independent portrayal of š“š¶šæš¹š³šæš¶š²š»š±/ššµš² š“š¶šæš¹ from šš¤š©š”šš£š š¢ššš¢š, by silent (26). canon divergent and headcanon based. mutuals only.
pinterest, about, prompts
KIROKAZE

untitled
š

@theartofmadeline
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
macklin celebrini has autism
Lint Roller? I Barely Know Her
Sweet Seals For You, Always
I'd rather be in outer space šø
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
todays bird

⣠Chile in a Photography ā£

titsay

if i look back, i am lost

Jar Jar Binks Fan Club

seen from Spain

seen from Türkiye
seen from United States
seen from Colombia
seen from Philippines

seen from Brazil
seen from United States
seen from Italy
seen from Venezuela

seen from Albania

seen from Türkiye
seen from Ghana
seen from Venezuela

seen from Saudi Arabia

seen from Türkiye
seen from United States
seen from Brazil
seen from Canada

seen from Germany
seen from Malaysia
@savedgirl
independent portrayal of š“š¶šæš¹š³šæš¶š²š»š±/ššµš² š“š¶šæš¹ from šš¤š©š”šš£š š¢ššš¢š, by silent (26). canon divergent and headcanon based. mutuals only.
pinterest, about, prompts

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
CATE DUNLAP gen v : sick
actions speak louder than words non - verbal / action prompts from yours truly. (add a "swap" to swap the sender/receiver in the prompt (or just do it manually).)
back, sender gives receiver a back hug.
beckon, sender beckons receiver closer with a finger.
blood, sender cleans blood off of receiver.
book, sender helps receiver get a book from a higher part of the shelf.
care, sender takes care of receiver when they're sick.
catch, sender catches receiver by the waist after they bump into each other.
choke, sender saves receiver from choking by giving them the heimlich.
cold, sender places their jacket over receiver's shoulders.
cry, sender wipes tears off receiver's face with their thumbs.
dance, sender sticks a hand out to receiver and invites them to dance.
dip, sender skinny dips in front of receiver and invites them to join.
dog, sender's dog pulls them in receiver's direction.
drive, sender drives receiver somewhere in their car.
drag, sender drags receiver into a room and closes the door behind them.
draw, sender draws receiver like one of their french girls.
face, sender turns receiver's face towards them.
flower, sender gives receiver a flower.
footsie, sender initiates footsie with receiver under the table.
forehead, sender presses their forehead against receiver's.
grab, sender grabs receiver's wrist to stop them from leaving.
jump, sender jumps onto receiver's back.
kiss, sender kisses receiver.
link, sender links arms with receiver while walking.
massage, sender offers receiver a massage.
patch, sender patches up receiver's wounds.
piano, sender teaches receiver how to play the piano.
pin, sender pins receiver's hands behind their back.
pluck, sender plucks something out of receiver's hair.
press, sender presses receiver against a wall.
propose, sender proposes to receiver.
quiet, sender gestures for receiver to be quiet.
rest, sender rests their head on receiver's shoulder.
serenade, sender serenades receiver with a song.
sign, sender walks into a sign and receiver sees.
size, sender measures the size of their hand against receiver's.
shoes, sender removes receiver's shoes for them.
sun, sender rubs sunblock onto receiver's back.
tattoo, sender gives receiver a tattoo.
tie, sender helps tie receiver's tie.
tuck, sender tucks receiver's hair behind their ear.
umbrella, sender lets receiver under their umbrella.
