stuff that was rattling around in my brain

me: great! time to post to ao3-

ao3 summary box: *exists*

me: 

ao3 summary box:

me:

ao3 summary box: 

Who: Main character(s)

Why: Character goal or desire (stated)

Why: Character need (implied)

When: Inciting Incident

What: Means (that achieves the goal/need)

Where: Place A >> Place B

How: The Plan

Obstacle(s): antagonist or challenge

For example:

Who: Bilbo Baggins, a respectable hobbit of Hobbiton

Why: Treasure, wealth (stated)

Why: Adventure, self-respect (implied)

When: After supper

What: Quest

Where: Hobbiton >> The Lonely Mountain

How: A company of dwarves, a wizard, and an ancient map and key

Main antagonist(s): a dragon

Thus, in less than 100 words:

Bilbo Baggins is a respectable hobbit in Hobbiton, never making any trouble or having any adventures. But when a wizard and a company of dwarves invite themselves to dinner, Bilbo finds himself joining their quest from the shires of Hobbiton to the legendary Lonely Mountain, the home of a long lost treasure, and quite, possibly, a dragon.  

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i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability

(character interactions are now 200% more fun to write)

Before:

“Bluh, I don’t wanna go to school” Sarah grumbled, “I’m too tired.”

And now, when neither Sarah nor the narration are allowed to directly say that she’s tired or doesn’t want to go to school:

1: are new too writing

2: struggle to remember all this stuff WHILE they’re writing, and/or

3: feel like their writing is lacking even when they know this stuff

THIS IS A TIP BEST SAVED FOR REVISION!! A lot of stuff like this is! When you’re writing a first draft, the only thing you should be worried about is getting the message on the paper. My “first draft” usually looks more like a rough outline and jumps around between eloquent prose, emojis, sincere dialogue, and sometimes things like “blinking white guy dot gif”. Because that gif has a very specific emotion, right? But it’s hard to put into words, it’s time consuming, and when I’m just trying to get my thought out before it slips away from me, I don’t want to stop and ponder how best to go about it.

In your first or second pass, it’s okay and normal to say “I don’t want to skip school. I’m tired.” As long as the improved/revised version makes it to the final product, you’re a-okay. 👍

There is very little intrinsic institutional power in queenship. The power a consort, dowager, or queen mother has depends mostly on how much the reigning sovereign (usually a man) is willing to grant her. Needing a queen to serve as regent is exceptionally rare, and the regent is more often a male relative.

Queen regnant: woman who rules in her own right, not on behalf of someone else.

Regent: Someone who temporarily assumes the powers of the monarch on account of the monarch being too young or too incapacitated to govern.

Queen consort: Woman who is married to the monarch.

Dowager queen: Woman who was married to the monarch. The monarch is dead, and she is owed support as his widow.

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

I’ve got a short story due today at 5, so I decided to do this and completely rewrite the first draft.

OH. MY GOD.

This is legitimate. It’s let me completely gut scenes I was unhappy with, rewrite them entirely differently and not feel any loyalty to what I used to have.

It’s taking a long time. It’s a commitment. But heck so is writing.