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today it's been 4 years since i started selfshipping with Vergil ๐ it wasn't always easy but he at the end of the day is a character i can't not love and i am grateful for him and everything i was able to experience because of him! i say it's been 4 years but in reality it's been 4 million years trust me
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Free to watch โข No registration required โข HD streaming
what do you hc as a turn on for wesker? iโve seen people mention heels a lot but im curious as to your opinion
Hmm. He definitely prefers people who are well-groomed over all. He appreciates aesthetics. Physically, though, I think he's kinda... I don't wanna say boring, but you know? He likes revealing or skin-tight clothes. Chokers will catch his attention.
Honestly though his biggest turn on is just if you worship him. He wants his ego stroked. Ideally, you're also intelligent enough to at least begin to understand him and his work, but blind faith would not offend him.
Camera Obscura [S.T.A.R.S. era Wesker/Reader] - Chapter 9
[Ao3 Mirror]
Rating:ย E
WC: 8k
Contents: Kissing, grinding. Wesker is not nice. Semi-public touching. Gunplay if you squint. Lots of S.T.A.R.S. cameos. Secret workplace age gap relationship with emphasis on innocence and an exceptionally nervous Reader-insert. Full tags on AO3.
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[Chapter 1][Chapter 2][Chapter 3][Chapter 4][Chapter 5][Chapter 6][Chapter 7][Chapter 8]
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Every so often, thereโs someone in the library almost as early as you.
โThey found two more bodies.โ Ashland says, leaning on the checkout counter. You knew before her mouth had even opened it was going to be something bad. Her brow was high and pinched, mouth curled down. You had hoped it was something about her partner- the herb guy.
This is the part of this job you just canโt get used to. Death was something far away and abstract for you before, not something that you keep running into. Ever since that hostage situation in Aprilโฆ
Itโs awful. One body was a freak accident-- or, not accident. Just, some freak. But three? Thatโsโฆ Thatโs intentional.
โItโs crazy,โ Her voice is hushed, a conspiratorial whisper. You canโt blame her for the dramatics; she really shouldnโt be telling you. โThe chiefโs closing the park for public use later today. Diaz thinks theyโre gonna blame wild animals, something about an unusually hot summer making them more aggressive.โ She frowns and glances out the door, making sure nobody else is listening. โBut Ports is on the task force and she showed me the crime scene photos. Theyโre human bites. I swear it.โ
You blanche. โButโฆ why?โ
โCult.โ Ashland nods. โI think itโs a cult. Human sacrifices.โ
โA cultโฆ?โ You repeat quietly.
She reaches across the counter and touches your arm. โHey, itโs okay. Irons is gonna start taking this case seriously. I know it. They have to after this.โ
Irons. Your stomach twists into knots. The warning plays in your mind: Brian Irons is dangerous. Itโs illogical to think Weskerโs warning has to do with his work. It was personal, definitely; Irons was a danger to you. But still, having that confirmation- having your bad feelings about him validated by someone like Wesker, someone knowledgeable- any trust in him you had left in Chief Irons is completely gone.
Butโฆ
That kind of absolutism still feels wrong. Even if heโs awful to you and to Wesker, maybe heโs still a professional in other aspects.
Maybe he will take it seriously.
You really hope so. Three murdersโฆ You havenโt lived in Raccoon City long, but it has never felt like the place that getsโฆ murder cults.
โAnd, okay,โ She starts again. โYou donโt gotta tell me where you got it, but uh..โ She points to her neck.
The gears turn, trying to understand what about her neck is so intriguing--
Your cheeks burn and you look away, covering the offending spot on your own neck with one hand. The exact imprints of Weskerโs teeth in your skin had lasted days, but at a week out, itโs mellowed into one large, mottled bruise. Even so, the memory of it makes your low belly pulse.
With how hot itโs been and how high he bit you, itโs not been easy to hide. โSorry. I, uh, guess I sweat off my concealerโฆโ
Ashland shrugs. โMight wanna keep an eye on it; Blackburn from HR is a stickler for that stuff.โ
You nod. Maybe you could put a bandage over it. Not great, but you canโt exactly wear a scarf to Jamesโs goodbye dinner.
Wesker doesnโt attend. You arenโt surprised, neither is anyone else. As rare as his social outings were, theyโve all dried up to nothing in the last month, every free moment spent in his office. But given the party is in the S.T.A.R.S. office and heโs clearly not here, you hope heโs at home resting. You really, really hope. You donโt know how much longer he can keep doing this. Even as put-together as he is, heโll burn out sooner or laterโฆ
It ends up being a mini potluck; almost everyone has brought something. A lasagna, potato salad, someone hauled in their whole slow cooker filled with chili (Barry, if you had to guess), soda but no alcohol- that had been Weskerโs one stipulation on using the office. For the best, you think, considering Chris and Forestโs stories of drunk nights that neither fully remembers.
But for tonight, Chrisโs impression of Wesker was perfect, his lips pressed tight and faintly curved down. He captures the strange, mixed accent with the kind of clarity that only comes from hearing it in and out all day: Arenโt you just going to throw a party for Ms. Chambers next week?
You feel a little bad; James wasnโt particularly social so you never really got to know him. You feel out of place coming to his going away celebration, more of a friend of a friend than actually supposed to be here.
Would it be rude to leave early? Youโre just taking up spaceโฆ Like everything else, all you do is stand in the corner or cling desperately to the people you feel closest to, which only makes you feel guilty for being a social leech.