warning, sender presses a knife against receiver's neck as a warning.
zip, sender needs receiver's help to zip up the back of their dress.
Ā Ā Ā sheĀ hadn'tĀ wantedĀ toĀ beĀ touched,Ā initiallyĀ . Ā resistantĀ toĀ beingĀ tendedĀ to,Ā recoilingĀ fromĀ hisĀ well-intentionedĀ effortsĀ toĀ treatĀ theĀ myriadĀ ofĀ freshĀ woundsĀ scatteredĀ acrossĀ herĀ skin.Ā someĀ ofĀ theseĀ delvedĀ deeperĀ thanĀ others,Ā althoughĀ noneĀ ofĀ themĀ lethal .
theĀ resemblanceĀ toĀ aĀ maltreatedĀ canineĀ isĀ clear.Ā theĀ dogsĀ thatĀ bareĀ theirĀ teethĀ inĀ warningĀ butĀ refrainĀ fromĀ biting,Ā choosingĀ insteadĀ toĀ flinchĀ awayĀ fromĀ gentleĀ hands,Ā yetĀ yearningĀ forĀ aĀ touchĀ theyĀ hesitateĀ toĀ welcome.
eventuallyĀ relenting,Ā heatherĀ permittedĀ himĀ toĀ secureĀ aĀ bandageĀ aroundĀ aĀ particularlyĀ severeĀ cutĀ adorningĀ herĀ leftĀ wrist.Ā herĀ otherĀ handĀ engagedĀ inĀ theĀ taskĀ ofĀ dryingĀ tear-soakedĀ cheeks,Ā revealingĀ anĀ emotionalĀ tollĀ thatĀ lingeredĀ beneathĀ theĀ surface.Ā somethingĀ sheĀ refusedĀ toĀ talkĀ about.
"Ā --Ā shitĀ happens.Ā "Ā isĀ theĀ onlyĀ explanationĀ sheĀ offers,Ā "Ā thanks... "
susponte : ā°ā° MEDIC ā±ā± tim bandages heather's wounds
An Extremely Self-Indulgent Meme
Physical prompts based around some of my favorite tropes / physical actions in threads. Send thisĀ Ā + reverseĀ Ā to change which muse does which action.
tw for implied violence in some
ā°ā° PIN ā±ā± sender pins receiver during a fight/training
ā°ā° HURT ā±ā± sender is hurt protecting receiver
ā°ā° CARRY ā±ā± sender carries receiver bridal style
ā°ā° LIFT ā±ā± sender carries receiver over their shoulder
ā°ā° MEDIC ā±ā± sender bandages receiverās wounds
ā°ā° SUPPORT ā±ā± sender comforts receiver after a loss / traumatic event
ā°ā° THREAT ā±ā± sender holds a weapon up to receiver as a threat
ā°ā° SAVE ā±ā± sender saves receiverās life
ā°ā° CRY ā±ā± sender cries in front of receiver
ā°ā° DANCE ā±ā± sender invites receiver to slow dance
ā°ā° HAND KISS ā±ā± sender kisses receiver on the hand or wrist
ā°ā° CHEEK KISS ā±ā± sender kisses receiver on the cheek
ā°ā° HEAD KISS ā±ā± sender kisses receiver on the forehead
ā°ā° EMBRACE ā±ā± sender embraces receiver
ā°ā° HANDS ā±ā± senderās fingers graze the receiverās fingers
ā°ā° CUDDLE ā±ā± our muses cuddle
ā°ā° BED ā±ā± our muses share a bed
ā°ā° BRUSH ā±ā± sender plays with / brushes receiverās hair
ā°ā° GAZE ā±ā± our muses make extended eye contact
ā°ā° ALMOST ā±ā± our muses almost kiss but donāt or are interrupted before they do
ā°ā° ARGUE ā±ā± sender ends an argument with receiver with a kiss
ā°ā° ARM ā±ā± sender puts their arm around receiver
ā°ā° PULL ā±ā± sender pulls receiver close to them
ā°ā° BACK ā±ā± sender touches receiver on the back
ā°ā° SHOULDER ā±ā± sender touches receiver on the shoulder
ā°ā° LEAN ā±ā± sender leans against receiver
ā°ā° CARESS ā±ā± sender caresses the receiverās cheek
ā°ā° HAIR ā±ā± sender pushes receiverās hair away from their face
ā°ā° TILT ā±ā± sender tilts the receiverās chin with their hand
ā°ā° CHIN ā±ā± sender tilts the receiverās chin with their weapon
ā°ā° LEG ā±ā± senderās leg touches the receiverās leg under the table
ā°ā° FOOD ā±ā± sender feeds the receiver
ā°ā° WALL ā±ā± sender pushes the receiver against a wall
ā°ā° FREE ā±ā± sender frees the receiver from restraints
ā°ā° TACKLE ā±ā± sender hugs the receiver so hard they almost fall over / do fall over
ā°ā° DYING ā±ā± sender finds the receiver near death
ā°ā° PANIC ā±ā± sender comforts the receiver as they have a panic attack or get overstimulated

