OUR BELOVED SUMMER (2021) dir. Kim Yoon Jin
trying on a metaphor

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祝日 / Permanent Vacation

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@shaysmarie
OUR BELOVED SUMMER (2021) dir. Kim Yoon Jin

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so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
okay so i just got my dream job??? a week after applying to it?? and now i’m thinking….maybe this is the good luck post
…..not even six hours later i got an offer of a well paying full time long-term job with free room and board in queens in nyc, allowing me independence and a way to escape an abusive situation and an unhealthy environment
likes charge reblogs cast, folks, this is the good luck post
i need all the help i can get for finals
Hey so
the last time I reblogged this post right before I got a great job, in a permanent work-from-home position, with benefits, retirement, and a salary literally 3x what I was making before, doing something I really like.
So you know.
This might be the real one, y’all.
doom at you service (2021), two.
Why? Why must it be me? Fate. That’s cruel. Fate is cruel to everyone.
This won’t do. DOOM AT YOUR SERVICE (2021) dir. Kwon Young Il

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https://www.instagram.com/p/CDJEybLsbTt/
“I’ve worked so hard!”
What are you doing here? What else? I was worried about you. You live alone and have no one to look after you. I’m fine. You’re not fine.
iu ♡ lilac mv looks
IU - LILAC MUSIC VIDEO

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Summer Wedding | by prashe
Biond Magnolia Flower, 吴家后山, sichuan province
Lee Jong Suk | ELLE Taiwan
Run On + 5 Love Languages
run on final thoughts
There’s a line written by Katherine Mansfield, later reused by Yiyun Li as the title for her memoir, that stays with me most days: dear friend, from my life I write to you in your life.
This line stays with me because it’s the answer to a question that I had a hard time answering while I was in school. It’s a question specific to me, and yet I think it applies to anyone who’s ever wanted anything from their lives. Why do we dream what we dream? Why do I write, why do you do what you do?
In her memoir, Yiyun Li says, “What a long way it is from one life to another, yet why write if not for that distance.” I don’t know if everyone explores this distance through writing, but I do think it is why i continue to write and why others might continue to paint, or run, or translate films.
There’s obviously a lot to love about Run On, but something that will probably stay with me is the show’s commitment to navigating this inevitable distance between its characters. There is acknowledgement that this distance exists and that most of the human experience is an attempt to bridge this gap, to understand and be understood — but at the end, we must accept that it’s impossible to close this distance completely.
It is impossible to know someone completely, but what I think love is, as explored by this show, is the willingness to try anyways. Even when failure is inevitable, the attempt is what remains. It’s what helps us bridge the gap within ourselves.
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It was the first time I ever told anyone about that. Nine seconds is a big record and a huge barrier for us. But you were there when I said it out loud. And you were there when I could actually say it. So what about it? That’s what the nine-second record means to me now.
I’ve never been stubborn about anything. So I don’t know how to do it. But could you not teach me? Not teach you what? How to break up. You can teach me anything else, but could you not teach me that one thing?