by @yumi_shashou
KIROKAZE

if i look back, i am lost
The Bright Sessions
🪼
Today's Document

shark vs the universe
hello vonnie

oozey mess

titsay
almost home

Love Begins

Origami Around
RMH

pixel skylines
★
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
EXPECTATIONS

Product Placement
seen from Brazil
seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from Argentina

seen from China

seen from Malaysia

seen from United States

seen from Russia
seen from Türkiye
seen from Venezuela

seen from Serbia

seen from Chile
seen from Poland
seen from India
seen from Bangladesh
seen from United States
seen from Burkina Faso
seen from United States
@zmediaoutlet
by @yumi_shashou

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CHRISJEN AVASARALA | the once and future queen
anyway. last night I had a dream that my local lesbian bar was hosting a “motionless dance party”. it was sort of like the inverse of a silent disco—the music is playing out loud but you’re doing all the dancing inside your own head. it was really successful like a lot of lesbians showed up to stand perfectly still in a room together and imagine what dancing would be like.
Gustave Caillebotte, The Floor Planers, 1875
All hail Gustave Caillebotte, the only Impressionist who bothered to say “You know what this art movement doesn’t have enough of? Shirtless rough trade, that’s what!” And then he became the change he wanted to see in the world, and I think that’s beautiful.
i saw this in a museum once and i gotta go off on this for a second– not only is it a gorgeous display of technical mastery over light, darkness, composition, form. it’s also a slap in the face to artistic conventions at the time. at the time, you could have nudes but they had to be heroic. they had to be virtuous. 1875, paris– art was supposed to be elevating. it was for the wealthy, it was to be uplifting, it was so everyone who commissioned the pictures could flex their classics education. okay?
so here’s the floor planers. they’re workmen. they’re workmen. they’re not some rent boy you dolled up with a helmet to be achilles or adonis. artists have been hornily painting working-class models (and sex-worker boyfriends) into their portraits forever, but you’re supposed to frame your appreciation for the male form as an intellectually irreproachable appreciation for the heroic body from literature, or, conversely you could depict the humble beauty of peasants, if you must, but it had to be a sort of ode to nature and the simple life. peasants could be art, as long as they were… out there, you know. in a field. being a metaphor. so there’s your options for looking at a shirtless guy: he’s got to be mythic.
but no. look, here, at the workmen. the floor planers. the workmen’s bodies not dressed up in sandals and helmet, in flowers, on a pedestal. the workmen not employed as some distant paean to an arcadian countryside, not stacking sheaves or holding a lamb or elevating the beauty of nature. they’re here, they’re urban, they’re in a room just like you might have. the workers of your world, in your home, in this reality. the male body as a very real, very nonfigurative tool, humble and employed, but still gorgeous. the beauty of the men that the patrician class pays not to see. the men who come into your mansion through the back door and work unseen and leave unseen. those men. there, right there, this painting, glowing and beautiful.
not adonis. but beautiful.
anyway at the time everyone fucking hated this picture because it’s a direct slap across the classist chops. they were BIG MAD, this was filthy, it was an affront. they hated it. the paris salon rejected it. established intellectuals didn’t want anything to do with this kind of confrontation. it wasn’t art.
i just love that.
like, look at those hot guys go. look at the shine on the floor and the way their arms are. no virtuous framing, no classic allusions. just some regular guys making the floors nice for a rich fucker who never laid eyes on them at all. but here they are: look at them.
they’re still beautiful.
#if youd ever walked barefoot on a floor that isnt planed youd think this is heroic too

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DRIVER PICKS THE MUSIC !!
this puppy currently being fostered by a rescue i follow makes me feel like. like. i don’t know. she’s a bug
her name is Primrose. jesus christ man
i cant fucking do this
Every time you go in a public place and something ISN’T disgusting it’s because somebody cleaned it. Every time you feel comfortable using a public bathroom or sitting at a restaurant table or setting something on a gas station counter or playing on a playground it’s because somebody cleaned it.
Thank you to everyone who cleans the world, especially those who are underpaid and under appreciated.
Spiders have three life cycles. When between cycles, it can leave the spider vulnerable to threats. And for those spiders who make it through, it amounts to a kind of... rebirth. SPIDER-MAN: BRAND NEW DAY In Theaters Now | dir. Destin Daniel Cretton

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Ian Fisher, Atmosphere No. 50 (Follow You Into the Dark) oil on canvas
Grzegorz Jacek Olejniczak, (Polish b.1968), Moments Before the Storm, 2026, Acrylic and oil technique
Jared Padalecki | Hollywood Grit Premiere

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1x15 | CELESTIAL NAVIGATION
The West Wing (1999-2006)