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
the thumping bass of music reverberates through the air as niko saunters through the faintly lit corridors of mikhail faustin's club. he eyed the surroundings with a cautious familiarity; it wasn't the first time he had been brought here, and he surmises it wouldn't be the last. behind a locked door reveals a private areaā unlocked and opened by faustin, another area of the club the eastern european had attained access to through his employment. and some would say crime doesn't pay. he navigates the space, watching as faustin gestures to a nearby couch before setting off to retrieve a bottle of liquor. upon turning his body to approach the velvet couch, his gaze falls upon her. a face he's seen but can't place a name to. by the hint of recognition flickering in her eyes, she recognizes him as well. (and it's in this moment, niko can't help but note the contrast between the opulent facade of the club and the clandestine actions occurring in its shadows.)
his expression remains stoic as niko perches himself on the couch, but he nods subtlyā acknowledging the connection. ā yes, i remember you. small world. ā assessing the situation with a hint of suspicion, his features crease and expose a concern lying beneath the surface of skin. ā you find yourself in strange places, my friend... ā
Ā Ā Ā despiteĀ theĀ brevityĀ ofĀ theirĀ encounters,Ā hisĀ impressionĀ onĀ herĀ lingeredĀ .Ā Ā Ā thoseĀ whoĀ traversedĀ thisĀ domainĀ exudedĀ anĀ unsettlingĀ aura,Ā aĀ vacantĀ gazeĀ thatĀ hintedĀ atĀ aĀ departureĀ fromĀ humanity,Ā butĀ heatherĀ discernedĀ aĀ distinctionĀ inĀ himĀ āĀ aĀ vestigeĀ ofĀ thatĀ humanityĀ theĀ othersĀ lackedĀ residingĀ inĀ hisĀ eyesĀ .Ā Ā Ā itĀ hadn'tĀ leftĀ himĀ yetĀ .Ā Ā
theĀ contoursĀ ofĀ herĀ smileĀ graduallyĀ waned,Ā aĀ subtleĀ expressionĀ ofĀ disappointmentĀ eclipsedĀ theĀ initialĀ warmthĀ asĀ sheĀ pondersĀ inĀ herĀ ownĀ mindĀ theĀ reasonĀ whyĀ heĀ wouldĀ beĀ inĀ aĀ placeĀ likeĀ this,Ā aĀ realmĀ frequentedĀ byĀ theĀ unsavory,Ā whereĀ shadowsĀ concealedĀ theĀ deedsĀ ofĀ malevolentĀ menĀ andĀ criminalsĀ .Ā Ā what'sĀ hisĀ businessĀ hereĀ ?Ā maybeĀ heĀ reallyĀ wasĀ noĀ differentĀ .
aĀ short,Ā almostĀ humorlessĀ giggleĀ escapesĀ herĀ atĀ hisĀ mentionĀ ofĀ strangeĀ places,Ā whichĀ sheĀ acknowledgesĀ withĀ aĀ singleĀ nodĀ .Ā "Ā wannaĀ knowĀ aĀ secretĀ ?Ā "Ā withoutĀ allowingĀ himĀ theĀ chanceĀ toĀ respond,Ā theĀ girlĀ leansĀ inĀ closer,Ā loweringĀ herĀ toneĀ toĀ aĀ whisper,Ā butĀ stillĀ loudĀ enoughĀ forĀ himĀ toĀ hearĀ dueĀ toĀ theirĀ proximityĀ Ā .Ā Ā Ā "Ā iĀ don'tĀ wannaĀ beĀ hereĀ rightĀ nowĀ .Ā Ā Ā doĀ youĀ ?Ā "
ā you know what they say: if you fuck up, get outta' the way early. ā
@savedgirl ā one liner starter call.
