GDV >> [ SHEWASONFIRE ] bass beats sidechained synths 

Future-bass excursion...

[ GRAPHDEVILLE’S ] >>>

CRAZYHOT _£W3N'S I LOVE MILEY SEXFLIP,,,,,

AN ELECCTRONIC TRYS'T PROPAOSAL TO THE ANGEL M.C #001

ØSHO’s debut four tracker fuses elements of musique concrète, ethnic IDM and hypnagogic polyrhythm to construct a contemporary bastard hybrid.

Electro-accoustic throughout, appropriating sidechained synths and female vox from the brat-step sound. Precisely layered esoteric percussion and haunting Lynchian melodies are painstakingly combined to birth a heterodox composite.

Free Minimix DL of >>

CIRQUE’s debut offering CODA, a four tracker devoted to instrumental bass & breaks, jazz & hip hop influences throughout. Dirty bass-lines, snippets of synth and offbeat samples sit alongside deconstructed piano licks. The mood is laid back but sombre. As a duo CIRQUE’s production technique breeds a certain air of conflict born from their different approach to construction, this in our minds here at Shlunk is no bad thing!

Shlunk is proud to present a signature bastard hybrid EP put forward by Graphdeville, fusing elements of Bass, Post-Step and Detroit-Techno. Grating mid range synths, hats a la trap and heavy side-chain on the low end juxtaposed with pitch shifted vocal stylings. A delicate amalgam of dissonant elements and an antidote to mainstream EDM. Soulful, evocative and esoteric to the core.

Solo1's debut EP for shlunk eta mid Jan 2014, promo to follow shortly

The land and the sea is the 4 track debut release for Solo1 on Shlunk Records. Written in London and Portugal across the dying days of Summer 2013 this debut for Shlunk sees Solo1 deliver another set of infected house songs and broken dub messages that fits in perfectly with our label aesthetic. Circling the dance floor and fitting nicely with the current fucked up house vox pop, slow beats (all favouring the wrong side of 100 bpm) are under painted with blurred sub bass and overpainted with severely damaged synths and static interference. With an approach to beat making that can only be described as subterranean, Solo1 uses a variety of hardware, favouring cassette and 4 track degeneration over off the peg DAW solutions. With a luddite view of modern recording technology and production, songs are crafted on old handheld cassette recorders then built up like paintings over a number of months. Influenced strongly by the surroundings they were made in and often including vocals recorded straight into a mobile on the Underground or the wilds of South West England, Solo1 will then add in the top painting (synth, found vocals, radio static and screwed melodies). Constantly refining and chopping into tracks will only then deliver the final song like an image emerging out of a static field. We like this at Shlunk a lot.

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{ AVAILABLE NOW FROM ALL GOOD DIGITAL RETAILERS }

NEXT-SHIT future bass audio excursions eta early NOV on shlunk

Free promo mini-mix 

Hybrid from beginning to end Graphdevilles latest series of audio vignettes, dislocated slo-mo dance for the cerebral audiophile, dirt crusted bass distortion, boom bap on the breaks & beats, detroit on the synth, sparse yet complex, leaving space for the listener, in no rush to get to the drop..cinematic 80's tinged atmospherics wash over & throughout, enough grit though to move any downtempo focused dance floor, SHLUNK is proud to present 'High frequency low life' an alternative take on more mainstream bass manoeuvres.

Free DL Minimix

Future boom bap avant-shit forthcoming on SHLUNK records, ETA early Sept.

A free minimix DL for you here

Bass heavy dislocated synth hop, broken beats, dirty & verbed freebass, pitch shifted vocal hooks..duel tempo hats 'trap' echoes of detroit on the synth constructs..a stripped back slo-dance affair, shlunk is pround to present Graphdevilles latest audio juxtaposition 'she brings the rain'