tell me where it hurts, oil and gesso on canvas, 36x42, 2022
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@scartherapy
tell me where it hurts, oil and gesso on canvas, 36x42, 2022

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The ‘Dance of the Wilis’ Giselle by Ran Chilipye
Ada Limón, from “The Hurting Kind,” in The Hurting Kind
[text ID: Before my grandfather died, I asked him what sort / of horse he had growing up. He said, / Just a horse. My horse, with such a tenderness it / rubbed the bones in the ribs all wrong. / I have always been too sensitive, a weeper / from a long line of weepers. / I am the hurting kind. I keep searching for proof.]
Leila Chatti, from “Tea”
Vivienne Westwood autumn/winter 1992

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sympathy magic - florence + the machine
You’d rather be a simpler animal. You try to imagine what the bear feels. The seal. The otter. Always a little group of three. You worry they are not, in fact, simpler, but you are sure they are never lonely. You hate your loneliness as you hated yourself as a child. You are bored with your hatred.
— Donika Kelly, from “Little Box,” in Bestiary: Poems
Christa Wolf, from her novel titled "Cassandra," originally published in 1983
Illusion of choice
Vorja Sánchez (Spanish, based Barcelona, Spain) - Interventions series, Photography, Photo Drawings

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ronda slater, what I need is: a contemplation of bisexuality, from bi any other name: bisexual people speak out, edited by Lorraine Hutchins and Lani Kaahumanu, 1991
Arthur Rimbaud (b. 20 October 1854)

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by john baldessari
White Oleander (2002), dir. Peter Kosminsky