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Le Bal de l'Opéra (Masked Ball at the Opera) (1886) by Henri Gervex (French, 1852 – 1929), signed and dated Iower left: ‘H. Gervex – 86.’, oil on canvas, 85 cm × 63 cm (33.5 x 24.8 in), Musée d'Orsay, Paris

Thomas Francis Dicksee - Ophelia (1865)

Internet Archive

It incorporates various materials like marble, jasper, bronze, paint, and stucco, with its use of light and mixed materials potentially influenced by Bernini's Cathedra Petri in St Peter's Basilica, Rome.

we watched the sunset at the lake

Blood stained pews inside the Church of Angoville-au-Plain.

Vintage family portraits printed on feathers by Louise Richardson, 2017

Gothic tower of the Monastery of Poblet, Spain.

olivier theyskens - ss02

Garter (one of a pair) French, 18th century. Silk plain weave with silk tambour work and embroidery on silk ribbon. | ↳ MFA

Bicycle Thieves // Ladri di biciclette (1948) dir. Vittorio De Sica

Frederic William Burton (1816-1900), “Hellelil and Hildebrand, the Meeting on the Turret Stairs” (1864), watercolour and gouache on paper, 60.8 x 95.5 cm.