The lights are low enough in the office, the music loud enough, James is sitting on his desk, turning over some kind of gift with an obscenely large ribbon on it.
You can get away with it, you think.
You slip out the office door.
Out in the hallway June has brought with it the sunlight, so despite it being nearly seven the hallway is still lit up with the setting sun, the old wood and terribly outdated paintjob glowing orange. Youโre thankful at least; the walk home will be nice, maybe only just getting dark when you get to your apartment.
Youโre nearly around the corner towards the library-
โHey, hey!โ
You startle, then grimace. Oh, now you feel worse, you got caughtโฆ You look back just in time for Chris to be waving someone off from the other side of the door and half-jogging to catch up to you. โYou headinโ out?โ
The guilt of trying to sneak out sits heavy on your shoulders. โAh, yeah, I--โ
โItโs okay, I know parties arenโt really your thing.โ He smiles- and so much of that weight slides right off you. As though if Chris doesnโt care, then maybe you donโt have to either.
โOh,โ You almost laugh. Being seen so blatantly makes you feel like heโs peeling back the layers of your skin: sensitive, exposed. But thereโs something more to it, a kind of trust. โYeah, it isnโt.โ
Chris waves his hand dismissively. โI just wanted to check in on you. I know Iโve been busy the last few days and havenโt had the chance to really talk.โ
That does bring a smile to your lips. โIโm- Iโm fine. Nothing new, really.โ
โGood, good.โ For a second he doesnโt say anything, then sighs and sweeps a hand through his hair. โListen, itโs none of my business, but you had bruises on your wrists and still had a pretty sizable bandage on your neck.โ
Your heart drops down through your feet. โI--โ You start, โIโm sorry, I know itโs- itโs unprofessional.โ You glance at your wrists and curse yourself. Theyโre gone now, Theyโve been so faint, looking more like shadows on your skin than an injury. Youโd only really been worried about the bitemark, significantly more visible than the imprint of his hand holding yoursโฆ but Chris was S.T.A.R.S. after all, it was his job to pick up on the small stuff like thatโฆ
Chris scoffs. โWhat? No, I mean. Iโm not gonna judge, okay?โ He holds up his hands, โBut are theseโฆ good bruises orโฆ? Again, no judgement.โ
Oh. Your cheeks burn, your eyes settling on his boots. โY-yeah, theyโre good.โ Really good. The hope it happens again kind of good.
โThatโs a relief. I was worried I was gonna have to deck someone and get put on leave again.โ He grins. You know he would in a heartbeat, no second thought.
You laugh softly this time, โThank you. But, y-yeah. Iโm okay.โ
โSo?โ Chris prompts, waiting just long enough to see a flash of fear in your eyes. โWhen do we meet him?โ Then quickly adds with a curious eyebrow: โOr her? Again, no judgement here.โ
โUm,โ The emotional whiplash makes you dizzy. Youโd love to tell him, to explain, oh you hate lying, especially to Chris. But his words echo in your ears, solemn and accented and always, always the voice of reason: They wouldnโt look at you the same way. You had doubted it then, at least a little. Now you know, without a doubt. He was right, because of course he is. Chris couldnโt joke about this with you if he knew. He probably also wouldnโt worry about whoโs leaving marks on your skin if he knew it was his own captain. โHe, ah, heโs kind of private.โ
โYeah, yeah,โ Chris waves you off again. โHe goes to another school.โ He says the joke but you can still see something in his face, something reserved behind his words. A suspicion. Probably still for your safety, which only makes you want to come clean even more. You ache to assure him: He doesnโt need to worry about you! Maybe your relationship is unconventional, but itโs nothing like that.
โHeโs good to me. Really. Patient and mature.โ You say and force as much affection into your voice as you can. With how little you can tell him, you hope itโs enough to assuage that fear.
Chris watches you for a minute more before sighing. โOkay. Butโฆ anything happens, right? Anything. Come tell me and Iโll set him straight.โ
โAnd this is the library.โ
Your ears perk up, attention drawn towards that back pathway to the unicorn statue. You know the voice- itโs Richardโs. Still holding the book you meant to reshelve, you move towards the center of the room, ready to greet him.
โOooh, I think I was here before!โ Someone else speaks.
Right.
James left over a week ago. One spotlessly clean desk among the dozen messes, a little beacon of impending change. You werenโt close with him, but you do miss him and you miss the stability of knowing everyone. A new personโฆ no, if it were just a new person you think you could handle it. Youโd say the wrong thing or freeze up or not know how to act with them, but youโve developed enough social grease with the rest of the team that you could get byโฆ
You peek around the bookshelf slowly, plastering on a smile.
โOh, there you are!โ Richard beams, โRebecca, this is our records manager.โ
Rebecca, for the first time, actually steps out from behind Richard. Sheโs so short. You forgot how short she was, absolutely tiny next to Richard. Her wide, curious eyes do nothing to dispel how childlike she looks- nor her broad, white smile.
โAssistant records manager,โ You correct halfheartedly. Did that come out as humble or dismissive? Was it better just to let people assume that or correct them? Having someone new makes the creeping black mass of doubt worsen, but because itโs her it reaches critical almost instantly.
