
Love Begins
official daine visual archive
𓃗

PR's Tumblrdome

@theartofmadeline
sheepfilms
Claire Keane
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism
noise dept.

pixel skylines
Game of Thrones Daily
taylor price
Doug Jones
RMH
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON
seen from Colombia
seen from United States
seen from Kenya
seen from Colombia
seen from Bangladesh

seen from United States

seen from United States

seen from United States

seen from Türkiye
seen from United Arab Emirates
seen from Germany
seen from Brazil
seen from Mexico
seen from United States
seen from Lebanon
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
@saygoodnightnotgoodbye

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
francesca woodman
francesca woodman
Joe Brainard
Untitled (Whippet on Green Couch), 1973

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“The socially relevant achievement of the average person serves in the vast majority of cases to repress the original and nonderivative, inner aspirations of the human being.”
— Walter Benjamin, “The Life of Students”, Walter Benjamin: Selected Writings
You know when you go to a museum with a friend and it’s understood that you don’t have to stand side by side in front of every canvas? You can move at different speeds, occupy different corners, get separated, and it’s fine and relaxing because somehow when it’s time to leave, you’ll find each other. My favorite type of writing is like that, where it drifts in and out of different rooms, and sometimes ideas get lost or sentences sort of wander or drop off and the meanings and senses of things get separated, but it doesn’t matter. Like how after the museum, you can walk for a few blocks with your friend in silence, not pressed to speak.
Durga, interviewed by moi, for Bookforum (via snpsnpsnp)
“You know when you go to a museum with a friend and it’s understood that you don’t have to stand side by side in front of every canvas? You can move at different speeds, occupy different corners, get separated, and it’s fine and relaxing because somehow when it’s time to leave, you’ll find each other. My favorite type of writing is like that, where it drifts in and out of different rooms, and sometimes ideas get lost or sentences sort of wander or drop off and the meanings and senses of things get separated, but it doesn’t matter. Like how after the museum, you can walk for a few blocks with your friend in silence, not pressed to speak.”
— Durga, interviewed by moi, for Bookforum (via snpsnpsnp)
Moonlight - Peter Weiss, n/d.
German - Swedish , 1916-1982
oil on panel, 20.8 x 26.5 cm. 8.2 x 10.4 in.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Gregory Orr, from Poetry as Survival
(transcription below cut)
Today I would say we’re individuals because we’re colonies. My teacher, Francisco Varela, coined this beautiful phrase. He said, ‘as organisms, we are a meshwork of selfless selves’. We’re ecosystems. This microbial ecosystem inside of you is in constant dialogue with the ecosystem(s) outside of you. Your gut biota are continuously replenished by the stuff you eat because it’s full of bacteria. Your skin microbiome deposits itself on everything you touch. If you touch somebody, you exchange microbiomes. You don’t have a border. To think so is another bourgeois Western illusion. In actuality, you’re constantly blurring with the animate world around you. This is the ‘conversational nature of reality’ the poet David Whyte talks about.
Do you know why you find this unnerving? Because it shows you that you’re really this world around you, and one day you will be again, only you’ll be an ecosystem without an individual. We go back to the soil from which we came – few living in modern cultures appreciate the extraordinary beauty of such a truth. It’s unnerving because it’s about losing control, and our civilisation is terrified of that. It’s also about paradox. You’re not allowed to decide if you’re a colony or an individual; you’re both. Isn’t that very much about being open to difference and otherness?
The Poetics of Ecology: A conversation with Andreas Weber
Ilya Kaminsky on the question of poetry as political witness and resistance from “Still Dancing: An Interview With Ilya Kaminsky (Garth Greenwell, Poets & Writers March/April 2019)
Vincent Van Gogh, Bank of the Seine at the pont de Clichy in spring, 1887 Dallas Museum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Alain de Botton, Essays in Love [transcript in ALT]
Rodin sculpture and couple, Tate Modern, London, 1993 - by Elliott Erwitt (1928), French/American