Plz tell me that I was not the only one who watched “The Land Before Time” and thought that eating vegetables hanging off the corners of my mouth like they did in the film made me a “long neck.” 🦕🍃
$LAYYYTER
Cosmic Funnies

Product Placement

#extradirty
Show & Tell
"I'm Dorothy Gale from Kansas"

Kiana Khansmith

祝日 / Permanent Vacation

Janaina Medeiros
NASA
ojovivo

blake kathryn
dirt enthusiast
Stranger Things

pixel skylines
Sweet Seals For You, Always

Love Begins
styofa doing anything
seen from United States

seen from United States

seen from Malaysia
seen from Türkiye
seen from Malaysia
seen from Türkiye
seen from Brazil

seen from United States

seen from Sweden

seen from Malaysia

seen from United States

seen from Türkiye
seen from India
seen from United States
seen from United States
seen from Türkiye
seen from T1
seen from United States
seen from Germany
seen from United States
@sendalight
Plz tell me that I was not the only one who watched “The Land Before Time” and thought that eating vegetables hanging off the corners of my mouth like they did in the film made me a “long neck.” 🦕🍃

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE
I’m NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work “backwards” because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly… the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
…BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guy’s half.
The bear must eat something or he’ll starve to death.
It’s the guy’s fault the bear can’t find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING “THE BEAT SHEET” Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story can’t be told with the art without the dialogue– you messed up and it’s time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you don’t want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pages…
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/“darkness before dawn”/struggle [10][11] recovery/“rise and conquer”/“fall”
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
——————–
My maximum per page is nine panels but I’ve seen pages that have way more. I like to have about 3 to 4 panels per row or less but I’ve seen the “rules” broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
———-
…DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY “DEVIATION” ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
———-
(If at the very end you find out you need more pages and it’s absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
——————–
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget “true to life” perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You don’t have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out words– to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (it’s darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG | ♡ | ❤ | ⋆
(more coming soon 11/22/2016)
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE
I’m NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work “backwards” because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly… the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
…BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guy’s half.
The bear must eat something or he’ll starve to death.
It’s the guy’s fault the bear can’t find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING “THE BEAT SHEET” Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story can’t be told with the art without the dialogue– you messed up and it’s time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you don’t want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pages…
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/“darkness before dawn”/struggle [10][11] recovery/“rise and conquer”/“fall”
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
——————–
My maximum per page is nine panels but I’ve seen pages that have way more. I like to have about 3 to 4 panels per row or less but I’ve seen the “rules” broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
———-
…DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY “DEVIATION” ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
———-
(If at the very end you find out you need more pages and it’s absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
——————–
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget “true to life” perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You don’t have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out words– to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (it’s darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG | ♡ | ❤ | ⋆
(more coming soon 11/22/2016)
critical role new & old
windows 10 is garbage so every time i boot up the computer i have to run command prompt and enter
net.exe stop “Windows Search”
so that the shitty goddamned search/cortana feature that i never fucking use stops running in the background taking up all my fucking disk space
before
after
what the fuck is that seriously what the fuck is making my computer be a fucking piece of shit
@baristaboy try this out dude
@lambylin
y’all didn’t even add a tutorial of how to do this so imma put one right here 1. type in cmd.exe into your windows search and right click on Command Promt search result and select “Run as Administator”. 2. Type/Copypase in net.exe stop “Windows Search” and make sure Windows Search is in quotations. It should then respond saying “The Windows Search service is stopping” and then tell you it’s stopped. This is only a temp fix though, if you want it switched off permanently then do THIS: 1. Press the Windows key + R at the same time and type in services.msc. 2. Scroll until you find Windows Search and double click it to enter its Properties window. 3. Change the Startup type to Disabled. Apply this change and you can exit out. VOILA, NO MORE TAKEN UP DISK SPACE
Reblog to save a fucking life, FUCK CORTANA.
Important piece of advice

