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shark vs the universe
Misplaced Lens Cap
Claire Keane
Sweet Seals For You, Always
Mike Driver
taylor price
NASA
hello vonnie
Xuebing Du
occasionally subtle

#extradirty
cherry valley forever

pixel skylines
almost home
tumblr dot com

Andulka
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess


seen from T1
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seen from Malaysia

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seen from T1

seen from Malaysia
@shuricio

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Siempre termino tolerando estupideces. Qué agotamiento mental, la concha de su madre.
Conmigo seras feliz, bueno conmigo hubieras sido feliz, pero ya no
(via cielo-a-z-u-l)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Es mejor perder amores por la vida, que la vida por amores.
(via carpediemtuvidadisfrutabien)
Creo que las personas que han experimentado las mayores tristezas son las que siempre se esfuerzan más en hacer a otros felices. Porque ellos saben en carne propia lo que es sentirse desolados y abatidos, y no quieren que nadie más se sienta así.
Robin Williams.
Mas frases aquí.
(via m-e-r-c-u-r-y)
House of memories // Panic! At the Disco

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
dance of life 9.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I analyzed her lyrically, poetically, fantastically.
Anaïs Nin, from a diary entry featured in Henry and June: The Unexpurgated Diary of Anais Nin (1931-1932)
No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh. - Simon Schama’s Power of Art. Bernini