Ā Ā Ā "Ā howĀ canĀ youĀ getĀ outĀ ofĀ theĀ wayĀ earlyĀ ifĀ youĀ don'tĀ knowĀ thatĀ youĀ fuckedĀ up,Ā thoughĀ ?Ā "
Ā Ā Ā howĀ longĀ hasĀ sheĀ beenĀ sleepingĀ ?Ā Ā heatherĀ driftsĀ inĀ andĀ outĀ ofĀ consciousnessĀ asĀ theĀ hoursĀ pass,Ā brieflyĀ wakingĀ upĀ whenĀ herĀ bodyĀ decidesĀ itĀ wantsĀ toĀ emptyĀ theĀ contentsĀ ofĀ herĀ stomachĀ inĀ theĀ bucketĀ rightĀ besideĀ her,Ā elicitingĀ aĀ visceralĀ discomfort,Ā butĀ afterĀ eachĀ timeĀ sheĀ slowlyĀ beginsĀ toĀ feelĀ better,Ā andĀ sleepĀ overtakesĀ herĀ againĀ .
whenĀ herĀ eyesĀ flutterĀ openĀ onceĀ more,Ā there'sĀ noĀ longerĀ aĀ sickĀ feelingĀ inĀ herĀ abdomen,Ā butĀ herĀ headĀ stillĀ feelsĀ likeĀ it'sĀ goingĀ toĀ splitĀ open,Ā andĀ sheĀ hardlyĀ hasĀ anyĀ strengthĀ toĀ standĀ .Ā Ā instead,Ā choosingĀ toĀ carefullyĀ sitĀ upĀ andĀ pullĀ theĀ blanketĀ closerĀ toĀ herĀ form,Ā gripĀ tightĀ onĀ theĀ coverĀ .Ā Ā visionĀ slightlyĀ clouded,Ā butĀ sheĀ canĀ tellĀ thisĀ isn'tĀ thatĀ placeĀ anymoreĀ .
aĀ Ā relievedĀ sighĀ partedĀ fromĀ herĀ lipsĀ atĀ theĀ tranquilityĀ withinĀ theĀ apartment,Ā butĀ thisĀ solaceĀ wasĀ short-lived,Ā abruptlyĀ interruptedĀ byĀ theĀ Ā creakingĀ ofĀ theĀ doorĀ Ā .Ā Ā tensionĀ gripsĀ her,Ā compellingĀ herĀ toĀ backĀ upĀ againstĀ theĀ comfortingĀ contoursĀ ofĀ theĀ couch,Ā Ā gazeĀ fixedĀ onĀ theĀ entranceĀ toĀ seeĀ who'sĀ arrivedĀ .Ā Ā Ā yourĀ handsĀ areĀ shakingĀ againĀ .
@pulchralĀ /Ā forĀ jacket
Ā Ā Ā theĀ mob-ownedĀ clubĀ isĀ aĀ lion'sĀ denĀ forĀ girlsĀ likeĀ her,Ā butĀ it'sĀ notĀ likeĀ she'sĀ thereĀ byĀ choiceĀ .Ā Ā Ā itĀ wasn'tĀ oddĀ forĀ themĀ toĀ runĀ Ā theirĀ businessĀ hereĀ atĀ times,Ā normalĀ patronsĀ beingĀ noneĀ theĀ wiserĀ toĀ theĀ Ā backĀ areaĀ ofĀ theĀ building,Ā whereĀ itĀ wasĀ moreĀ quiet,Ā secure,Ā Ā hiddenĀ awayĀ fromĀ pryingĀ eyesĀ Ā .Ā Ā youĀ hadĀ toĀ haveĀ aĀ Ā specialĀ kindĀ ofĀ accessĀ toĀ beĀ ableĀ toĀ getĀ inĀ hereĀ .
heatherĀ wasĀ oneĀ ofĀ theĀ Ā unluckyĀ onesĀ allowed,Ā sittingĀ onĀ aĀ velvetĀ couch,Ā barefoot,Ā heelsĀ tossedĀ carelesslyĀ toĀ aĀ sideĀ andĀ seeminglyĀ inĀ Ā anotherĀ worldĀ entirelyĀ Ā .Ā Ā heatherĀ isĀ hereĀ inĀ body,Ā butĀ notĀ inĀ mind,Ā numbedĀ byĀ theĀ amountĀ ofĀ alcoholĀ they'veĀ beenĀ Ā feedingĀ herĀ Ā allĀ nightĀ .
although,Ā aĀ Ā familiarĀ faceĀ pullsĀ herĀ justĀ enoughĀ outĀ ofĀ herĀ trance,Ā andĀ forĀ theĀ firstĀ timeĀ inĀ theĀ entireĀ evening,Ā Ā sheĀ smilesĀ asĀ herĀ headĀ tiltsĀ slightlyĀ toĀ theĀ sideĀ .Ā Ā Ā "Ā Ā oh,Ā iĀ thinkĀ iĀ Ā knowĀ youĀ ...Ā Ā "Ā Ā sheĀ goesĀ silentĀ forĀ aĀ second,Ā Ā pensive,Ā thenĀ lightsĀ upĀ againĀ whenĀ she'sĀ gotĀ itĀ .Ā Ā Ā "Ā Ā youĀ litĀ myĀ cigaretteĀ theĀ otherĀ dayĀ ...Ā Ā rememberĀ ?Ā Ā "
@libertycitiesĀ /Ā forĀ nikoĀ bellic
DRAMATIC & PROTECTIVE RELATIONSHIP PROMPTS * Ā for the ones who want to keep you safe from harm