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A simple coloring tutorial from my privious work.I used paint tool Sai, but you could try same technique while using Photoshop. If you want more detailed description,please check My WMA page!. Hope it would be some help for you!
【厚塗り】女の子の肌塗り作業工程以前あげた絵の簡易メイキングです。(すっかりあげ忘れてました;;)ピクシブ版ではSaiのブラシ設定とレイヤー構成も一緒に公開してます!なにかの参考になれば幸いです。
Admins note: A translation from any followers would be much appreciated!
Translation time!
Image:
I work with separated layers for the hair, the hair shadows, the line, the eyes’ shadows, and the highlight of the lips.
1) undercoat 2) Gradation coat I-(1) (in blue, on the forehead: dropping pipet (probably) (in blue, on the neck: put and mix evenly) coat I-(2) (in purple: dropping pipet) ↓ 3) Coat I coat II-(1) coat II-(2) ↓ 4) Coat II 5) Put the complexion, and you’re done
Description: It’s the simplified making of the image I posted before on work process - painting the skin of a girl (thick paint)(JP). (I completely forgot to post it ; ;) The settings of my brushes on Sai, together with my layers configuration, have been made available on Pixiv! If it could become helpful for anything, I’d be delighted!
Thank you very much!
You Are Going To Have So Much Success In 2018 (pass it on)
need refs/inspo for period clothing?
here you go:
Medieval (9th-15th century):
10th century and earlier
Romance (1000-1250)
11th century
12th century
13th century
more 13th century
14th century
more 14th
15th century
and more 15th century
Gothic (1150-1550)
Renaissance (1520-1650)
16th & 17th century
16th century
more 16th
Tudors (1500-1550)
more Tudors
Elizabethan Period (1558-1603)
Jacobean Era (1603-1625)
17th century
more 17th century
and again
and even more
this won’t stop
Baroque (1600-1750)
Georgian Period (1714-1830):
18th century
more 18th century
18th century women’s fashion
18th century men’s fashion
Rococo (1720-1770)
Classicism (1770-1790)
children 18th-19th century
Regency Preiod (1811-1820)/ Empire (1800-1820s):
1790-1820s
more stuff on regency and georgian era
even more
that’s not enough regency
and more
how is there so much
early 19th century men’s wear
early 19th century women’s wear
Victorian Period (1837-1901):
Romantic Era (1820-1840s)
Civil War Era/1850-1860s
1870-1890s
more victorian
Edwardian Period (1901-1910):
1900-1910s
Belle Epoque (1880-1910s)
more edwardian/belle époque
Modern:
1910s-1920s [Fashion between the World Wars]
1920s
more roaring 20s
so much 20s
1920s hairstyles
1930s
1930-1940s
1930-1950s
1950s
more 50s
1960s
1960-1970s
1980s
lots of periods in one spot/fashion through centuries:
here, here, and here is almost everything (and properly ordered)
also here with lots of historic fashion magazines
100 years of beauty (includes lots of other cultures too!)
historic fashion
costumes of antiquity
more historical clothing
history of fashion
more history of fashion
“vintage” clothing
historic costumes
children’s historical fashion/toys
details
historic wedding dresses
historic assecoires (hats, shoes…)
hats
masks
parasols
lots of embroidery/jewlery
Short disclaimer: Most pictures show clothes of royalty, aristocracy, and burgoisie as their clothes weren’t worn as much and especially not for labour, which is the issue with farmers/workers’ clothes, which also were reused quite often, whether to sew new clothes or have rags. So please keep this in mind!!
It really is very European-centric as I am European as well, and I apologise for it if you expected more from it. I definitely lack the knowledge to determine what are accurate portrayals of other cultures, and to find content for them is really difficult as well. This is why I would encourage you to submit any resources you have to my blog! If you have any book recs or know good pages, please let me know!
Another edit/note: Pinterest has changed a lot since I made the post, so you need to be signed in now to see more than the first row of the boards, I’m really sorry about that! (Also I tested all the links and on my original post they still work, if you’re having isues with that.)
DON’T SCROLL PASS! FOUND THIS ON GOOGLE+ AND I FEEL LIKE IT IS IMPORTANT!
Edit: This post almost has 500 notes! The more people who sees this, the more help the Internet receives!
Why Taking Away Net Neutrality is a Human Rights Violation
Hey, guys, so just a reminder that taking away Net Neutrality is not only a wicked act but also possibly a human rights violation.
In 2016, the UN declared one’s right to have access to internet a human right. So limiting and restricting that access is arguably violating that right. It’s also censorship, as it withhelds information from millions of people. Unrestricted internet access allows one to freely excercize their freedom of speech, freedom of expression, and freedom of opinion (all of which are human rights).
Also, think of the kids with abusive parents, or kids questioning their sexualities, they might no longer be able to access supportive online communities or resources to help them in these situations.
Think about doing research for an assignment. You google your subject, find a good link, click on it and oh, wait, The link you clicked on is a news website and you haven’t purchased the news package…guess you can’t do your report.
