𝙁𝙊𝙍𝙎𝘼𝙆𝙀𝙉 𝙏𝙃𝙊𝙍𝙉...

Add a second problem that won’t stay in its lane. While the main conflict grows, introduce another issue that keeps interfering and making choices harder.

Give every victory a cost. Let each solution create a new complication instead of clean relief.

Turn side characters into sources of pressure. Their needs, secrets, or mistakes should actively affect the main plot, not sit politely in the background.

Reveal information at the worst possible time. Timing alone can make a simple twist feel devastating.

Force the protagonist to choose between two things they want. The plot thickens when there’s no option that feels “right.”

Let past actions come back ugly. Consequences that arrive late hit harder and deepen the story’s layers.

Complicate the antagonist. Give them leverage, allies, or a point that almost makes sense.

Change the stakes midway. What the story is about shifts, even though the conflict stays connected.

Introduce a secret that reframes earlier scenes. Not a random twist—one that makes the reader rethink what they already know.

Let the character’s inner conflict sabotage the plot. Their flaws should actively make things worse.

KEEP READING!

RELIEVED after worrying about the other, cupping their face, pulling back to gaze into their eyes, “you okay?”

WANDERING, leaving hickeys, looking up to watch their reaction, worshipping their body, nipping their skin, pressing them back down, biting gently

SLOPPY, lazily drunk, groaning, ruining make up,

SOFT, several in quick succession, cradeling their head, arms around wait, reassuring, morphing into a hug

PLAYFUL, in between giggles, nipping the other’s lips, pulling away and leaning back in

CASUAL, upon meeting or separating, when entering a room, just because, on the cheek or forehead or hand, from behind while getting ready and watching in the mirror

DESPERATE, stumbling across the room, pressing against one another while pulling clothes off, gasping into the other’s mouth, teeth accidentally clashing, eventually wandering downwards

ANONYMOUS, in a club, not knowing the other’s name, back to the wall, gasping, hands wandering, “wanna get out of here?”

Indie. Private. A lil’ dangerous—jus’ like de thief himself.

A selectively-written Gambit / Remy LeBeau portrayal, steeped in canon & headcanon-based flavor, & that thick Cajun charm that makes trouble feel irresistible. If y’want a Remy who steals hearts n’ wallets with equal dedication? If y’like your muses roughed-up, sharp-tongued, & too pretty for their own good? Then step right in, chère. Gambit’s always lookin’ for new partners-in-crime.

(  various  fluffy  dialogue  prompts  so  soft,  so  sweet,  just  for  you!  )

❛ i just wanted to make sure you’re okay. ❜

❛ there it is, there’s that smile! ❜

❛ you got me flowers? ❜

❛ i’m not afraid of you. ❜

❛ aw, did you miss me? ❜

❛ you’re lucky that you’re cute. ❜

❛ wait, you think i’m cute? ❜

❛ you’re not alone. you never were. ❜

❛ i don’t think i’ve ever seen you smile. ❜

❛ good morning, sleeping beauty. ❜

❛ it’s better with you here. ❜

❛ don’t worry, i’m staying right here. ❜

❛ you’re welcome to stay, if you want. ❜

❛ don’t be a stranger, okay? ❜

❛ i haven’t laughed like this in a long time. ❜

❛ hold still. this might sting a little. ❜

❛ you can hold my hand, if you want. ❜

❛ i knew you would be here. ❜

❛ i just wanted to say thank you for protecting me. ❜

❛ before you do anything, try this and tell me what you think. ❜

❛ wow i really can’t speak, huh? must be because of how pretty you look. ❜

❛ we can order pizza, watch a movie, whatever you want. ❜

❛ what, am i not allowed to look at you? ❜

❛ i’m not giving up on you. ❜

❛ is that my shirt? ❜

❛ this is a good look for you. ❜

❛ pinky promise? ❜

❛ c’mere, you. ❜

❛ honey, i’m home! ❜

❛ you remembered? ❜

❛ you’re my family too. ❜

❛ let’s go somewhere, just you and me. ❜

❛ i’m here for you. don’t forget that. ❜

❛ you’re the only thing that matters. ❜

❛ was that your first kiss? ❜

❛ i was worried something happened to you. ❜

❛ your heart is beating so fast right now. ❜

❛ relationships are built on trust, and i trust you. ❜

❛ you always see the good in people. even me. ❜

❛ do you think the moon is jealous of how pretty you are? ❜

❛ nope, puppy dog eyes aren’t going to work this time! ❜

❛ thanks to you, i know what it means to love again. ❜

❛ how about a kiss before i go? ❜

❛ i’m just glad you’re okay. ❜

❛ here we are, home sweet home. ❜

❛ thanks for being here with me. ❜

❛ seeing you happy is all that matters. ❜

❛ keep it. it looks better on you. ❜

❛ i couldn’t stop missing you if i tried. ❜

❝  don’t be ridiculous,  there’s enough room on this bed for both of us. ❞ 

❝  please stay.  i don’t think i can be alone tonight.  ❞

❝  i’m staying,  okay?  you don’t have to be alone tonight. ❞

❝  you shouldn’t be alone right now.  i’ll take the couch,  it’ll be fine.  ❞

❝  will you sleep with me?  i know how that sounds i just mean—  i feel safe when you’re there.  ❞