โYeah! I got lost after my interview, right? You helped me get back to the main hall. This place is like a maze!โ She offers her hand. โIโm Rebecca, glad to meet you.โ
โY-yeah,โ You meet her handshake. Is your palm too sweaty? Itโs so hot in the library, you could probably play it off as that. Itโs just the heat, itโs not about her. โNice to meet you.โ
โForest told me youโre also a teen.โ She smiles, โIโm really glad thereโs someone else my age; I was afraid Iโd be the only one who couldnโt drink!โ
Somehow it still pulls the half-laughing exhale from you. โYeah, they ah, they do love their cop bars.โ
โHonestly.โ
โChris already invited her to the movie nights. Sheโs gonna pick the next one, actually.โ Richard says, โBut we should keep going, weโll see you later!โ
โBye!โ Rebecca waves, still grinning as Richard ushers her towards the main door.
You like her, you think. But still your stomach hurts, a block of discomfort that sits just below your ribcage. The longer youโre left alone in the library, near silent except for the ever present muffled din of the station all around you, the closer you come to tears.
You see him so rarely now that you donโt expect him to come by the same evening.
Each time that the days between your moments together start to number beyond four, you canโt help but worry. Itโs natural, youโre sure, given the circumstances. In aโฆ a normal relationship-- no, no, thatโs not the right word. In a common relationship itโd be abnormal to not have some kind of connection with your partner for several days in a row.
But again, circumstances.
Youโre not in an average relationship. Youโve accepted that long ago. The things you have to sacrifice to be able to kiss him at allโฆ Even if he only sees you once a week, itโs worth it. And even if most of those visits are brief, teasing things and most of your evenings are concluded with walking home alone, itโs alright.
You wish you could doโฆ that again (or more, you still wouldnโt reject more).
But you hadnโt expected him to come by the same day as you formally meeting Rebecca.
Heโs tired. You can see it on him again. At least if heโs taking you home, he wonโt be cooped up here all night.
He smirks when he sees you, hands crossed over his chest as he waits for you to gather your stuff. You donโt mention how you can feel the energy is off with him, a sluggishness to his movements, nor does he mention your red-rimmed eyes.
He drives you home in silence, his hand resting lightly on your thigh. The whole ride you pick at your fingernails. When you arrive he leans over the console to kiss you. The contact is nice, grounding. A respite from the stress of the day, but he pulls away too soon and you take your obvious cue to get out.
But you canโt bring yourself to go inside just yet. Youโll be alone with your thoughts all nightโฆ
You stand, awkwardly, beside his car before circling around to the driver side. Your stomach roils, your teeth sink into your lip, and you wonder, again, if youโre doing something wrong. Through the dark tint, you canโt see Wesker, but after a moment the engine turns off.
He steps out and sighs. The noise cuts through you, makes you step back- and oh, you shouldโve just gone inside. You couldโve dealt with this yourself, you think. It wasnโt even that bad. The corners of your eyes prickle with quickly gathering tears. โSorry, I can-โ
โWhat do you need?โ He cuts you off. Despite his word choice, he doesnโt sound angry, justโฆ factual. What is it that you need? Why did you linger?
You step closer, your gaze flicking between his face- held in that stern but neutral for him expression- and his boots when the pressure feels too much. He doesnโt react to you coming closer, doesnโt immediately chide you for it- closer still into his personal space- and slowly you lean into him.
He doesnโt move at all as your ear touches his chest, your arms circle his waist. You relish the moment, take note of the little human parts of him: The warmth of his skin has sunk into his clothes. His heart beats powerfully just behind his ribcage. You hold him tighter, hands sliding up his back until youโre all but crushing your face into his shirt.
And with another sigh- this one more weary than annoyed- his large hands settle loosely at the small of your back. โThis is about Ms. Chambers, isnโt it?โ
You shrink beneath him, wilting like a flower in the summer heat. Without looking up, you nod against him. Itโs stupid, you know it is. She was nice to you, hasnโt done anything wrong, but sheโs as young as you are but so smart and so confident. You could never be like herโฆ
Wesker shifts, pries your face away from him with one hand, his fingers wrapping around your chin. Forced back far enough for him to meet your eyes through those dark glasses, he hums for a moment in consideration. โShe is rather cute, isnโt she?โ
Your jaw drops. A cold pang lances through you, another hot tear rolling over your cheek- but one corner of Weskerโs mouth lifts, tightens into a little dimple. His smirk, that teasing thing-
โYouโve nothing to worry about, dearheart.โ He taps your chin with his thumb.
You exhale sharply, the breath knocked out of you as swiftly as heโd made you choke up. Emotions mix; relief with his reassurance, guilt for needing it. But still, relief. You lean into his hand, soak in this increasingly rare closeness. You have to remind yourself: you made something out of nothing, this entire thing with Rebecca was all but a figment of your imagination.
โSorry,โ You murmur after a minute. โIโve justโฆ missed you.โ
His smile falters, fades into something bittersweet. โI know.โ
Your hand covers his, brings it up to your mouth properly so you can kiss at his fingertips. Itโs always a task with him, the pursuit of real information, anything more than a glimpse, a flash of what his private life is like. โWhen will you be doneโฆ consulting?โ
He hums again, watching you as you kiss another round across his fingers.
You sigh. โCanโฆ can you at least tell me something?โ
At this, however, he grins. His mouth twitches first, before pulling taut, smiling at a joke you havenโt heard. โYou may just find out soon.โ He releases your chin to stroke over your hair. โIf youโre very lucky.โ
Lucky? You donโt know what to make of that. If itโs something like a confidential case wrapping up, youโd expect somethingโฆ different. Is he working on something good?