Taking away Net Neutrality is a violation of multiple human rights and it affects all Americans. We need to stop this.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Reblog If You Love Or Like Zootopia, So We Can All Know Each Other
Welp, here it is.
Zootopia for life! also WildeHopps! ;)
Zootopia for life! Wildehopps forever
Zootopia FOR THE WIN BAYBUH!!
Sail Wilde Hoops
I Love Zootopia - Zootopia til i die…. but down with WildeHopps!!! that ship is ruining Zootopia
No, no it isn’t. Nick and Judy being together is the highlight of the movie, the purpose or lesson being that two wonderful, but different animals actually can get along, even enough to share a life, and a love together as a happy couple should. Them, sharing their hearts together, is he most beautiful thing in the world, and certainly a lot more beautiful than separation and being just friends and “can’t be together” kind of a thing. Who in their right mind in this entire world, would ever want to separate the two most perfect, wonderful spirited animals from the strongest force in the world that can’t be broken nor changed anyways…. love! Why would anyone want to even try to separate that?
But we can’t all do it alone! I don’t want anyone else do you have to hear such harassment! If everyone could, just real quick, please go ahead and both, block, and report these blogs: @11antiwildehopps and @anti-wildehopps Go ahead and take care of that as soon as everyone can, as they are simply trying to bring down the fandom, cyber harassing and threatening everyone on here. At this time, I have reported and submitted these blogs to local cyber Law Enforcement officials. They are handling the issue as we speak. However, to be sure no one else takes this offense and abuse, it is urgent that you all block these blogs personally/individually just to ensure their crass replies and statements are not seen on your guys Tumblr blogs! If you do not wish to see any further insulting, negative replies from them, go agead and take care of what I stated above. However, it’s up to you guys to decide whether you want to block them or not. Your call! But it is highly recommended you do so to avoid further conflict! Those blogs I mentioned are simply not welcome in the fandom, or really any fandom whatsoever, acting the way that they are, with so much negativity, foul language, disrespect, and judgementalism! All of which they are directing to everyone around them. This is unacceptable, unjustified, and unlawful behavior, and it will not be tolerated by Tumblr, or by law enforcement. They’ve had their warning, and will continue to be closely monitored. Just be sure to block them if you do not wish to further associate with them. Don’t want anyone taking this harassment any longer! Keep our strength up! Thank you all, my Tumblr family! Stay safe, never back down, and keep the joy alive and strong in this wonderful fandom!
Zootopia is an amazing movie
Zootopia, my No. 1 favorite movie!!! And WildeHopps forever and ever!
Super disgusting! People are FUCKED UP.
It’s racial discrimination to treat someone less polite than someone else would be treated in the same circumstances, because of race. We can’t ignore the case of blatant racism. We MUST draw public attention to such cases. We must ensure that racists are identified and socially discredited. There are no reasons or excuses for racism. It’s just disgusting.
from the KTLA news article:
When Suh said she would report the action to Airbnb officials, the host replied: “It’s why we have Trump.”
Suh said that comment made her painfully aware of how threatened minorities have become under the Trump administration.
“For me personally, to now have someone say something racist to me and say it’s because of Trump, it was my fears coming true,” Suh said. “That people who held these racist beliefs felt emboldened.”
The host went on to say she would “not allow this country to be told what to do by foreigners.”
Suh is an American citizen who has called the U.S. home since she was 3 years old.
“If this is my experience as a light-skinned Asian woman, what is it like for people who have darker skin than me or are Muslim?” Suh wondered aloud. “What is it like for people who are undocumented or not U.S. citizens yet?”
BLESS HER FOR BEING VOCAL ABOUT THIS DO PEOPLE REALIZE HOW REAL THIS IS YET!?
So talented 😍 Black artists know no limits
Inktober Day 2(actually im 4 days late but I don't miind) Skyrim Khajit. Ya know what they say. Khajit has wares if you have coin :')
I AM BAAACK. SO to start things first...
Did a fanart of MTG's Nahiri, the Lithomancer. Warm-up before going to bed, never drew girls that much but it's a start! #MTGisLIfe

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
面白CM わんこもちもちww ハイチュウプレミアム
Doug Jones, who plays the fish-man in The Shape of Water, talked about how to make a monster "sexy and beautiful" enough to create a believable sex scene.
@trillgutterbug @emeraldembers
“very intimate, full-frontal sex scene”
“very intimate, full-frontal sex scene”
“very intimate, full-frontal sex scene”
AAAAAAA
FISHMAN DICK
FISHMAN DICK
FISHMAN DICK
FISHMAN DICK