❝  i’ll be here the whole night okay?  nothing will get to you while i’m here.  ❞

❝  wait— have you been here all night?  ❞

❝  i thought you went home after i went to bed.  you didn’t have to do that— you could’ve at least joined me in bed that couch is shit for sleeping on.  ❞

❝  can i stay with you tonight?  i don’t wanna go home yet.  ❞

❝  it’s late,  you might as well just stay here.  ❞

❝  can you just…stay here?  and hold me.  ❞

❝  i know this might sound weird but,  do you wanna stay over?  i guess ‘sleepover’ sounds kind of childish but.  i think it’d be nice.  ❞

❝  i’m not expecting anything,  i just,  thought it’d be nice to keep you company tonight. ❞

❝  i don’t have nightmares when you’re there.  ❞

❝  i get you’re doing the whole protective thing— and i appreciate it.  i do,  but there’s no reason for you to stay awake all night.  might as well come to bed.  ❞

❝  thank you for staying.  it just gets so lonely at night sometimes.  ❞

❝  i don’t want you to be alone tonight and honestly,  i don’t really wanna be alone either.  ❞

❝  do you wanna stay with me tonight?  ❞

❝  stay,  please.  ❞

❝  i’ll stay.  ❞

❝  i’m staying.  ❞

❝  i’m staying.  end of discussion.  you gotta learn to let people take care of you.  ❞

❝  i’m not ready to say goodbye yet.  ❞

❝  i don’t wanna have to say goodnight.  ❞

❝  honestly i can’t sleep,  so if you wanna stay up with me?  ❞

❝  i don’t sleep a lot either these days.  we can be insomniacs together.  ❞

❝  well,  i can think of some ways to wear you out.  ❞

❝  if you can’t sleep,  there are other things we could do.  ❞

❝  i’d rather fuck than stare at the ceiling counting sheep to be honest.  ❞

❝  it doesn’t have to mean anything,  i just don’t wanna feel lonely tonight.  and i want to feel good for once.  ❞

❝  please don’t go—  i need.  i need someone—  i need you.  ❞

❝  the night doesn’t have to end here,  you know.  ❞

❝  i like it when you’re here.  so stay.  please?  ❞

❝  you’re just as lonely as i am.  might as well be lonely together.  ❞

❝  you can stay but i’m not letting you sleep on that couch.  ❞

❝  chivalry is overrated,  get in my bed.  ❞

❝  you’re clearly exhausted.  you can go in the morning.  ❞

❝  you don’t have to pretend to be fine,  if you need me to stay i will.  ❞

❝  when i said i wanted everyone to leave me alone i didn’t mean you.  i can’t handle everyone else right now but you…you’re different.  ❞

❝  you need someone right now.  and i’m the one that’s here.  let me be what you need.  ❞

SCENARIOS

[ GUARDED ]  sender insists on staying the night to keep watch over receiver who has been in some kind of danger. 

[ GUARDING ]  receiver insists on staying the night to keep watch over sender who has been in some kind of danger. 

[ UNEXPECTED ]  one muse stays the night to keep an eye on the other after something traumatic and they end up having comfort sex.

[ CONSOLE ]  sender asks receiver to stay the night because they don’t want to be alone and they end up cuddling.  

[ CONSOLED ]  receiver asks sender to stay the night because they don’t want to be alone and they end up cuddling. 

[ ACCIDENT ]  sender winds up staying at receiver’s house all night because receiver fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ UNPLANNED ]  receiver winds up staying at sender’s house all night because sender fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ STAY ]  sender is carrying receiver to bed because they fell asleep somewhere else but when they start to walk away,  receiver grabs their hand so sender joins them in bed. 

[ STAYING ]  receiver is carrying sender to bed because they fell asleep somewhere else but when they start to walk away,  sender grabs their hand so receiver joins them in bed. 

[ APPROACHED ]  sender is staying with receiver for safety and asks if they can sleep in their bed with them. 

[ APPROACH ]  receiver is staying with sender for safety and asks if they can sleep in their bed with them. 

[ SHARE ]  sender is unexpectedly staying with receiver overnight,  receiver insisted sender sleep on the bed while they take the floor but sender winds up insisting they join them in bed. 

[ SHARED ]  receiver is unexpectedly staying with sender overnight,  sender insisted receiver sleep on the bed while they take the floor but receiver winds up insisting they join them in bed. 

[ FOUND ]  sender is staying with receiver who had them take the bed while receiver takes the couch.  in the middle of the night,  sender goes out to join receiver on the couch because they don’t want to sleep alone. 

