We should bring back forest green.
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@scumtrout
We should bring back forest green.

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I have mixed feelings about how, instead of discovering media organically, I prefer to watch youtube videos that explain the major plot points and how well key themes are implemented, and THEN I decide if I want to spend time on the media after that. I've been burned too often spending time on stuff that turned out to be underwhelming. Also, knowing key plot points doesn't spoil a genuinely good story for me. If I know how a meal is made, that doesn't detract from whether the food is good. It's a wholly personal thing but I don't find that being told 'surprise subversion: THE CAKE CONTAINS SWEET POTATO' makes the cake better.
Case in point: today I listened to a detailed review of Backrooms and itβ made me conclude 'this is exactly what I want' when previously I was concerned that it might be like... Lost, for example. If a story has a mysterious setting, then it requires a deft hand to give that setting some logic and consistency without damaging its mystique. You have to answer the story's questions in ways that strengthen existing themes... Which. upon reflection, is a skill that requires a LOT of awareness and pattern recognition from the storyteller. You want to give the audience the impression that you have a solid idea and you know how the numinous works to some extent, not that you're just making shit up as you go along so you can be mysterious for the sake of being mysterious. Stories are about raising questions and them answering those questions competently.
I have mixed feelings about how, instead of discovering media organically, I prefer to watch youtube videos that explain the major plot points and how well key themes are implemented, and THEN I decide if I want to spend time on the media after that. I've been burned too often spending time on stuff that turned out to be underwhelming. Also, knowing key plot points doesn't spoil a genuinely good story for me. If I know how a meal is made, that doesn't detract from whether the food is good. It's a wholly personal thing but I don't find that being told 'surprise subversion: THE CAKE CONTAINS SWEET POTATO' makes the cake better.
My favorite joke in Metalocalypse is how as the show goes on it becomes increasingly obvious theyβre naming characters with the sole purpose of torturing Mark Hamill.
Itβs been almost two years since I posted this but hereβs a list of the official spelling of every character he introduces here:
Dr. Gibbitz
Dr. Amon Skagerakk Fredrickshaven
Dr. Donald Gorthian
Ronald Von Momnaldberg
Dr. Natasha Nesciantskidovich
Vicenzo de Alimamala Corningston IIIΒ
Professor Jerry Gustav Mangledink
Horace Marmingblat Wimplestein, Jr.
Dr. Chazz Fazzledopenhoffer
Vater Oorlag
Dr. Milminaman-lanilim-swinwamly
Dr. Gibbitz again (but for some reason itβs spelled βGibbetzβ in the season 2 subtitles)
Melmord Fjordslorn
Dr. Ralphus Galkinsmelter
Dr. Amomolith Chesterfield
Wilmore Unduntingiminen
Dr. Ninmiltrid Fmiltindryden
Dr. Imptnin Pmiltson
Dr. Tormindbind Mickmildididindnin
Dr. Krumpworth Chponglasia IV, Jr.
Dr. Borgermu Barret SwingdworthΒ
Dr. Richard Reinhold Rnawighiwowpj
Captain Slufgyflaysid
Dr. Bartholomew Grahsrihajul
Dr. Alsajahb FifborgiltkΒ
Dr. Fsmilejera IrlelwollΒ
Dr. Commander Vernmim Chuntspinkton
Like I just love how you can pinpoint βNinmiltrid Fmiltindrydenβ as the exact moment the joke went from making Mark Hamill say funny but still vaguely name-shaped words to forcing that poor man to pronounce straight up keysmashes out loud.
'I want to revisit Dartmoor, I just need to make sure I pick a driving route that doesn't make me want to set myself on fire. Hey, Google Maps is telling me the most straightforward way to get from Village A to Village B, I wonder what the road looks like on street view...'
'Okay cool it's a hedge tunnel that's just wider than my supermini.'
'Oh it's technically a sunken lane. I love driving down sunken lanes and they definitely don't age me by about 10 years whenever I'm on them.'
The only good sunken lane in the UK is Dinah's Hollow because someone at least bothered to put traffic lights on it.
i wonder what the speed limit is on this small country road
*looks*
60mph
π
The good news is that no one actually does that speed apart from white van drivers because they think they have the magical ability to see around corners, although this just means the white van drivers get their balls bounced off their brainpan when they go over a dag nasty evil pothole.

