Writer, Reader, Dreamer

https://savestargate.com/

https://www.change.org/p/save-stargate-with-martin-gero

https://www.change.org/p/save-the-new-stargate-series-let-martin-gero-build-the-future-of-the-franchise

“college is absolutely nothing like this” “why are we writing four people on the team scoring a hat trick in one game” “so tech work is nothing like this, hope that helps!”

We’ve done lip biting to death... Let’s evolve.

1. Slow down at emotionally important moments.

Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.

2. Add reactions, not explanations.

Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.

3. Ground every scene in the senses.

If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.

4. Let thoughts interrupt action.

A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.

5. Expand consequences, not events.

You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.

6. Strengthen setting where emotion peaks.

The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.

7. Add specific details instead of general ones.

Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.

8. Let dialogue breathe.

Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.

9. Show transitions between scenes.

If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.

10. Clarify stakes early in the scene.

If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.

11. Use the “what are they feeling right now?” check.

After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.

12. Expand scenes that feel “too clean.”

Ways to Show a Character is Angry but Trying Not to Show It

✮ ⋆ ˚｡ Their jaw flexes while their smile stays plastered on.

✮ ⋆ ˚｡ Responses get shorter, clipped: "Fine." "Sure." "Whatever."

✮ ⋆ ˚｡ They stop blinking as often, eyes fixed a little too long.

✮ ⋆ ˚｡ Their body gets still, unnaturally still, like every muscle is on lock.

✮ ⋆ ˚｡ They press their tongue to their teeth before answering.

✮ ⋆ ˚｡ They set things down a little too hard, the glass, the pen, the keys. Not enough to break, just enough to say something.

✮ ⋆ ˚｡ They keep asking, "Why would you say that?" but never raise their voice.

✮ ⋆ ˚｡ Their politeness sharpens into something cutting, brittle.

✮ ⋆ ˚｡ They laugh, but it's one note too sharp, too short.