You have so many questions and you know he will answer none of them. But soon gives you a sliver of hope, a light at the end of the tunnel. Maybe you can go back to seeing him every few days instead of every two weeksโฆ and, maybe, heโll keep touching youโฆ
The thought makes you shiver. The idea of what had happened in the library happening with any kind of frequencyโฆ
More, ideally. Youโฆ youโd really like to do the same for himโฆ
Weskerโs grin returns and your cheeks burn again. Are you that easy to read or is it just himโฆ? It must be the latter; if everyone could decipher your thoughts, they wouldโve found out about you and him immediately. But for as easily as he reads you, his thoughts are evasive, hidden under those black sunglasses.
โGet some sleep, dear.โ
He pats your shoulders and begins to draw away. You follow, catch onto his belt loops to keep him close. Him leaving after- after itโs been so longโฆ This time, you watch as his pale eyebrows drop down, a crease forming between. The shift of his mood leaves a shiver running down your spine. You swallow down the rising fear and ask anyway: โIโฆ can weโฆ meet more often?โ
You expect another flash of his white teeth, some mild chastisement for wanting more than you need- or deserve, maybe. The grin doesnโt resurface, his hands donโt return to you and a cold brick forms in your gut.
โDonโt be difficult.โ Thereโs no affection left in his voice, โYou know Iโm trying.โ
Thatโs trueโฆ he doesnโt have to come by when he does. He could have just focused on his workโฆ heโs so busy that he works himself to exhaustion and even now youโre taking his timeโฆ How selfish can you be?
โYouโre right,โ You say softly, dropping your gaze down to his shirt. Not yet ready to let go, needing just a moment more, you gently straighten the fabric there, smoothing out a crease. โIโm sorry.โ
He doesnโt move, watching you through those shiny black lenses- and finally he strokes along the side of your face again, fingertips trailing down over your jaw to your throat. โItโs alright. Go get some rest.โ
This time you nod silently. When you raise up to your tiptoes, he does meet your kiss in a brief peck.
Once youโre inside your apartment, you let yourself cry.
He doesnโt visit the next day. Or even the day after.
You shelve the feelings, tell yourself to be patient. You like him, he obviously likes you. Heโs busy is all, thatโs hardly a crime. It doesnโt change how much you miss him, how you find yourself jealous of every time Barry mentions his wife. You want dinners with him and dates andโฆ and the things you knew youโd have to give up to be with himโฆ
You feel stupid. He told you it would be difficult. You miss him and every time you long for something more, you feel guilty for it.
Wesker comes by the first week of July, offers to take you home after work. You jump at the chance, all too happy to soak in any minutea of attention-
And in the parking garage, Wesker pushes you up against the side of his sedan. He kisses you slow and deep, one hand at the base of your skull while his tongue slides against the roof of your mouth. He kisses you until your lips go numb, chapped from the friction and saliva and your chest aches from hypoxia.
He does not say Iโm sorry, but he does murmur in your ear about how youโre his sweet pet. You decide you can handle it so long as you get to hear his breathy praises now and again.
โSo, happy first month on the job,โ Enricoโs voice is almost drowned out by the continuous roll of conversations all around you. The circular booth is tightly crowded, leaving you to pull your arms in tight and squeeze your legs together. This was not how you wanted the evening to go. โDo you think youโre getting the hang of most of it?โ
Rebecca purses her lips as she considers answering. โI think so! Iโm still nervous for my first mission.โ
More than ever, you feel out of place. Sandwiched between Kenneth and Forest, youโre stuck. Itโs one thing to be the only civilian in Chrisโs living room- something low stakes, something quiet-- but being the only person not in uniform while the waitress is saying things like thank you for your service makes you want to escape. Even if you have to slide out under the table and crawl.
But if you did that, youโd make a scene.
All you have to do is swallow down the rising distress for long enough- if anyone gets up to use the bathroom you can excuse yourself. You had a hard day is all, you need to catch up on laundry, something mundane, any excuse so you can-
Enrico smiles, โThereโs no need to be. We wonโt be sending you anywhere alone for your first one, youโll have backup.โ
Opposite you at the table, Brad swats away Chrisโs hands as he reaches for the otherโs fries. Chrisโs laugh makes you relax a little; even if you are out of place, it hardly seems anyone else is bothered by it.
โI appreciate that.โ Rebecca says, then laughs lightly to herself. โThough, I feel like I maybe picked a bad time to join the R.P.D.โ
โDonโt tell me the cannibal thing is getting to you.โ Kenneth raises one thick eyebrow, already frowning in disappointment.
โDonโt act like itโs not freaky as hell.โ Brad mutters.
โThey are.โ Rebecca confirms.
โItโs anโฆ unusual case for Raccoon City.โ Enrico concedes. โRandom acts of violence like it are hard to predict or investigate, but theyโre also incredibly rare.โ
Rebecca stirs her drink with her straw. โSeems like the kind of case S.T.A.R.S. should be handling.โ
That perks up Chrisโs ears. He twists to look at Enrico. โYeah, Vice Cap, why arenโt we investigating the Raccoon Forest Murders?โ He asks, voice dripping with contempt.
