SCOURGEWOLF, DESTROYER OF DREAMS.

FICTIONAL FILM STUDIOS PRESENTATIONS

1-STAR FILMS

2-RETROVISION STUDIOS

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DI∆MONDS

i saw this on imgur and well, even if something like this is going around on tumblr already it is important.

Okay, but seriously:

Please Reblog, you might Save a Life.

Intel Studios Volumetric Video

Below is an example created with Intel Studios new production stage which can be used to film scenes from every angle:

Without Muslims you wouldn’t have:

Coffee

Cameras

Experimental Physics

Chess

Soap

Shampoo

Perfume/spirits

Irrigation

Crank-shaft, internal combustion engine, valves, pistons

Combination locks

Architectural innovation (pointed arch -European Gothic cathedrals adopted this technique as it made the building much stronger, rose windows, dome buildings, round towers, etc.)

Surgical instruments

Anesthesia

Windmill

Treatment of Cowpox

Fountain pen

Numbering system

Algebra/Trigonometry

Modern Cryptology

3 course meal (soup, meat/fish, fruit/nuts)

Crystal glasses

Carpets

Checks

Gardens used for beauty and meditation instead of for herbs and kitchen.

University

Optics

Music

Toothbrush

Hospitals

Bathing

Quilting

Mariner’s Compass

Soft drinks

Pendulum

Braille

Cosmetics

Plastic surgery

Calligraphy

Manufacturing of paper and cloth

It was a Muslim who realized that light ENTERS our eyes, unlike the Greeks who thought we EMITTED rays, and so invented a camera from this discovery.

It was a Muslim who first tried to FLY in 852, even though it is the Wright Brothers who have taken the credit.

It was a Muslim by the name of Jabir ibn Hayyan who was known as the founder of modern Chemistry. He transformed alchemy into chemistry. He invented: distillation, purification, oxidation, evaporation, and filtration. He also discovered sulfuric and nitric acid.

It is a Muslim, by the name of Al-Jazari who is known as the father of robotics.

It was a Muslim who was the architect for Henry V’s castle.

It was a Muslim who invented hollow needles to suck cataracts from eyes, a technique still used today.

It was a Muslim who actually discovered inoculation, not Jenner and Pasteur to treat cowpox. The West just brought it over from Turkey

It was Muslims who contributed much to mathematics like Algebra and Trigonometry, which was imported over to Europe 300 years later to Fibonnaci and the rest.

It was Muslims who discovered that the Earth was round 500 years before Galileo did.

The list goes on………..

Just imagine a world without Muslims. Now I think you probably meant, JUST IMAGINE A WORLD WITHOUT TERRORISTS. And then I would agree, the world would definitely be a better place without those pieces of filth. But to hold a whole group responsible for the actions of a few is ignorant and racist. No one would ever expect Christians or White people to be held responsible for the acts of Timothy McVeigh (Oklahoma bombing) or Anders Breivik (Norway killing), or the gun man that shot Congresswoman Giffords in head, wounded 12 and killed 6 people, and rightly so because they had nothing to do with those incidents! Just like the rest of the 1.5 billion Muslims have nothing to do with this incident!

Sources:

http://www.independent.co.uk/news/science/how-islamic-inventors-changed-the-world-469452.html

http://articles.cnn.com/2010-01-29/world/muslim.inventions_1_hassani-inventions-muslim?_s=PM:WORLD

I’ve had a general idea what these things did but wasn’t completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms don’t sound familiar, just know that I’m talking about the three settings that appear under the texture in the brush tool settings (note that this won’t apply to any tool types except for brushes and watercolor brushes).

I don’t claim to be an expert so if you find I’ve made a mistake, let me know so I can update it, thanks! :3

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BLENDING (Color Blending)

This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color you’re using won’t even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if you’re drawing on a blank layer it will have no effect.

So you can see from this example that the color I’m using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.

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DILUTION (Opacity Mix)

This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it won’t do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.

So in this example, you can see that as dilution approaches 100%, the color I’m painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!

Keep this in mind - if you ever can’t paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!

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PERSISTENCE

This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it “persists” if you will. Like blending, Persistence is only really relevant when painting over existing color so it’s mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.

So for this example I’ve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:

If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.

At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.

At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.

Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.

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CONCLUSION

Ultimately how you use these is up to you, and is largely dependent on what kind of brush you’re making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!

If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and it’s easy to remember in case you want to experiment but don’t want to forget your settings in case you decide to switch back.