get behind me.
go inside and lock the door and don't come out until i say so.
are you all right? where are you hurt?
over my dead body.
i promised them i'd keep you safe.
i sleep better when you're next to me.
are you serious? i'm not letting you risk your life.
don't go. it's safer here.
i should have been here. this is my fault.
here. take this gun. don't pull the trigger unless it's absolutely necessary.
they told me to watch you.
i won't let anyone lay a hand on you.
stay close to me.
i'm not worth saving. please.
can you stay? just for a little while? it would help.
it's too dangerous out there.
i thought i'd lost you.
can you hear me? hello? where are you?
they're all afraid of me.
they told me you'd be trouble. clearly that was an understatement.
one of us has to make it out of here.
is that a bruise?
get back. get back right now.
did they touch you?
i already lost you once. i'm not going to lose you again.
a few more steps. we're nearly there. i've got you.
where does it hurt? let me see.
oh my god, you're covered in blood.
i love you, but you have to go.
climb on my back. i'll carry you.
i wish you'd stay.
i slept here all night. i couldn't leave you.
stay with me. i can keep you safe.
no. i've made my decision. you're staying here.
holy shit. are you okay? what the hell happened?
we have to get inside right now.
quick! hide! in here!
if they know you're with me, they'll leave you alone.
if they attack again, we'll be ready.
this never should have happened.
i want you to run, okay? run and don't look back.
you're all right. you're safe. it's over.
i'll feel better once you're out of this.
i don't have nightmares when you're here.
where have you been? i've been calling you all night.
your phone went straight to voicemail. what's going on?
i don't want anything to happen to you.
i can't stand the thought of losing you.
i won't let them touch you.
when we met, i promised myself i'd keep you safe.
where'd they go? i'll give them a piece of my mind.
here. squeeze my hand if it hurts.
i'll lay beside you.
no. it's non-negotiable. you're staying here.
i don't want you to die, okay?
listen to me! i know what i'm doing!
i can't lose you again!
do you hear me? i love you! i've always loved you.
i've got you. i'm right here.
can i stay? i'll take the couch.
tell them you're with me.
you can make it. i believe in you.
are you kidding me? who decided this?
here, i'll pick you up.
get back in the car. i'll handle this.
if anyone can do it, it's you.
let me carry you to safety.
i don't do well when you're away.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
CATE DUNLAP gen v : sick
