I WANT TO LOOK AT THINGS MADE BY HUMAN BEINGS
And also occasionally by pufferfish
almost home
noise dept.
$LAYYYTER
Stranger Things

Andulka
PUT YOUR BEARD IN MY MOUTH
taylor price
Peter Solarz
let's talk about Bridgerton tea, my ask is open

izzy's playlists!
Not today Justin

JBB: An Artblog!
Jules of Nature
đŞź
ojovivo
hello vonnie
todays bird

oozey mess
styofa doing anything

romaâ
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@silverandsunflowers
I WANT TO LOOK AT THINGS MADE BY HUMAN BEINGS
And also occasionally by pufferfish

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This is fucking killing me. Like what
I fear we may have gone too far...

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I'm thinking of getting a binder and I looked up one of the biggest concerns I have first and started cackling at the top result
mary oliver, staying alive
i think being proud of where you come from is one of those things that becomes fun the more specific you get. like "proud to be english" bad rancid vibes. makes you sound like the kind of person who rants about immigrants. "proud to be from yorkshire" better vibes. i cannot deny the yorkshire cultural heritage. "proud to be from pocklington" absolutely fucking hilarious please never let anybody kill your pocklington pride.
i love the USA: weird vibes. dont trust that.
i love muskegon michigan: you are experiencing a kind of personal joy that i can and will not take from you

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kitties will be like "in case you forgot: hello"
As a society, we need to go back to understanding that strangers on the internet are, you know, strangers. I feel lately that I'm seeing a rise in 'An author I love blocked me because they took my comment the wrong way' posts on the ao3 subreddit, and then the comment is them calling the author a fucking bitch or something like that.
Don't do this. Tone doesn't translate well in text, and if you don't have a rapport with that author, they are not going to interpret, 'You're a fucking bitch' as, 'Author I hate you for being so talented and making me feel so keenly.' They're going to interpret it as you being an asshole. You can shit talk with your friends because you have an established relationship with them and can distinguish between playful banter and genuine anger. You do not have this with a stranger, no matter how much you like their fics. You will have a much more pleasant time in fandom and not get cockblocked from interacting with your favorite writers if you remember this.
Lots of writing advice on tumblr. It's been years since I've written fiction in a serious way, but I did write a couple of (bad) novels in my early 20's, a bunch of short stories, and also a few hundred thousand words of LARP writing, and I do have a bacherlor's of science in creative writing (lol).
From what I can tell, there are only three universally applicable pieces of writing advice:
Read a lot (mandatory)
Show your writing to people (mandatory)
Have something wrong with you in a way that is impossible to articulate except by writing a novel (optional)
I think this one is also important:
4. write
[âWhile âessential workersâ in the poultry industry were made to feel dirty, nonessential workers in fields like finance and computer engineeringâthe âpeople with laptopsââwere sheltering in place, more distant from what transpired in industrial slaughterhouses than ever before.
Thanks to FreshDirect and Instacart, consuming meat no longer even requires coming into contact with a deli butcher or grocery clerk. With a few taps on a keyboard or the swipe of a screen, consumers can get as much beef, pork, and chicken as they want delivered to their doors, without ever having to think about where it comes from. And yet, as the popularity of bestselling books like Michael Pollanâs The Omnivoreâs Dilemma and Jonathan Safran Foerâs Eating Animals attests, a lot of Americans do think about this. In recent years, more and more consumers have begun to carefully scrutinize the labels on the packages of the meat and poultry they buy. The ranks of such consumers have grown exponentially, paralleling the rise of the âgood foodâ movement, which promotes healthier eating habits and reform of the industrial food system.
Although the movement is, in Pollanâs words, a âbig, lumpy tent,â composed of a broad coalition of advocacy organizations and citizensâ groups that sometimes push for competing agendas, one of its aims is to persuade consumers to become more conscientious shoppers and eaters. Among those who put this idea into practice are so-called locavores, who buy food directly from local farms, ideally from small family-run enterprises that embrace organic, sustainable practices: ranchers who raise grass-fed cows that never set foot in industrial feedlots; farmers who sell eggs that come from free-range chickens reared on a diet of seeds, plants, and insects rather than genetically engineered corn and antibiotics.
Locavores engage in what social scientists call âvirtuous consumption,â using their purchasing power to buy food that aligns with their values. The movement appeals to the growing number of Americans who want to feel more connected to the food they eat and to the people who raise it, with whom locavores can interact directly at farmers markets or through community-supported agriculture programs. It is a captivating vision, and the benefits of eating locally grown foodâwhich is likely to be more nutritious, to come from more humanely treated animals, and to be better for the environmentâare manifold.
But locavores have some blind spots of their own, most notably when it comes to the experiences of workers on small family farms. As the political scientist Margaret Gray discovered when she set about interviewing farm laborers in New Yorkâs Hudson Valley, the vast majority of these workers are undocumented immigrants or guest workers who toil under abysmal conditions, often working sixty- to seventy-hour weeks for dismal pay. âWe live in the shadows,â one worker told her. âThey treat us like nothing,â said another. In her book Labor and the Locavore, Gray asked the butcher on a small farm why so few of his customers seemed to notice this.
âThey donât eat the workers,â the farmer told her.
âHe went on to explain that, in his experience, his consumersâ primary concern is with what they put in their bodies,â Gray wrote, âand so the labor standards of farmworkers simply do not register as a priority.â]
eyal press, from dirty work: essential labor and the hidden toll of inequality in america, 2021
He is actually a deer
instinctual frolicking

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to be honest i think thereâs a large number of people who conflate the very real and widespread phenomenon that women tend to be written off as just mothers or love interests in order to diminish their importance in a given story with the fact that a huge reason theyâre sent to narrative purgatory in this way is BECAUSE the labels of âmotherâ and âgirlfriend/wifeâ are systematically devalued and seen as inherently inferior because theyâre terms that have been associated with ownership and/or control over women. like the amount of people whoâve told me that a certain female character is uninteresting or badly written because she happened to have a kid or be a manâs girlfriend or sister just to find out she was actually fleshed out very well and carried significant narrative importance frustrates me soo bad. thereâs a huge problem with how those roles (specifically âwifeâ and âmotherâ) are systematically devalued and yet also perpetuated as the only viable options for women to achieve their societal roles in the patriarchy but acknowledging the devaluation of those labels to begin with is an important discussion in itself.
last week I was deep in the trenches ploughing through work and mid-afternoon realised I'd neglected to open the blinds and the room was a little dim, so I got up to do that and discovered that a car had flipped onto its roof directly outside my flat and the entire street was closed and flooded with emergency service while they dragged someone out of the vehicle and packed them into an ambulance. so now every time I open the blinds I'm a little like the dog with the ham sandwich bush. what the fuck could it be today.