10pm and yet i want. chicken nugget
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@seagullcharmer
10pm and yet i want. chicken nugget

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i enjoy the miserable girl character.
see unfortunately I have this condition where if I am not explicitly told that I am a part of the ingroup then I will assume I must be part of the outgroup
I don't believe in christian babies. I believe in babies, i believe in christians, but a baby doesn't have the agency and cognitive abilities required to chose and/or live a faith. There's babies of christian parents, of course, as well as babies that have been introduced into the system that is the christian church, but that does not make them christian yet.
Long story short, i did not hit a christian baby into the stratosphere, officer.

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i honestly don't really understand why "some people prefer watching gameplay online rather than playing games themselves" is treated as such a taboo when being a spectator is considered a pretty mundane way to engage with most sports, game shows, reality tv or even just like. chess.
like the usual arguments are "not everyone can afford video games or have the software to pirate" or "you can be a fan of a game's story, but not it's gameplay" but also some people just have more fun watching other people be really good at starcraft or speedrun super mario 64, i don't think that's a particularly out of the box way to engage with the medium.
i know this argument is generally about story driven games rather than competitive multiplayer games, but alot of discourse is around how "gameplay is a fundamental part of video games as an artform" and i absolutely agree but i also don't think you need to hold a controller in order to appreciate a video game on a mechanical level in the same i don't think you need a driver's license in order to be a vehicle enthusiast, like it certainly helps but some people are just kind of autistic like that.
especially with how long many games are today, a lot of people just don't have time for a full playthrough. streams and longplays enable people to experience most of a game without having to invest the time and energy required to sit down, power the console, have everything plugged in correctly, and learn how to play the game. not that i endorse people to not learn skills and take the time to actually experience things, because you can easily slide to the opposite end of the spectrum of forgetting how to engage in hobbies if you just watch videos all day. but it's really good to have video game streams and longplays as an accessibility option. and the hope is that someday the people who watch those might be inspired to complete a game (any game, not necessarily the one they watched) on their own when they find the time and ability to. or at least have more knowledge of the kind of experiences that are available to them in the world.
this is the philosophy my longplay channel is built on so check it out if you like watching games š unfortunately i've been really busy this month so i haven't had a lot of time to update it, but hoping to finish my tears of the kingdom playthrough soon and record more games in 4k in the future; https://www.youtube.com/@triforceprincess1
i wrote this post over on bluesky today and, after receiving a few of the predictable "but what if i Want to write badly" responses you get to any opinion that can be taken as prescriptivist writing advice, i thought i'd talk more about what i'm getting at.
basically, it's an issue of suspension of disbelief. there are a lot of things in fantasy and historical writing that we're willing to look past. dragons, potatoes, the divine right of kings. we are able to suspend our disbelief that a monarch could be anything but a despicable tyrant if the story we're being told is convincing enough, or plays to our comforting worldviews about nobility and Great Man theory. we can also suspend it if we straight up didn't know that europe didn't have potatoes pre-columbian exchange. basically--it means it doesn't bother you that these elements aren't perfectly realistic. fiction is not required to be realistic. clue's in the name.
but there are some things we just can't ignore. some things hit us as out of place for the setting we've been presented, or the world as we understand it. it pulls us out of the story by reminding us, in that moment, that we are reading a constructed narrative made of a series of choices by an author. and for whatever reason, they made a Wrong choice, like plucking the wrong guitar string.
it's sad to me that cis people never apply their "loved one with a wanted-pregnancy" script to medical transition. like cis people often indicate they don't know how to react to hearing about medical transition, but a huge portion of that social script is directly applicable.
tell someone "congratulations!" tell them "I'm so happy for you. I know you've been trying for a really long time." ask them "do you need help with anything?" throw them a party with loved ones where you all give them some gifts in acknowledgement of how expensive it is. celebrate how far along they are. take photos with them so they have a record of being loved while their body changes. allow them to voice fears and doubts and anxieties about how it'll go, and reassure them that they'll get through the intense medical procedure coming up & you'll be there for support no matter what. let them tell you about the gross parts and laugh together. really listen to them when they talk about how amazing and profound it is that the human body can do this. share in their excitement for beginning a new stage of their life.
If there are complications, comfort them and help them navigate what's next. If they lose access suddenly due to finances or criminalization, treat it like a miscarriage and hold them while they grieve.
every time i see you falling / i get down on my knees and pray / i'm waiting for that final moment / you'll say the words that i can't say

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There is a kind of grief that comes with constantly having to decide whether something is worth the energy it will cost you.
I think a lot of disabled people carry that grief quietly.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ā80s/early ā90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heās never worked in animation againāheās effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin āFeet Manā Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnāt actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinās skull that lodge in Samuel L. Jacksonās hairpiece). The resultant cuts were actually more permissive than heād expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iām not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and āworkingā for another few hours on a second, ātoned-downā version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnāt some extant physical rubrick of what is and isnāt acceptable, itās the idea that they can have absolute power over someone elseās creative work. Itās about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Iām sorry, but the logic that a rapist āwonāt stopā because youāve warned other people about their behavior so itās meaningless to warn other people is so stupid. I think potential victims actually have a right to know about predators in their community. Lack of accountability is not an argument against warnings, itās actually an argument for them.
āWarning people about rapists in their community is pointlessā = āThe missing stair is never gonna get fixed, so you shouldnāt even warn people itās there. Just let them fall down the stairs and die.ā
everyone eat more vegetables NOW!!! and mention the last vegetable you ate in the tags so we're all on the buddy system. I'll start: bok choy
we need to periodically remind everyone that a headline not including a person's name isn't an attempt to erase their identity from the narrative, it's just not good practice to put someone's name in a headline unless the reader can be expected to already know who they are
"if you can say the name in the article why can't you say the name in the headline?" what do you think a headline is for

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Todayās Toon hopes to settle his debt the easy way and not have to resort to fisticuffs