Ā Ā it'sĀ hardĀ forĀ herĀ toĀ thinkĀ ofĀ theĀ predicamentsĀ she'sĀ beenĀ inĀ latelyĀ asĀ notĀ beingĀ herĀ ownĀ faultĀ .Ā Ā itĀ ateĀ awayĀ atĀ her,Ā actionsĀ takenĀ playingĀ onĀ loopĀ inĀ herĀ mindĀ andĀ whatĀ couldĀ ofĀ beenĀ doneĀ differentlyĀ thatĀ wouldĀ haveĀ savedĀ herĀ fromĀ suchĀ shittyĀ situationsĀ .Ā Ā outĀ ofĀ theĀ fryingĀ panĀ andĀ intoĀ theĀ fire,Ā it'sĀ likeĀ dangerĀ followedĀ herĀ whereverĀ sheĀ went,Ā noĀ matterĀ howĀ hardĀ sheĀ triedĀ andĀ foughtĀ toĀ getĀ awayĀ fromĀ itĀ .
andĀ evenĀ now,Ā there'sĀ aĀ struggleĀ toĀ properlyĀ gaugeĀ theĀ riskĀ ofĀ theĀ scenarioĀ she'sĀ inĀ .Ā Ā aĀ poundingĀ headĀ accompaniesĀ vagueĀ memoriesĀ ofĀ whatĀ actuallyĀ happened,Ā briefĀ flashesĀ ofĀ beingĀ takenĀ outĀ ofĀ thatĀ hellishĀ placeĀ Ā .Ā Ā allĀ heatherĀ canĀ knowĀ forĀ sureĀ atĀ thisĀ moment,Ā isĀ thatĀ she'sĀ finallyĀ somewhereĀ safeĀ Ā .Ā Ā heĀ doesn'tĀ seemĀ likeĀ heĀ wantsĀ toĀ causeĀ anyĀ harmĀ .
hisĀ faceĀ isĀ oddlyĀ familiarĀ toĀ her,Ā asĀ ifĀ she'sĀ seenĀ himĀ atĀ oneĀ pointĀ orĀ anotherĀ .Ā Ā wasĀ heĀ associatingĀ withĀ ...Ā ?Ā theĀ girlĀ doesn'tĀ dwellĀ onĀ thatĀ thoughtĀ forĀ longĀ .Ā "Ā youĀ didn'tĀ ...Ā leaveĀ meĀ thereĀ .Ā "Ā sheĀ states,Ā wipingĀ theĀ smudgedĀ makeupĀ fromĀ herĀ cheekĀ withĀ theĀ palmĀ ofĀ herĀ handĀ .Ā Ā "Ā --Ā what'sĀ yourĀ nameĀ ?Ā "
Ā @rcckstarsĀ :Ā Ā it is not your faultĀ .
Ā Ā sheĀ knows .Ā Ā oh,Ā howĀ sheĀ knows .Ā Ā aĀ rabbitĀ inĀ theĀ wolvesĀ den,Ā butĀ whatĀ elseĀ couldĀ sheĀ doĀ ?Ā theĀ placeĀ wasĀ filledĀ toĀ theĀ brimĀ withĀ henchmenĀ andĀ guardsĀ thatĀ madeĀ sureĀ whoeverĀ cameĀ inĀ orĀ outĀ wereĀ allowedĀ toĀ .Ā Ā heatherĀ wasn'tĀ quiteĀ soĀ luckyĀ .Ā Ā heĀ wantedĀ herĀ there,Ā andĀ heĀ wasn'tĀ goingĀ toĀ letĀ herĀ goĀ soĀ easilyĀ .Ā Ā evenĀ so,Ā inĀ herĀ alteredĀ state,Ā attemptingĀ anĀ escapeĀ wouldĀ beĀ futileĀ Ā .
slenderĀ fingersĀ moveĀ tressesĀ ofĀ long,Ā blondeĀ hairĀ outĀ ofĀ herĀ face,Ā dilatedĀ pupilsĀ catchingĀ sightĀ ofĀ whoĀ exactlyĀ isĀ speakingĀ toĀ herĀ .Ā Ā aĀ lotĀ ofĀ peopleĀ spokeĀ toĀ herĀ here,Ā noneĀ ofĀ themĀ toĀ alertĀ herĀ ofĀ theĀ dangersĀ hidingĀ inĀ plainĀ sightĀ .Ā Ā it'sĀ soĀ strangeĀ .Ā Ā there'sĀ aĀ slightĀ tiltĀ ofĀ herĀ headĀ asĀ sheĀ watchesĀ him,Ā inspectingĀ theĀ maskĀ obscuringĀ hisĀ faceĀ intentlyĀ .Ā Ā forĀ aĀ second,Ā thingsĀ becomeĀ soĀ hazyĀ thatĀ sheĀ swearsĀ theĀ skullĀ isĀ real,Ā asĀ ifĀ theĀ fleshĀ ofĀ hisĀ faceĀ hasĀ meltedĀ awayĀ .Ā Ā you'reĀ justĀ hallucinatingĀ .
thoseĀ wordsĀ becomeĀ herĀ mantra,Ā playingĀ onĀ repeatĀ inĀ herĀ mindĀ toĀ preventĀ fearĀ fromĀ overtakingĀ her.Ā Ā she'sĀ convincedĀ heĀ isn'tĀ actuallyĀ thereĀ andĀ thatĀ hisĀ presenceĀ isĀ justĀ aĀ sideĀ effectĀ ofĀ whateverĀ isĀ coursingĀ throughĀ herĀ bloodstream.Ā Ā asĀ tremblingĀ handsĀ gripĀ herĀ clothing tightly,Ā theĀ girlĀ refusesĀ toĀ keepĀ herĀ eyesĀ onĀ himĀ anyĀ longer,Ā dreadingĀ thatĀ heĀ willĀ becomeĀ realĀ ifĀ sheĀ acknowledgesĀ himĀ further.Ā Ā "Ā ...Ā i'mĀ okay,Ā i'llĀ beĀ okayĀ ...Ā "Ā wordsĀ spokenĀ moreĀ toĀ convinceĀ herselfĀ ratherĀ thanĀ aĀ properĀ answerĀ toĀ hisĀ warningĀ .