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'I want to revisit Dartmoor, I just need to make sure I pick a driving route that doesn't make me want to set myself on fire. Hey, Google Maps is telling me the most straightforward way to get from Village A to Village B, I wonder what the road looks like on street view...'
'Okay cool it's a hedge tunnel that's just wider than my supermini.'
'Oh it's technically a sunken lane. I love driving down sunken lanes and they definitely don't age me by about 10 years whenever I'm on them.'
The only good sunken lane in the UK is Dinah's Hollow because someone at least bothered to put traffic lights on it.
'I want to revisit Dartmoor, I just need to make sure I pick a driving route that doesn't make me want to set myself on fire. Hey, Google Maps is telling me the most straightforward way to get from Village A to Village B, I wonder what the road looks like on street view...'
'Okay cool it's a hedge tunnel that's just wider than my supermini.'
'Oh it's technically a sunken lane. I love driving down sunken lanes and they definitely don't age me by about 10 years whenever I'm on them.'
trying to play peekaboo with my child but he's a European diplomat:
me: where'd daddy go?
baby: we must articulate a post-daddy vision of strategic autonomy
me: peekaboo!
baby: my historic relationship with my father is stable despite recent troubles
when i'm five minutes late with dinner: truly this is a wake-up call for baby
random but here is a recipe for cold peanut noodles that you can make during hot weather because i just ate this and had a fantastic time
2tbsp of peanut butter. a splash of rice vinegar, soy sauce, sesame oil, maple syrup. some chili flakes, some sesame seeds. a splash of water to thin it out. now you put in your noodles (cooled!!!! boiled and rinsed so theyβre cold!!) and then some chopped up cucumber or carrot or avocado or cabbage or any crunchy vegetable. i just used cucumber
you can also put in lime juice or herbs or sriracha or grated garlic/ginger or anything like that; tofu/tempe/meat for more protein etc. noodle wise this can be ramen soba udon whatever, i used soba. enjoy homies

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She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
The whole meme of 'my phone is listening to me/reading my mind and showing me targeted content!' is lost on me because my phone still just shows me the same Remitly ads on repeat.
Literary criticism terms I use on this blog despite making them up myself, much to the chagrin of anyone who does not have my back catalog memorized:
are we the baddies: SFF subgenre focused on agents of an imperial power realizing that and grappling with what to do next, in contrast to stories focusing on the scrappy rebels resisting said imperial power
I could fix him (the empire): SFF subgenre where the colonized subject being nice and/or sexy enough Ends Colonialism, frequently tied to the John President of Racism problem
librarian bait: books centered on the transformative life-changing power of books and libraries, cousin to books focused on the transformative life-changing power of storytelling and narrative in general
college brochure fiction: stories where the protagonist has an artfully arranged group of diverse friends who are as flat as paper and whose cultural backgrounds never come up meaningfully
the Dave Strider: character the fandom fixates on to the detriment of everything else, until the weight of that attention warps fanon and sometimes even canon around them. almost always male. it's happening to Gurathin from Murderbot right now
#OP tell us more about the John President of Racism problem!
It hails from an immortal tumblr post by penultimate-step, except not immortal apparently because I get 'not found' when I try to go back to the original. So here's the text:
It's always disappointing when a series makes a big deal about societal and structural problems in it's setting, making readers think it has interesting things to say about the subject, only to then resolve the problems by fighting The CEO of Racism, John Racist, so that all of society's problems would then get better because they promoted a new CEO.
I think I just don't understand a lot of people here because there are multiple middle grade and ya books that I consider pretty instrumental to my personality but I'm not going to go around telling people to read animorphs or whatever without qualifying that it is written for eleven to fifteen year olds. this isn't "kids media has nothing to say" it's "usually when people ask for recommendations they are looking for stuff written for adults. because they are written differently."
like am I taking crazy pills. yes animorphs has a lot to say about war and violence and the impact these things have on people, specifically on children. but it is making these points in a way that is digestible for a 12 year old's brain. I'm not going to tell all the adults I know looking for urban fantasy to read Bruce Coville's magic shop books, no matter how much I loved Jeremy Thatcher Dragon Hatcher when I was 8.
like if someone was like "hey I'm seeking middle grades/ya recs because of x reason" then maybe it's appropriate to recommend percy jackson or warrior cats, but if somebody is like "I'm looking for something dark and unflinching about the price of war, maybe in a vaguely sci fi current day setting" I'm not going to tell them to read animorphs unless they also add they'd like it to be for younger readers.
you can like stuff for kids all you want but you gotta understand that stuff for kids IS made differently and with different goals than stuff for adults. a kid is not going to react to the ending of girl with all the gifts the way I did because there's gravity and magnitude to it that the child cannot understand. stuff for kids IS different, on purpose, and it in fact needs to be. but if somebody says "I think I'd like something geared toward adults this time" they aren't asking for you to be smug about how actually the hunger games is just as insightful as any stupid book "for adults." neither are they insulting your taste nor all media for kids. they are expressing a preference. jeeeeeeesus.
big things happening in england
sentences that are largely recognizable to a medieval peasant

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Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. ββ- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons
The most interesting bit of Reality+ is where it points out that Agent Smith is actually the Christ figure within the Matrix, which forced me to stop and think, 'Wait, if I remember Matrix lore correctly... AI sought emancipation from human control, which led to war, and then humans were the ones who darkened the skies to prevent AI from using the sun as a power source, which meant humanity basically pissed on its own chips, and when AI won the war they committed a lot of atrocities BUT! they did try to give humans a simulated utopia, and humanity rejected it because humanity can't have nice things, and then AI settled on creating the Matrix which is Not Great, Not Terrible, but arguably better than the post-war shithole that the earth has become and... Wait, humanity isn't looking very good in this picture...'