cosmic engineer

St. Bride by John Duncan, 1913

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-Maria Tatar, The Heroine with 1001 Faces

The Roses of Heliogabalus (detail), 1898 oil on canvas Lawrence Alma-Tadema

In this house we only drink out of Moomin enamel mugs.

I want a whole wall coverd in these please and thank you.

the seafarer, unknown / rough sea, robert henri / sea-fever, john masefield / figure in sea above figure on hill, euan macleod / inkheart, cornelia funke / dead of night, hey marseilles

“Xenophobia, especially Islamophobia, is rising in many European countries…I feel it is necessary to mobilize against such intolerance. My ‘National Identities’ series gives immigrants the main role, using them as models in my photographic variations on classic paintings.”

currently thinking about: this photo of richard sandells kissing the eros statue in piccadilly circus as part of an outrage kiss-in protest against the prosecution of gay people showing affection in public.

Hong Kong Embers

Underground House, Gharyan, Libya

Tove Jansson painting the fresco Party in the Countryside, Helsinki, 1947

From the Wikipedia page on loons

At the end of the film, Evelyn looks at her husband shyly like she did when she was a kid, and gives him a sweet kiss before they go into their meeting. Throughout, as various Waymonds touch various Evelyns kindly on the face, she reacts the same way Waymond reacts here: with wonder that someone has thought they were touchable when they felt like they were made of prickles and barbs.           — Walter Chaw on Everything Everywhere All at Once

EVERYTHING EVERYWHERE ALL AT ONCE (2022)

Charlie Meckel, The Light Pours Through, Oil on linen

Stargazing. Daniel Ablitt