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@seigfriedd
tech give me immortality

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Re: Last night
Not funded by Gilead Sciences
Funded by Blonded, independently
Letās just get that out of the way.
Club culture around late 70s and 80s nightlife in NYC was a special, much talked about and written about thing. From the star studded midtown clubs like studio 54 and the first danceteria to the downtown clubs like Mudd + paradise garage. The figures, the music, the looks, the lack of regulation haha. I recognize NY wasnāt all lasers and disco lighting and that simultaneously, there was a lot of crime and poverty and that a huge part of club culture, the gay community, at that time were being wiped out by HIV + AIDS. Now in 2019, thereās a pill you can take every day that will at a better than 90% chance prevent you from contracting HIV. This pill was approved by the FDA in 2012. The pricing strategy behind it is malicious in my opinion and so itās public perception is marred and rightfully so. But the fact remains that despite price being a very real barrier to this potentially life saving drug for some, the other very real barrier is awareness. I decided to name, what was otherwise going to be a night of lights and music inspired by an era of clubbing that I loved PrEP+ because while designing the club which is inside of an old glass factory basement in Queens (shoutout to The Basement that runs a very awesome techno night on Fridays after us) I started to imagine in an era where so many lives were lost and so much promise was lost forever along with them, what would it have been like if something, anything had existed that in all probability wouldāve saved thousands and thousands of lives. Iām an artist, itās core to my job to imagine realities that donāt necessarily exist and itās a joy to. A couple days before we threw the party, I was discussing this subject with my team and one of the architects I work with thought that PrEP as a drug had reached ā100% saturationā so far as awareness. I thought he was dead wrong so I asked a friend (who I wonāt name haha) if he knew what PrEP was and his response was āisnāt that some type of viagra or somethingā. My ex who I was with for several years didnāt know about it when we first met at a gay club in LA. Awareness isnāt always what weād hope it would be. But anyway, Iām ranting. Iām happy that folks are talking about the subject in the first place. Thank you to everyone who came out and danced with us last night. Yāall were beautiful and the energy was right! Thank you Bouffant Bouffant, Sango, Justice and Sherelle for your sets last night they were soo good man. Oh one more thing, I saw someone say that this was a PR stunt etc etc, pshhh bitch pls come get a drink next time and Iāll put several barstools out so you can have as many seats as you need. All my love everybody really. Stay safe.
Me: I'm 17
Millenials: cool cool no doubt
Me: I was born in 2002
Millenials:
GENTLEMAN JACK // the ann(e)s + beds
[requested by anonymous]

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"Heaven is for lovers š«š @justinbieber @guardianangel.us" - skkrrt via instagram
Lisbon, Le Cercle Rouge
MƤdchen Amick | Twin Peaks

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ellen in adeleās ear - can we just???
She really committed!Ā ššš
For my followers who can use a laugh
Put this in the MOMA
a year later this is still the funniest video on the internet and i canāt even adequately explain why
Itās time to activate itā¦
Bites The Dust! now this entire post will be reversed!
The Himba (singular: OmuHimba, plural: OvaHimba) are indigenous peoples with an estimated population of about 50,000 people living in northern Namibia, in the Kunene Region (formerly Kaokoland) and on the other side of the Kunene River in Angola.Ā The OvaHimba are a semi-nomadic, pastoralist people, culturally distinguishable from the Herero people in northern Namibia and southern Angola, and speak OtjiHimba, a variety of Herero, which belongs to the Bantu family within NigerāCongo. The OvaHimba are considered the last (semi-) nomadic people of Namibia.
The Himba often cover themselves with otjize paste, a cosmetic mixture of butterfat and ochre pigment, to cleanse the skin over long periods due to water scarcity and protect themselves from the extremely hot and dry climate of the Kaokoland as well as against mosquito insect bites. The cosmetic mixture, often perfumed with the aromatic resin of the omuzumba shrub, gives their skin and hair plaits a distinctive orange or red-tinge characteristic, as well as texture and style.Ā Otjize is considered foremost a highly desirable aesthetic beauty cosmetic, symbolizing earthās rich red color and blood the essence of life, and is consistent with the OvaHimba ideal of beauty. The OvaHimba are also accustomed to use wood ash for hair cleansing due to water scarcity.
Hairstyle and jewelry play a significant role among the OvaHimba, it indicates age and social status within their community.Ā An infant or child will generally have his head kept shaven of hair or a small crop of hair on his head crown. This soon is sculptured to one braided hair plait extended to the rear of the head for young boys and young girls have two braided hair plaits extended forward towards the face often parallel to their eyes. This style is called ozondato, the form of wear being determined by the oruzo membership (patrilineal descent group). The style remains during preadolescence until reaching puberty.Ā Some young girls, with exception, may also have one braided hair plait extended forwards, which means they are one of a pair of twins.
OvaHimba girl
OvaHimba girl dancing
OvaHimba boy
OvaHimba girl, one of a set of twins!
OvaHimba children, both boys and girls, removing ticks from goats.
From pubescence, boys continue to have one braided hair plait.
A young man wearing a braid known as ondatu. Namibia. Photo by Nigel Pavitt
Once they reach puberty, OvaHimba girls will have many otjize textured hair plaits, some arranged to veil the girlās face.Ā
This girl is going through puberty, a fact made plain by her hairstyle, which has been designed to cover her face and help her avoid male attention. The puffs at the bottom are either goat hair or synthetic.
(In daily practice, the hair plaits are often tied together and held parted back from the face.)Ā
This girlās braids are arranged to reveal her face, indicating that sheās ready to be married.
Women who have been married for about a year, or have had a child, wear an ornate headpiece called the Erembe, sculptured from sheepskin, with many streams of braided hair, coloured and put in shape with otjize paste.Ā
Married women wearing erembe
Unmarried young men continue to wear one braided hair plait extended to the rear of the head. When Himba men marry, they start wearing turbans, which they never take off unless someone in the village dies. After a death, their heads are shaved.Ā Because the turbans are never removed, things can get a little itchy underneath, so men carry pointed arrow-like instruments to scratch it with.
Married OvaHimba men. #s 1 and 3 wear a scratching implement in their turbans.
Widowed men will remove their cap or head-wrap and expose un-braided hair.Ā
Himba widower. The habit of using a head-scratching implement is hard to break.
[Source]
Wow this is the first time Iāve seen a culture where men are required to wear a headdress after marriage.
every single person in this post is absolutely stunning
Nnedi Okoraforās novella trilogy BintiĀ has a Himba main character. Otijze is even a plot point.

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I needed this