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@sibsattic
in honour of those who have served.

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so I just watched the odyssey movie....
and I made this within 5 minutes of returning. so I think that sums up my thoughts on it. (though im willing to rant more if ppl want it. cause I have COMPLAINTS)
anne bonny black sails tragic character of all time. she loves two people and only them. she is miserable if she is without either one of them. if she has them both she compromises her own happiness. she doesn't know what would make her happy because only the two people she loves do that. she wants to leave the sea but jack can't so she stays. she wants to leave that fucking island but max can't so she stays. loyalty to her lovers over loyalty to what she wants. because she wants them.
huge fan of kink blogs that highlight key words like this. honestly It always makes me think of ace attorney like. daddy may know what the murder weapon is

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nolan's the odyssey has such a fundamentally culturally christian understanding of religion and divinity that it is genuinely jarring to see characters in a supposedly ancient greek historical context describe divinity and its expression in those terms. characters wonder aloud why gods hide themselves (they didn't), question the existence of what nolan interprets the supernatural to be (they wouldn't) and talk of zeus's law (not real, and still somehow bastardized) in the same way we would talk about the ten commandments. it's so out of place. and it taps into that "defy the gods" thing.
like. we can defy the christian god, in a way, because we can choose to not do what he says we ought to. sure. but we cannot defy greek gods in the same way, because the god is not just an entity that commands you but the very thing you are doing. apollo does not just send plagues, he is plague. you know apollo is real because there is plague. plague is not apollo acting in the world, it is an instance of apollo, in the same way that insight is athena, love is aphrodite, harvest is demeter, storms are zeus. gods are not commanding nature and sending signs and acting upon the world, because signs and nature and human nature are themselves the gods. the gods cannot be absent, because we still get ideas, and harvest, and go to war, and feel desire, and hunt. the gods cannot be defied because you cannot defy "getting ideas" or "harvesting" or "having sex" or "dying." to attempt to is entirely futile. like you cannot defy poseidon because you cannot defy the sea. you cannot defy aphrodite because you cannot defy love and reproduction. nature and human nature and unbeatable, and so the gods are unbeatable, because they are nature and human nature.
and it's such a beautiful way of looking at the world, and he just doesn't get that.
Ultimately, the fact of the matter is that there’s a profound difference between taking some liberties while adapting a story and completely changing the characters and themes of said story as a supposed adaptation. Jesus Christ Superstar works as an “adaptation” of the gospels because a) it does not pretend to be a faithful adaptation, but rather a play on the original story; b) it’s different in many ways, but the core of the story remains the same: it deals with themes of faith, mystery and contemplation of a higher will, predestination and free will, the relationship between humanity and the divine; it differs in its elaboration of those themes from the original, and introduces some new elements, but it’s still ultimately a story about those themes, and the characters — although explored in different ways — are still the same characters at their core.
Just like you can’t write a Jesus that is unforgiving, or a Judas that doesn’t betray Jesus in the end, you can’t write an Odysseus that’s not cunning and deceitful and full of hubris. Those are the traits that make him Odysseus. You can give him PTSD from the Trojan war, sure; you can explore the complexities of his character and any guilt he might feel about his actions, and still have him feel like Odysseus; I think the novel Circe by Madeline Miller does it fairly well, for instance. But you can’t write an Odysseus who is a good, honest, straightforward man trying to grapple with his war crimes, simply because that is not Odysseus. And in the same vein, if you want to write a take on the Odyssey but you want to forgo all exploration of the original themes and concepts in favour of your own ideas, it would be worth it to look for a different epic poem that might be a better base for your ambitions.
Look, I’m not the adaptation police. I’ve read plenty of stories that completely subverted the core of the respective original works and I’ve loved them to bits; but there has to be a clear connection between the story and the subsequent take on the story, or it doesn’t work. You can’t just write your original work with specific themes and characters, slap some familiar names on it and call it an Odyssey, and people are allowed to say so.
emily wilson translating the odyssey a second time???
my version

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Resident Evil 4 (2023)
Julian Hooper 1. Introduction, 2016 2. Inevitable conclusion, 2016 (Acrylic on linen)
certified door post
what I've learned from having other people edit my work is that I have a sick addiction to commas
there have been four editing passes on my spider sex book, and each time they take away so many commas. no fresh commas are being added, this is just a continued culling. if you see a comma in the final book please understand that it survived so much
disk case I'm currently working on, made in blendow
Ohh hoh hoh. Made a wee lid as well.
the odyssey (2026)

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kitten fever is worse than baby fever because a kitten is way easier to obtain than a baby so it's more dangerous
you cant obtain me. tiger stance
I think it needs to become common knowledge that "inability to read social cues" can show up as overcompensating.
You don't know how much misbehaviour is allowed, so you become the perfect child who never tests rules.
You don't know if someone is irritated with you, so you'll be extra generous and self-effacing.
You don't know how much is expected of you at work so you'll kill yourself in a minimum-wage job and not notice that nobody else is working like this.
"Hardworking and quiet" should be as much of an autism red flag as "ignores rules and doesn't know when to stop talking". Or why don't we just start using words to communicate so i can stop tracking everybody's eyebrow twitches, that would be great.