[ FIND ]  receiver is staying with sender who had them take the bed while sender takes the couch.  in the middle of the night,  receiver goes out to join sender on the couch because they don’t want to sleep alone. 

[ DISCOVERED ]  receiver wakes up in the morning to find sender asleep on their couch because sender was watching over them. 

[ HAVEN ]  receiver wakes up in the morning to find sender asleep on their couch because sender felt safer with them. 

[ WEARY ]  sender cries themselves to sleep in receiver’s arms. 

[ TIRED ]  receiver cries themselves to sleep in sender’s arms. 

[ PROPOSITION ]  one or both muse(s) are having trouble sleeping so they have sex to pass the time. 

[ PURPOSE ]  one muse can’t sleep so the other initiates sex to wear them out. 

[ TRAPPED ]  one muse ends up staying the night with the other due to a storm. 

GENERAL 

[ TOUCH ]  for sender to trace one of receiver’s scars 

[ TOUCHED ]  for receiver to trace one of sender’s scars

[ DISCOVER ]  for sender to see receiver’s scars for the first time 

[ DISCOVERED ]  for receiver to see sender’s scars for the first time 

[ CARESS ]  for sender to kiss one of receiver’s scars 

[ CARESSED ]  for receiver to kiss one of sender’s scars

[ SHOW ]  for sender to purposefully reveal their scars for receiver to see 

[ SHOWN ]  for receiver to purposefully reveal their scars for sender to see 

SCENARIOS

[ MEND ]  for sender to treat receiver’s wound which leads to them having to remove an article of clothing resulting in revealing scars hidden beneath

[ MENDED ]  for receiver to treat sender’s wound which leads to them having to remove an article of clothing resulting in revealing scars hidden beneath

[ BLUNDER ]  for sender to walk in on receiver in a state of undress thus seeing their scars for the first time

[ BLUNDERED ]  for receiver to walk in on sender in a state of undress thus seeing their scars for the first time 

[ KISS ]  our muses are having sex for the first time which then reveals sender’s scars to receiver 

[ KISSED ]  our muses are having sex for the first time which then reveals receiver’s scars to sender 

[ BATHE ]  our muses take a shower together and sender looks over receiver’s scars 

[ BATHED ]  our muses take a shower together and receiver looks over sender’s scars. 

WORDS

❝  your scars are nothing to be ashamed of.  ❞

❝  why do you hide your scars?  ❞

❝  i see every mark as something to be proud of,  proof of all i survived.  ❞

❝  can i ask what happened here—  how did you get this one?  ❞

❝  sometimes i get these phantom pains i guess you could say.  little aches and i find them oddly comforting.  because my soul still hurts even if my body is healed.  ❞

❝  i wish i could get rid of my scars.  they’re just reminders of everything i want to forget.  ❞

❝  is it alright if i touch this scar?  ❞

❝  it’s okay—  you can touch it if you want.  doesn’t hurt anymore.  ❞

❝  please don’t touch it.  ❞

❝  you don’t have to tell me how you got it.  i just wanted to see.  ❞

❝  looks worse than it was.  ❞

❝  i want to kill every person responsible for leaving you scarred. ❞

❝  i made sure the people who left marks on me wouldn’t get the chance to do it again.  ❞

❝  woah—  what the hell happened there? ❞

❝  you don’t have to hide them around me.  the scars are just part of who you are.  and i like all of what i see.  ❞

❝  i don’t really like letting people see them.  ❞

Sin Locke~ I’ll crawl right back to you.

OC Age: 23

Assassin and Dancer.

MDNI- Mature Themes, Gore, Mature Language.

Hello guys, this is a new Independent RP blog for YoRHa Unit : No.2, Type B. Also known as 2B, written by DES.

                                But it's Different . . .

                                            . . . From a memory locked deep within.

 Tifa Lockhart　―　Brawler & Barmaid. [ An Independent portrayal from Final Fantasy VII.]

                                      ʟᴏᴠᴇᴅ ʙʏ: ꜱᴏᴍɴɪᴄᴜʟᴏꜱᴜꜱ

Canon Compliant & Divergent. 　　―――― 　　Any timeline friendly.

[ rebirth/remake & original timeline. Mvrp/Multiverse Friendly. OC Friendly. ]

 MNDI +18 only. +21 writer, 10+ years of roleplay experience + new to tumblr roleplay.

Helena wouldn't force Everett to say anything. Wouldn't try and convince him to tell her anything. She understood the look on his face well enough, understood the depth of sorrow in his eyes. A soft sigh and she draws him in against her, hugging him close into her chest. He didn't need to say anything. She just help him, comforted him.

Everett gently shuts his eye, letting out a deep sigh just leaning into her embrace laying his head on her shoulder, just going completely limp in her arms, he just wanted to be at peace, he was so tired of the blood shed, the loses, his failure and all of the pain he has had to endure since he has came into this world it weighed heavy on his soul.

〝 I don't know... why does this keep happening to me?! Why couldn't I be just... put out of my misery...〞