chronic music enthusiast . collin ⟡
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chronic music enthusiast . collin ⟡

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exam exhaustion leads to liszt
2.0
i accidentally clicked follow instead of the ask button im so done with this
To the attic!

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happy pride month guys
Am I a person or just a bunch of Basil Hallward quotes stuck together
roald dahl was antisemitic and misogynistic. george orwell was openly homophobic. edgar allan poe married his 13 year old cousin. dr seuss cheated on his wife (and was racist as well as antisemitic!). hp lovecraft was racist as fuck. anyways they’re fucking dead it’s not like you’re enabling their behaviors in the afterlife or something. then again I think they bleed into the books so uh keep an eye out for that
the difference between these old white guys and jk rowling is that the former group is all dead. jk rowling is alive and using your money to oppress trans people
♡ “No, you don’t feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so?.... You have a wonderfully beautiful face, Mr. Gray. Don’t frown. You have. And beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won’t smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism—that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last—such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!”
happy pride montj

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computer how can i pat johann sebastian bach
—«It is the spectator, and not life, that art really mirrors. »
lovely lovely ludwig van
My favorite thought is that Dorian behaves infantile even at the end of the book because society did not treat him appropriately. What do I mean? He lived to be 38 years old while still looking 21. And not many people knew his real age. He was perceived as a 21-year-old and was treated exactly as if he were 21. I think he himself stopped feeling his real age. He did not mature outwardly in the eyes of others and did not grow spiritually for the same reason
i don’t feel anything other than shame and misery
this is my punishment for being a dasil or basil fan in general

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i'll finish this soon
After Chopin died in 1849, whether as a tribute or coincidentally, Liszt spent some time writing music in Chopin-esque genres, such as etudes and ballades, transcribed Chopin’s Polish songs on piano (”Six Chants Polonais”), and even wrote polonaises (”Polonaise mélancolique”), mazurkas (”mazurka brillante”) and of course nocturnes.
See, the nocturnes are very interesting, because it’s the genre Chopin popularized and became the most well known for. Liszt published a set of three nocturnes known as “Liebestraüme” in 1850, a year after Chopin’s death. They were originally conceived as lieder - songs with lyrics based on poems. I’d very much like to quote some fragments of these poems for you, as a little trivia.
The first nocturne is based on “Hohe Liebe” (“Exalted Love”) by Ludwig Uhland. (Full text)
Drunk, rest ye all in the arms of romance, Yon fruits of life do thee beckon and call; Though on me was cast but a single glance, Far richer still am I than all.
The second is based on “Seliger Tod” (“Blessed Death”) by Ludwig Uhman
I was dead from love’s bliss; I lay buried in her arms; I was wakened by her kisses; I saw heaven in her eyes
And the last one is based on “O lieb, so lang du lieben kannst” (“Love as long as you can!”) by Ferdinand Freiligrath. Full text can be read on Wikipedia. It’s certainly the most interesting of the three as it seems to mirror Liszt and Chopin’s situation.
O love as long as love you can, O love as long as love you may, The time will come, the time will come When you will stand at the grave and mourn! Be sure that your heart burns, And holds and keeps love As long as another heart beats warmly With its love for you And if someone bares his soul to you Love him back as best you can Give his every hour joy, Let him pass none in sorrow!
Later on this poem talks about forgiveness, which in a way seems fitting knowing that Chopin and Liszt’s friendship subsided in the 1840s, though of course it might have been coincidental and the reasons for turning these particular poems into nocturnes only Liszt will ever know.