I commissioned this piece from the unbelievably talented Hotwe, who is one of the most intelligent, thoughtful, deliberate artists I've ever had the pleasure of working with. I cannot express how grateful I am for the kindness shown towards my imaginary dolls at every step of this process. Thank you! <3
This is a paired piece to this one, also by Hotwe, which I commissioned immediately after finishing Inquisition for the first time. Once I finished Veilguard and filled out how the story ends for these two, I knew I desperately wanted the other half of this diptych.
Close-ups and lengthy notes on the incorporated symbolism are below the cut.
Where the first piece was much more somber and determined, I really wanted this moment to feel triumphant (if not unreservedly happy). These are two people at the end of a long war with each other, and moving forward doesn't mean erasing the road before.
Some notes in no particular order:
Solas's hands are now open, releasing the hard and inflexible grip he had in the original piece
The constellation is Fervenial, the Oak, for its associated concept of Vir Tanadhal: "fly straight and don't waver, bend but never break, and the idea of balance. ...The imagery of the hunter (Adahla) metaphorically striking like a bolt on Solas' plans and forcing a reframing of the lightning/smite-y/fate concept of Fulmenos into a concept of balance and growth/organic/spring" - straight from the artist's massive brain
(I've written about why constellations & stars, especially Fulmenos, are important to them here)
Red embrium leaves for healing
Spring growth for seasonal change
Solas, being pushed forward by the strong wind behind him, is finally able to stop thanks to Adahla's pressure
Adahla's dress is inspired by this statue (San JoaquĂn, Santa Ana y la Virgen NiĂąa by Juan Alonso Villabrille y Ron), but has been reworked with Dragon Age motifs and emblems
The gold vines are from my post-Veilguard fic for them, The Heart Where I Have Roots
I plan to do one more post with both of these pieces together as soon as I can; their journey's been messy to the max, but it honestly brings me so much joy to know they've landed somewhere like this, and I'm again so thankful to Hotwe for bringing that ended war to life.
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Had the pleasure of painting this piece and two others for @dragonageannual 2026 zine! It was so much fun working on this and seeing other people's art and writing!
I'm offering illustration commissions like this now, info here!
Process under the cut
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A woman must stay alone for a long while until the hate men have for women has left her, and even longer until the jealousy women have for other women has left her, and longer still until the anger her children have for her has left herâuntil she is no longer a woman altered by the resentment of men, women, and children, no longer what others have forced her to be, but empty as a skull or a shell, filled only by whatever she pleases, forest air perhaps.
â Kiran Desai, The Loneliness of Sonia and Sunny
I think Joan of Arc's fursona would be a dog called Joan of Bark, but my partner thinks it would be a phoenix, which seems insensitive to me, but neither of us are furries, so I guess we don't really get a say either way.
I promise Iâm not trying to be pretentious here.
Jeanne dâArcâs last name is dâArc. An overly-literal translator insisted it stood for âof Arcâ, and thatâs why we know her as Joan of Arc. At the time, she was more commonly known as âJeanne la Pucelleâ, meaning âJoan the Maidenâ or âJoan the Virginâ.
anyways since her main attack strategy was âhit them until they stop movingâ I think sheâd be a gorilla.
âI know that if women wish to escape the stigma of husband-seeking, they must act and look like marble or clay - cold, expressionless, bloodless; for every appearance of feeling, of joy, sorrow, friendliness, antipathy, admiration, disgust, are alike construed by the world into the attempt to hook a husband. Never mind! well-meaning women have their own consciences to comfort them after all. Do not, therefore, be too much afraid of showing yourself as you are, affectionate and good-heartened; do not too harshly repress sentiments and feelings excellent in themselves, because you fear that some puppy may fancy that you are letting them come out to fascinate him; do not condemn yourself to live only by halves, because if you showed too much animation some pragmatical thing in breeches might take it into his pate to imagine that you designed to dedicate your life to his inanity.â
â Charlotte BrontĂŤ writing to a friend who had been kind to a man she thought was married, only to have him fall in love with her because he thought she was flirting (letter dated April 2, 1845).
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