Ā @0azrae7Ā :Ā Ā it'sĀ dangerousĀ f'Ā womenĀ upĀ hereĀ .
MADDIE PHILLIPS as cate dunlap gen v - 1.02 first day
š Ā * Ā ā Ā šµš¶šµ-š½š¬š¹š©šØš³ šØšµš®šŗš» š·š¹š¶š“š·š»šŗ. (Ā some triggering content ahead. add " + " to reverse the action.Ā Ā )
[ wipe ] sender wipes away receiver's tears [ hurt ] sender hurts receiver with words [ lonely ] sender finds receiver alone in a dark room [ wounded ] sender patches up receiver's wounds [ crying ] sender finds receiver crying [ help ] sender runs to receiver when they scream for help [ nightmare ] sender wakes receiver up from a nightmare [ dying breath ] sender talks to receiver before dying [ hold on ] sender pulls receiver into their arms [ anger ] sender takes their anger out on receiver [ argue ] sender gets into a heated argument with receiver [ scared ] sender scares receiver [ sick ] sender cares for receiver while they are sick [ palm ] sender places a hand on receiver to stop them from doing something [ fight ] sender gets into a physical fight with receiver [ comfort ] sender tries to comfort receiver [ blood ] sender notices that receiver is bleeding [ collapse ] sender collapses into receiver's arms [ pressure ] sender puts pressure on receiver's wound [ slap ] sender slaps receiver in the face [ panic ] sender helps receiver through a panic attack [ lie ] sender catches receiver in a lie [ sobs ] sender sobs uncontrollably while receiver holds them [ hiding ] sender finds out that receiver has hidden an injury from them [ death ] sender just died, receiver finds out [ chin up ] sender lifts receiver's chin to stop them from hiding their tears [ fears ] sender talks to receiver about their fears [ scream ] sender screams at receiver [ coping ] sender teaches receiver some coping mechanisms [ loss ] sender is there for receiver after they've lost someone important to them [ needs ] sender asks receiver what they need [ bullet ] sender takes a bullet for receiver [ bruises ] sender finds bruises of unknown origin on receiver [ rainfall ] sender finds receiver out alone in the rain [ hospital ] sender wakes up in a hospital bed and finds receiver sitting by their bedside [ intrude ] sender walks in on receiver treating their wounds [ calming ] sender tries to calm down receiver [ inspection ] sender holds receiver's face while inspecting an injury they got [ rescue ] sender carries receiver to safety [ clean ] sender cleans blood off of receiver's body

