean is the chosen one of the light side!’ Now he isn’t just a bystander to Sam’s mythology, and that provided much more of a story engine.” “I walked into the writers’ room on the first day of season four and looked at the writers, who up to that point had taken to heart my very staunch no angel stance, and I said, 'Okay guys, angels… but they’re dicks.’””
— Knight, Nicholas. Supernatural: The Official Companion Season 4. Titan Books, 2010: 8-9.
Write that one-shot. Those 3 chapters will be the best 10 chapters you ever wrote

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i honestly don't really understand why "some people prefer watching gameplay online rather than playing games themselves" is treated as such a taboo when being a spectator is considered a pretty mundane way to engage with most sports, game shows, reality tv or even just like. chess.
like the usual arguments are "not everyone can afford video games or have the software to pirate" or "you can be a fan of a game's story, but not it's gameplay" but also some people just have more fun watching other people be really good at starcraft or speedrun super mario 64, i don't think that's a particularly out of the box way to engage with the medium.
is it normal to want to cry at this image
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
Dog years this, early dying grace that. Didn’t Rocky still get exposed to a high dose of radiation in the taumoeba leak incident? Like, more than he ever passively experienced on Erid in his entire life, period?
Give that rock cancer. Doomed queerplatonic relationship. They both die at the same time and Adrian turns the biodome into a museum to their sacrifice.

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At 1 PM on a Friday I get an email from my boss. I'm busy as hell so I don't check it immediately. Then I get a phone call from my boss, which has almost never happened before. I'm a white collar worker, a historian. There's never a 'historical emergency' requiring a phone call to kick me in the ass and get to work.
The request is so urgent my boss needs it by the end of the work week. Which, y'know, is 5 PM on a Friday. So I have four hours to do it.
It's a forwarded request. Somebody contacted a member of the donation team asking for help, "I need a map from the Vietnam War to use for a presentation." It's somebody she's trying to coax into giving a five figure donation to the museum.
The request was asked to the donation team member, who then emailed my boss, who then emailed and called me urgently.
This map required:
North and South Vietnam in it
All four areas that South Vietnam was divided into for military purposes ('Corps') clearly delineated
Four cities, all of them horrifically misspelled, and only identifiable because I know what battle the requester is asking about (it’s in III Corps on the border with Cambodia) (the requester danced around the battle but I’m knowledgeable enough to identify it)
Has Laos and Cambodia in it
Has the Ho Chi Minh Trail in it
So. I was mad about the 'you have literally four hours to find a map with a lot of requirements.'
I was then mad at myself about finding a copyright free map from Texas Tech University within half an hour, proving her right for asking me to do it.
Then, after I found a map that perfectly met the requirements, I was equally amazed, baffled, and horrified when I read further into the forwarded email chain.
The donation team team member they were speaking to used AI to generate a map.
The above put half of North Vietnam in South Vietnam, made the Ho Chi Minh Trail a country, made 60% of Cambodia part of South Vietnam, put the DMZ extremely high up in North Vietnam, completely disconnected the southern tip of Vietnam, misplaced all of the Corps zones, etc etc
At the very last second the donation team member had a moment of divine clarity, remembering there's three historians on payroll to ask for this kind of thing from. So she contacted my boss while saying, "I had fun with this, but I decided I should check for accuracy before I send it to the donor! I need a fact check by the end of the day, then I send it"
My boss, while not the most knowledgeable on the Vietnam War, does know her geography. She took one look, and knew it was so off she called me to tell me how urgent it is that I look at the email and respond
good fucking god, jesus tap dancing goddamn christ, I'm glad I was asked to look at it and then find a real map
My fear has never been that AI would replace human intelligence. My fear has been that the people who Know Things and the people who Make The Decisions are almost never the same people.
We’re throwing real intelligence out on the street to starve while worshipping the shambling Frankenstein-ed corpse of knowledge puppeteered by those who see us as disposable assets.