Enricoโs mouth drops into a line, a serious slash across his face, shooting a dark look over at Chris. โI donโt know.โ He turns back to Rebecca. โRedfield and I have petitioned the Chief over and over, but he wonโt assign it to us. Respect due to our uniformed brothers, but theyโre spinning their wheels out there.โ
A somber cloud settles over the group. Heโs not wrong. Itโs been weeks now since the first body appeared, chewed up and mangled. Whatever the task force is doing, it isnโt enough. Even if it is somehow just wild animals, rabid dogs, or an unseasonably hungry bear, the police should have solved this long before the body count got to seven.
โWe can handle it.โ Rebecca breaks the looming silence. She smiles, a confidence that you canโt understand.
Joseph claps her on the shoulder, the movement awkward for how tightly crammed everyone is. โSee? You were made to be in S.T.A.R.S.!โ
He still hasnโt touched you again. Not like that, at least.
Youโve tried replicating it, mimicking his motion and angle and keeping your other hand close to your chest just as heโd held it. It feels good- but itโs not the same. Your arm hurts, sore and exhausted long before youโre at the point of trembling and pleading.
Itโs agony.
If the ever present need between your legs was not bad enough, you just miss him. You want to talk with him again, relaxed and intimate as you had been over dinner. You want to fall asleep on him, to have him hold you casuallyโฆ
Youโฆ you can take it. Youโve survived worse than longing, but it doesnโt make it any more pleasant.
โYouโre so full of shit, Chris.โ Forestโs mouth lifts into a good-natured scowl. โYou couldnโt even make that shot on a clear day.โ
Chris, throws his hands up. โFull-on thunderstorm, I swear!โ
This is not the conversation you had expected to walk in on. Hardly the worst-- or even the first time youโve caught some of the rowdier S.T.A.R.S. trying to show off and one-up each other.
Today, you donโt even have a ruse for why youโre in their office. Rebecca had, genuinely, left a request in the book while you were out on your break- lonesomely sitting on the rooftop, wondering which cigarette butts were Weskerโs. You still hold her requested file in your hands. Itโs a thin one, a recent missing personโs case. Itโs depressing to see, so little information was gathered before it was unceremoniously closed.
She had accepted the file, thanked you, and signed in good order, but now this petty argument had broken out before you could leave.
โWho goes shooting in the rain?โ Joseph scoffs.
โI told you! It was clear when I headed out there, but by the time I had got my camp set up, it was stormy. Felt like a waste to pack up, so I went out anyway.โ Chris shrugs, folding his arms behind his head and leaning back in his chair.
โFuck it, letโs go settle this at Kendoโs. Your story is bullshit and Iโm still a better shot.โ Forest is already picking up his gear, nodding at the door.
โWhat, now?โ Chris gapes.
โYes, Forest,โ The room goes silent, a chill settling over the playful mood. Everyone turns towards the corner office just to find Weskerโs arms crossed over his chest. โWere you planning on leaving early for your little contest?โ
โAh, I mean, no, Captain,โ Forest deflates.
A beat passes and Weskerโs head shifts subtly- towards you, no, towards Rebecca. โMs. Chambers, have you had your service pistol customized, yet?โ
โNo, sir. Is that something I should do?โ
โI would recommend it, as well as logging some extra hours at the practice range.โ He says vaguely, then he turns again: โBarry, call over. Letโs not drop the whole squad on him unannounced.โ
The bullpen erupts, Chris and Forest whooping in joy. Barry immediately grabs his phone and begins punching in a number. Beside you Rebecca sighs, โHeโs gonna critique my grouping again.โ
You pat her shoulder awkwardly. Youโve only been on the receiving end of Weskerโs criticism a few times; you donโt envy her. The ruckus in the room rises and you sidestep around Richard, sliding along the side of the quickly emptying room towards the door.
Wesker still stands at the doorway to his office, making a show of adjusting his watch. Itโs nice to see him at work, in his serious mode, almost none of that teasing playfulness you seem to bring out in him.
โHave fun, Captain,โ You say as you begin to pass by him. You smile faintly, a little too soft to be hidden as just polite. Under the excitement in the room, youโre sure no one would notice.
But your mild display of affection is outmatched. Weskerโs hand grabs your forearm, stopping you from leaving. โCome with us.โ
โTo theโฆ the range?โ You ask. The thought alone makes a cold sweat bead at your neck. โBut I donโtโฆ Iโve never even held a gunโฆโ
โYouโre an employee of the R.P.D.โ Wesker lets go of your arm, drawing back to adjust his sunglasses. โYou should be able to defend yourself.โ
A few members of S.T.A.R.S. cut between you and slip out the door, moving quickly as to avoid Weskerโs attention.
You open your mouth to reject that- youโd be better suited to running or hiding, not fighting back- but close it just as quickly. Despite your dislike of it, of the violent nature of his work that youโve never really addressed, it is an excuse to spend time with him. With everyone, of course, but Wesker so rarely joins the team in their social outings.
Andโฆ it must mean he isnโt busy consulting. A swell of hope rises in your chest at the thought. So much of your time lately has been stolen, frantic moments that you have to engineer just to get a glimpse of him.
โO-okayโฆโ You concede. Itโs not like youโre busy, anyway.
โโScuse me,โ Forestโs hand touches your shoulder and you jump, โSorry.โ He laughs then gives a nod to Wesker. โSee ya over there, Captain.โ
โSpeyer, take our archivist with you. Make sure they donโt get lost.โ Wesker gives you a little push forward, back in Forestโs way.