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Ā Ā she'sĀ bathedĀ inĀ theĀ nightery'sĀ neonĀ pinkĀ lights,Ā brightĀ andĀ alluring,Ā enticingĀ theĀ lateĀ nightĀ clubĀ goersĀ insideĀ forĀ aĀ goodĀ timeĀ .Ā Ā Ā despiteĀ theĀ atmosphereĀ ofĀ loudĀ music,Ā glitteringĀ discoĀ hell,Ā andĀ sweetĀ smellingĀ haze,Ā heatherĀ canĀ beĀ foundĀ outsideĀ withĀ aĀ litĀ cigaretteĀ betweenĀ herĀ slenderĀ fingersĀ .Ā Ā onĀ herĀ otherĀ limbĀ :Ā aĀ fluffyĀ leopardĀ printĀ coat,Ā justĀ forĀ showĀ (Ā whoĀ wouldĀ wearĀ aĀ coatĀ onĀ aĀ hotĀ summerĀ nightĀ ?Ā ),Ā hangingĀ fromĀ herĀ freeĀ armĀ .
it'sĀ fairlyĀ easyĀ toĀ startĀ conversationsĀ withĀ strangersĀ here.Ā Ā someĀ mightĀ askĀ forĀ aĀ lightĀ orĀ aĀ smoke,Ā othersĀ justĀ lookĀ forĀ someoneĀ toĀ talkĀ to.Ā Ā she'sĀ happyĀ toĀ indulgeĀ mostĀ ofĀ theĀ timeĀ Ā . softĀ laughterĀ escapesĀ herĀ atĀ theĀ otherĀ woman'sĀ comment.Ā Ā "Ā yeahĀ ?Ā "Ā heatherĀ contemplatesĀ herĀ wordsĀ forĀ aĀ moment,Ā gazingĀ upĀ atĀ theĀ barelyĀ visibleĀ starsĀ inĀ theĀ light-pollutedĀ sky.Ā Ā "Ā iĀ thinkĀ iĀ mightĀ haveĀ beenĀ atĀ oneĀ point,Ā butĀ ...Ā notĀ anymoreĀ .Ā "
@vicecitied : i haven't been psychologically fit since i slid down the birth canal .
* ššš / šššššš š.
feel free to change pronouns / wording!
" do not go outside until we tell you. "
" never use my name. "
" is it not your fault. "
" i can't watch this. "
" what kind of security they got around here? "
" are there other points of entry, doors, windows, places people can get in? "
" careful, there's pieces everywhere. "
" you'll feel better once you kill something. "
" it's gotta change a man, having a child. "
" you ever think what you'd be doing if you weren't doing this? "
" they know where we live. "
" you're overreacting. "
" i know that this isn't what you wanna hear, but trust me - you're looking at it the wrong way. "
" who's there? stay back! "
" i'm risking my life being here with you. "
" this is normally where i put a gun to your head. "
" the things we do for love, huh? "
" you still here? "
" you smoke, don't you? i can smell it on you. "
" i am your only connection to the world. "
" trust is our currency, we earn it by any means, even by lying. "
" i want you to meet my family. "
" you have no more cards to play here, none. "
" i am you. "
" we need to spend some time apart. "
" it's really lonely at the top. "
" i want you to leave me alone, i want you to go away now. "
" i'm only here because you want me here. "
" there's so much blood. "
" i told you not to go back there. "
" please, i'm afraid to be out there right now. "
" i need a gun. "
" so you like to live dangerously, huh? "
" are we gonna have a problem? "
" next time shoot faster. "
" i should kill you where you stand. "
" you never let things get to you. "
" so all these people, these alive people, you know i just see them dead. "
" i could never kill anyone. "
" this is it, this is the last conversation you'll ever have. "
" i needed to see how far you're willing to go for the cause. "
" your enemies are now my enemies, your family - my family. "
" remember what happens to those who betray me. "
" try to negotiate with me again, and i will have your tongue cut out. "
" we've been through a lot, you can trust me. "
" with every round, pieces of him just... fell off, one by one. "
" silence is golden. "
" it worked for me. "
" i was just happy to see you alive. "
" we don't have time for careful. "
" i'm glad you told me. "
" i'm alone in this world, but you don't have to be. "
" i don't like this anymore than you do. "
" we might be walking straight into a trap. "
" one misstep, and i can put a bullet through your fucking head. "
" you're damn convincing. "
" convince him to keep you alive. "
" last thing you'll see before you die is my face. "
" we're all on our own paths. "
" keep your weapons out of sight. "
" all you believe in is fear. "
" all you know how to do is kill. "
" it's dangerous for women up here. "
" projectiles into tissue and bone is not my thing. "
" anything else that could've happened, would've happened. "
" we take risks and we follow orders. "
" this place gives me the heebies. "
" act normal, no more guns please. "
" waiting is the hardest, the mind? it imagines too much. "
" you want some advice? bury it, just bury all of it. "
" i just realised i have never thanked you, for anything. "
" this is not about you. "
" they came for me, they knew my name. "
" it's what the cia does. "
" everyone breaks. "
" the only thing you can do is give them as little as possible. "
" was she alone? "
" should i hang up? "
" i haven't been psychologically fit since i slid down the birth canal. "
" make yourself at home. "
" does it bother you? killing people? "
" the thing i noticed is that everyone is surprised at the moment of their death. everyone. you can see it in their eyes, thinking that this has to be a mistake, that they're special, to the very end. "
" you guys are all the same, you think you're special to the very last moment. "
" they think you're a cia plant. "
" i want you to trust me. "
" we need to leave. "
" i'm not negotiating. "
" you're more trouble than you're worth. "
" i gotta believe you got more to life than making your body a fucking scoreboard. "
" sit down opposite me where i can see you. "
" he's playing you. "
" it's a dead end. "
" i need to know for sure. "
" i did not betray you. "
" nobody betrayed you. "
" you ran away. "
" what the fuck was it all for? "
" thank you for the good and the bad. "
" we can't always fix things, we can't always make them right. "
" you thought you could kill me. "
" i am so ready to start over. "
" it's me, it's okay. "
" we're gonna make it. "