este sonido en la piel con esta brisa tan dura    justo hoy que traigo livianos los árboles.
José Antonio, Vuelta y Giro.
noise dept.
PUT YOUR BEARD IN MY MOUTH
Not today Justin
tumblr dot com
Monterey Bay Aquarium
DEAR READER

Kaledo Art

Origami Around

#extradirty
One Nice Bug Per Day
i don't do bad sauce passes
Lint Roller? I Barely Know Her
Today's Document
Cosmic Funnies
NASA
Cosimo Galluzzi

oozey mess

ellievsbear
sheepfilms
seen from Philippines
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@vueltaygiro
este sonido en la piel con esta brisa tan dura    justo hoy que traigo livianos los árboles.
José Antonio, Vuelta y Giro.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
– Jaime Sabines.
– Alejandra Pizarnik.
sitting here. unkissed. when will it end
Aquà están enterrados unos dioses antiguos.
Unos dioses crueles como suelen ser los dioses.
Sin embargo, aceptaban las plegarias.
– frg. La troballa, Marià Villangómez.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Louise Bourgeois, Manuscritos
National Geographic Nature Photographer of the Year | Nakatsuna Lake, Nagano, Japan by Comyu Matsuoka
El gato y las naranjas.
Alguien de pronto me tocĂł con sutileza el hombro, girĂ© la cabeza y las gotas me mojaron la cara. Era Ella que me miraba desde arriba. Estaba emparamada, el agua le escurrĂa por el pelo y la cara. Me levantĂ© y nos dimos un abrazo que durĂł, más o menos, todo el tiempo que habĂamos dejado de vernos. Una vez más, no hubo necesidad ni posibilidad de palabras. No habĂa nada que pudiera arruinar ese silencio. No hay verbo ni adjetivo para el reencuentro de los amores imposibles. Me dio un beso en la frente, tomándome la cara con las dos manos, y se marchĂł bajo la lluvia.
Mientras la miraba alejarse pensĂ© que habĂa ganado tambiĂ©n algo de peso. Pero le quedaban bien los kilos extra. MagnĂficamente bien. Además me dejĂł embadurnado con su olor a miel, a ese almizcle hĂşmedo que solo ella sabĂa producir en sus laboratorios secretos. El olor del amor. QuĂ© maravilla, quĂ© tragedia, quĂ© gozo, quĂ© maldiciĂłn, todo eso en simultáneo y otra vez.
– frg. La vida en otra parte, José Urriola.
why are people outside at the same time as me it’s my turn

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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– Raquel Abend Van Dalen.
– Jaime Sabines.
The Forgotten One (1883) after Édouard de Beaumont
South American Mountain Lion (Puma concolor ssp. concolor)
Observed by pfaucher, CC BY-NC
— Mario Benedetti.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
To die means to be capable of death as death. The animal perishes. It has death neither ahead of itself nor behind it. Death is the shrine of Nothing, that is, of that which in every respect is never something that merely exists, but which nevertheless presences, even as the mystery of Being itself. As the shrine of Nothing, death harbors within itself the presencing of Being. As the shrine of Nothing, death is the shelter of Being. We now call mortals mortals—not because their earthly life comes to an end, but because they are capable of death as death. Mortals are who they are, as mortals, present in the shelter of being. They are the presencing relation to Being as Being.
Martin Heidegger, "The Thing" in Poetry, Language, Thought