Forest gives an exaggerated salute, his good mood unflappable. โAye aye, Capโ.โ
He guides you through the station, along the exact same path youโd take to the parking garage. โI didnโt think you liked guns.โ Forest says, weaving through the busy main hall. You almost lose him as a gaggle of uniforms cut between you, his blue vest blending into the crowd. He waits, though, grinning broadly when you finally pick him out again.
โAh, I donโt.โ You glance at the holstered pistol at his hip. โBut, um, Wesker offered to teach me. S-since I should, I guess.โ
The door outside is a relief; the hot air of the station is smothering, but outside a gentle breeze makes the heat bearable. Forest shakes his head, letting his long hair float behind him. โAh, I donโt know about that; doubt Ironโs secretary is packing either.โ
You twist your lips at that. Ironโs secretary was also a cougar on the hunt for that younger Umbrella employee. Despite her sweet demeanor and glasses thicker than your pinkie, you think she can somehow handle herself, even if it isnโt with a firearm.
The bell on the door jingles as Forest opens it. Kendoโs shop is smaller than you had imagined, for how often the team mentions it. The shop portion is neatly organized, rows of ammunition and accessories, followed by glass cases of shiny new parts and scopes and grips and little signs stuck to the inside: house-made customizations available, just ask!
Behind the till is a fairly large placard: the S.T.A.R.S. logo, the paint still crisp and unfaded. Below it is a smaller sign: Proud sponsor of the Raccoon Police Department and Special Tactics and Rescue Service. You knew Kendo was beloved by the station and that he had donated a lot of time and resources to the police force, but you didnโt really grasp the intensity of it.
The back wall, however, is what makes you nervous. In standing cases, thereโs more guns than youโve ever seen. Shotguns and rifles of all shapes and sizes and modifications you canโt even begin to name.
A familiar voice floats through a doorway. Chrisโs excitement is palpable even through the walls and Forestโs grin resurfaces, his pace quickening to catch up. You pause here, still near the counter, the regular customer area of the shop, as Forest continues on. Itโs normal for him to be back there, out at the range portion, but not for you. Even with his escort it feels wrong-- and youโve lost him anyway, disappeared around a corner while you nervously wait.
Youโฆ you donโt even know what youโre waiting for. Wesker, maybe? You donโt like the idea; heโll be disappointed you didnโt stay with Forest-- though you donโt know if you or Forest will be the subject of his ire. Permission? That sounds more right. You donโt know Robert Kendo like the members of S.T.A.R.S. do and just barging back there- escort or no- feelsโฆ wrong.
You chew your lip, drop your gaze down to your shoes. The urge to run away rises up in you again, but now feels impossible. How would you even begin to explain it to Wesker? He offers a way to spend time with you- though, not just you- and you ditch him? What an awful partner youโd beโฆ
Someone sighs--
You straighten up immediately as a pudgy middle age man wanders back into the front of the store, the soft curves of his face lifted into a weary but good-natured halfsmile. Already tired of Chris and Forestโs antics, if you had to guess. They do tend to have this effect on people.
โOh, sorry, didnโt see you, do you needโฆ?โ He starts, but youโre already waving him off.
โNo, no, Iโm with them, I- ah, just wanted to wait for someone.โ
โYou, ah, you Rebecca?โ He asks.
A sickness squirms in your belly. You open your mouth to correct him- but are cut off by the door bell. It jingles again-
And Wesker holds the door open for Rebecca. Her eyes wide with curiosity, her gaze darting all over the store. Probably how you looked, you realize- which only makes that nausea rise a little higher. What you can see of Weskerโs features look like theyโre in that usual stern default he has, but with his sunglasses on you can never really tell. Maybe behind them he does have that little fond look--
No.
Wesker said you have nothing to worry about.
You swallow forcefully and feel your body shudder as you breathe in. You have to believe him. Thatโs all there is, either you trust him or you donโt and you must. Besides, he hasnโt even done anything to make you think he is interested. Everything has been your own ridiculous insecurities, nothing but sabotaging yourself.
โHello, Bob.โ Wesker says, looking past you. It still makes your stomach hurt a little, but you know logically he couldnโt exactly address you so informally in front of two people.
โThis is Rebecca, I assume?โ He gestures towards Rebecca, who still looks all over the walls, taking in the huge display of lethality.
โAh, yes!โ She straightens up.
โBarry said weโll be customizing your service pistol, catch you up with the rest of the team.โ He grins and motions her over to one section of the counter. โThat Beretta ainโt a Samurai Edge until weโve worked on it.โ
Rebecca follows him, leaning over the glass and watching as he begins removing different parts from their mounts, setting them on the counter.
Crack
Even through several walls, the noise makes you jump- and startle again as you bump into someone. You turn to apologize, the words already forming on your tongue- and his hand, broad and firm, spreads over the curve of your low back. The comfort of such a tiny touch washes over you. You hadnโt even noticed him come closer, but knowing now you feel like you can finally exhale.
He dips his head just enough for you to feel the warmth of his breath as he speaks. โSeems they started without us. Shall we go watch the show?โ
Your mouth goes dry at one sentence. His hand is still on you. You nod, almost lightheaded. Heโs a siren when he wants to be, when he can be, and every time you forget just how much sway he has over you. Itโs a struggle to resist melting into him, to walk normally instead of leaning on him how youโd like.
