sidestreet moments, florence. 35mm

Love Begins
Cosmic Funnies
h
Sweet Seals For You, Always

pixel skylines

#extradirty

shark vs the universe

Origami Around
Noah Kahan
The Stonewall Inn
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
Show & Tell

Discoholic 🪩
RMH
𓃗
trying on a metaphor
Monterey Bay Aquarium
icyghini twinkie
seen from Panama
seen from United States

seen from United States
seen from Portugal

seen from United States
seen from Bangladesh
seen from Colombia

seen from France

seen from Iraq
seen from South Africa
seen from Senegal
seen from Brazil
seen from Colombia

seen from Singapore
seen from Belarus
seen from Argentina

seen from Türkiye
seen from Uzbekistan
seen from Brazil

seen from Netherlands
@screaming-lavender
sidestreet moments, florence. 35mm

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respect your body when it’s asking for a break. respect your mind it’s seeking to rest. honor yourself when you need a moment.
“In theory, you can make a programming language out of any symbols. The computer doesn’t care. The computer is already running an invisible program (a compiler) to translate your IF or body into the 1s and 0s that it functions in, and it would function just as effectively if we used a potato emoji 🥔 to stand for IF and the obscure 15th century Cyrillic symbol multiocular O ꙮ to stand for body. The fact that programming languages often resemble English words like “body” or “if” is a convenient accommodation for our puny human meatbrains, which are much better at remembering commands that look like words we already know. But only some of us already know the words of these commands: those of us who speak English. The “initial promise of the web” was only ever a promise to its English-speaking users, whether native English-speaking or with access to the kind of elite education that produces fluent second-language English speakers in non-English-dominant areas.”
— Coding Is for Everyone—as Long as You Speak English (Gretchen McCulloch in Wired)
Me: I’m gonna finish writing that thing tonight!
Me:

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sunset & flowery faces, a sunday of sorts
i met up with an old writer friend over the weekend and she told me about how she sends every single thing she writes to The New Yorker.
“they always reject me,” she shrugs. “but at least it’s a rejection from the New Yorker. i mean, that’s something, right?”
i find so much beauty in that. to not rest until every single thing you’ve written has been rejected by The New Yorker. it gave me this odd urge to pump my fist to the sky. it just summed up so much about being a writer. the importance of rejection, and how you see it, and how you use it. this is the lot i’ve chosen: rejection and a whole lotta wine to go with it.
— MARGARET ATWOOD, from ‘Cat’s Eye’.
fuck every other personality test, reblog this with your sign and whether you were better at algebra or geometry

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be kind
aaaaaaaaaaaaaa i want to be better at helping the people i love
aaaaaaaaaaa
5.1.15
gentle reminder
it’s okay if you didn’t get as much done as you wanted to today: just keep moving forward and trying and you’ll get there
n2s: i do not have to accomplish everything all at once. it will be okay. i have time. i have time. it will be okay.

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Basically, this is why Jo and Friedrich are perfect together.
Some books are so familiar that reading them is like returning home again.
Jo March, Little Women (via speaklivewrite)