But Wesker keeps his hand at your back, the touch light enough he could play it off as guiding you. Youโฆ you are nervous in new places. Everyone knows that. Itโs not so unlikely that you would appreciate help like that. The fact itโs Weskerโs hand at your back would be the bigger concern to anyone who noticesโฆ
And yet the thought makes you blush, a little smile wriggling across your lips. To be seen out with himโฆ
The fantasy fades as you approach the group, his hand falling away without notice. Chris and Forest stand side by side, pistols in hand and-
Crack!
You jolt again, this time Weskerโs hand settles over your shoulder. Again the weight settles you-- but doesnโt entirely prevent the same reaction at the next shot. But itโs so public here, another type of anxiety makes your skin feel cold, too aware of the people around you. Even if you were jumping, full body flinching really, every time one of them fires, was this allowed? Would anyone think twice about the stern Captain Wesker having a hand on you?
He squeezes. You feel it: the strongest pressure from the tips of his fingers, the ridges along the grip of his gloves. You exhale slowly, some of the fear following. You wish you could relax and enjoy this time with him- even if itโs not just with him. If heโs doing this he must feel itโs safe enough, you just have to believe it.
โAh, damn,โ Forest says, setting down his pistol to wipe at his forehead. โYou got me this time, I can see it from here.โ
โOh no, no, letโs get a closer look.โ Chris replies, flicking the switch to bring the targets closer, an electrical hum filling the room. To you, the two targets look almost identical; youโve got no point of reference for why Forest is already capitulating. The black figure drawn on the center of the paper is well damaged on both of their targets, holes punched straight through the white concentric circles of the head, with a few polka dotted along the outlines.
โForest, what the fuck happened here.โ Joseph points at one hole, completely off the figure target by several inches.
Forest bristles, โShut up, go get another set..โ
Joseph laughs as he heads back towards the other end of the range.
โWell done, Chris.โ Wesker says mildly, โBut your grouping could still be tighter.โ
โAw, come on, Captainโฆโ
โTwo of those are grazes.โ Weskerโs hand drops off you so he can cross his arms. โNot enough to stop a hostile.โ
โTwo shots off the entire magazine?โ
โI have high standards for our best marksman.โ
Chrisโs eyes twinkle at the praise, a pride that doesnโt dissipate when Joseph returns with two new target papers.
Wesker turns and starts down to the opposite end of the range. โLetโs give them some distance so you can focus.โ
You shrink down, wishing he had forgotten about this part. It was one thing to watch Chris and Forest shoot, itโs another entirely to hold the gun yourself. But Wesker urges you on, guiding you down all the way to the last stall. The fins on either side jut out just enough that you can no longer see the competing men nor the crowd that had gathered around them.
Itโs just you and Wesker and the black silhouette at the end of the range.
A button pops at Weskerโs side. He holds the weapon in front of you, the metal glinting under the fluorescent lights.
โTake it.โ
You look up at him, wanting to fabricate an escape from this, any reason why you could get away. But you canโt. All you get from Weskerโs face is his cool, unaffected expression and your own nervous reflection in his glasses.
Your hands shake as you raise them- and Wesker meets you halfway. His larger hand closes over yours, guides it into position. He wraps your fingers around the grip, the inlaid S.T.A.R.S. logo a smoother texture than the rest of it. Your palms sweat already, worsening as he lays your index over the length of the trigger guard.
Wesker steps behind you entirely and you struggle to breathe. The breadth of his chest presses against you- and he reaches for your other hand, guiding it up to act as a support. With his arms bracketing yours, his warmth surrounds you entirely- the smell of him, his cologne faded under black, burnt, police station coffee and piles of paperwork and his cigarette smoke--
Odd, you think, heโs so careful with his smoking; he must be so stressed if heโs smoking enough that you can smell it on himโฆ
But itโs comforting in a way- which makes you feel guilty. The scent of it is familiar, something private, something youโve tasted-- even if you shouldnโt be able to smell it now.
It grounds you, just a little bit. Enough that you can exhale and really look at the weapon in your hands.
โYou wonโt keep a weapon,โ He says it as a fact, something he knows about you. โBut youโll know how to use one.โ
Youโd like to reject the idea entirely; youโve surrounded yourself with people who would keep you safe, after all. But thereโs no question in Weskerโs words: you will know.
โThis is the safety.โ He guides your index up to a small latch. He presses down- and you jump as it clicks. Wesker exhales, the kind of breath that would be a puff of laughter were you actually alone.
โPut your thumb up on this,โ He draws your thumb up, over the wedge of metal at the very back of the muzzle. โThis is the hammer; most pistols donโt need to be cocked before firingโฆโ He pushes down over your thumb and the hammer draws back, tensioning as it goes. Weskerโs voice drops, his work persona evaporating as his lips brush the shell of your ear. โBut it makes it easier to fire.โ
You shiver, hands trembling again, but Weskerโs large palms keep the gun steady. Heโs all around you again. In your terror you hadnโt realized it: his arms on either side of you, his hands over yours. As if knowing it has finally occurred to you, Wesker steps closer, crowds you up against the little counter- and his hips meet yours. Through the layers of clothes you can feel him, warm and half-hard.
Youโฆ youโre in public. Not just the secluded corner of the library, but real honest public. Beneath the hot rushing of blood in your ears you can still hear them: both Alpha and Bravo teams laugh, chatting- and Wesker continues anyway. He lifts your arms higher until theyโre properly holding the gun.
โLine up the top with your targetโฆโ He says, and you try. Along the sleek dark metal you follow its path towards the distant silhouette. With your shaking, itโs difficult. You adjust your hold, squeeze the textured grip, your fingertip biting into the S.T.A.R.S. logo.
Wesker all but purrs. โGood.โ And it takes everything to not lose focus. โNow,โ He draws your index finger off the guard, down- and you canโt help the whimper that follows. The trigger is still cool, the metal smooth and inviting, easy to rest your finger against.
Wesker draws away, hands off yours, sliding up to your wrists instead. Your hands start to drop, but he guides them back up until you hold your aim again. But his hands are off yours entirely. You thoughtโฆ if he had manipulated your hands so farโฆ but he wonโt. He wants you to pull the trigger.
โGo on.โ He prompts.
Your hands tremble again. You hate it. โI canโt.โ It makes your eyes water in frustration; you want to be good, to do as he asks, but moving your finger only an inch is impossible. Too much.
โYou can.โ He asserts, leaves one hand at your wrists, keeping your arms out, but the other begins to slide towards you.
His touch is soft, feather-light and isnโt swayed at all at your shocked โWesker?โ
โShh.โ His lips brush your ear again just as his hand slides across your chest. You turn as best you can, desperate to know if anyone can see you- if anyone is looking. The fins that separate each stall are just long enough to block the view of your friends- but if any were to come closer-
โFocus.โ Weskerโs voice brings you back. โThere are four main ways humans deal with threats.โ
The palm of his off hand slides across your chest, light at first before becoming firmer. โFlight, freeze, and fawn all serve their purposes in the right contexts, decent methods to avoid a predatorโs jaws.โ His hand dips, skims across your nipples. Muted as it is through clothes, the sensation still makes you jump in his arms. โBut sometimesโฆโ
His touch drops. Down over your belly to the hem of your pants, his fingers toy with the button. A heat blooms between your legs- after all this time waiting, so few moments together heโs going to touch you again-
And in the same breath you feel cold, rigid, terrified of how close you are to everyone else. Thereโs no way you wonโt get caught, itโs too open--
โSometimes you justโฆโ Lower, his fingertips drag over the zipper- โhaveโฆโ lower still, over the soft pouch of your mons and- โto fight.โ
Two fingers press against your sex, rubbing slowly against your clit. Any resistance flees from you; your weight drops back against his chest, consequences be damned. You want to moan, to open your mouth and pant because itโs been so long and it feels better than you remembered- but the fear keeps you quiet. Your hips rock softly, matching the slow, shallow strokes heโs rubbing into you.
โFocus.โ He chastizes again.
Heโฆ really expects you to try to shoot while heโs touching you again? You shove down your doubt and just try to do as he asks; you open your eyes again and attempt to aim, to hold the weapon up without Weskerโs support. It feels impossible; the firearm is heavy in your trembling hands, but you try. And that must be enough to please him, as he rewards you with his considering hmms and a nice hard stroke over your clit.
โYou want something more than just my fingers in your cunt, donโt you?โ
A wave of heat passes over you, vision going blurry at his words- how can he possibly expect you to keep this up when heโs saying such things? Butโฆ you do want that. You sink your teeth into your lip and nod.
โThen fight for it.โ He says. โTell me what you want and pull the trigger.โ
You want to. You want to. Youโve already done so much, why canโt you just say it? But finding the words is as impossible as firing the gun; each task an impassable mountain in your path.
Heโs asked you so many times to tell him, and you never quite could. All the time youโve squandered, you couldโve- couldโve done it by now. But youโre still in the same place, trembling, leaning on him, trying as hard as you can but, โI canโt.โ
The arousal that fogs your head dissipates, vying for control with new competition: shame and fear. How many times can you disappoint him before-
โYou can,โ He purrs, โYou can fight for me. Tell me what you want and Iโll give it to you.โ He nips at the shell of your ear. โTonight. Iโll take you home.โ
Tonight. You waver again. A time makes it so much more real. He wants to, has wanted to and you-- you just have to say it. Is that so much to ask?
โIโฆโ Each word is exactly as he said: a fight. Making any sound is gargantuan, each syllable a boulder stuck in your larynx. โI wantโฆโ You tremble again, but Wesker offers no further support. He merely turns, shifting to better watch as you struggle. โW-want you t-to, um, to-โ
โWesker!โ
You donโt even have time to feel fear before heโs off you. Smooth as ice and just as cold in how he pivots. His hand comes off your waist, but leaves the one under your grip on his gun, sliding into the much more innocent position of only helping you keep your stance.
Your eyes feel as big as dinnerplates; wide and terrified and searching Weskerโs guarded expression for what youโre supposed to do-
โCaptain!โ Someone yells again-
โHere.โ Wesker waves one hand out past the fins that separate each stall. You plead silently with him: No, no, no, donโt draw them closer.
โWhatโs going on, Enrico?โ Jill asks.
The vice captain approaches, you can tell from his footfalls, but you canโt bring yourself to look. Should you? Is it weird to not look? You can only bring yourself to look at the gun again, the sleek metal.
โCaptain.โ Enrico starts, panting softly- running. Heโs been running. โIrons gave us the cannibal case. He wants us to deploy now.โ
-----
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