yeah Faramir what are you doing raising a non-Gondor flag in your room
Cosmic Funnies
trying on a metaphor

Xuebing Du

tannertan36
styofa doing anything
Cosimo Galluzzi
we're not kids anymore.

祝日 / Permanent Vacation

Misplaced Lens Cap

@theartofmadeline
Sweet Seals For You, Always

★
NASA
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

❣ Chile in a Photography ❣
Stranger Things

seen from United Kingdom
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@satans-classics
yeah Faramir what are you doing raising a non-Gondor flag in your room

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How the heterosexuals are doing is always like, "well in this horror movie a terrifying and unknowable force of nature causes the two people, who find each other emotionally and physically attractive, to have sex, which is wrong." And creepy music plays to let you know how you should find any kind of sexual activity disturbing and deeply wrong.
Too much focus on the idea of fiction media as a causative agent of real life harmful behaviour, and not enough emphasis on the idea that what you get out of a work of fiction is heavily dependent on how you approach said work of fiction.
I can root for Aragorn to become king of Arnor and Gondor within the parametres of the narrative of LotR, without in any way supporting real life absolute monarchy, because I’m not a real life monarchist, a conclusion I reached at some point in my early teens while also consuming a healthy diet of fantasy fiction where the hero was the long-lost heir to some kingdom. Meanwhile, royalists who glorify the concept of returning to some imagined heroic past in real life are of course going to have their ideas reinforced by LotR, precisely because they seek out narratives that support their preconceived notions. In neither case is LotR the causative agent. Every story is a story, but every story is also a vessel for the reader to fill with their own idea of what the story is saying.
Bringing this back.
VINCENT PRICE introduces The Vincent Price collection of Fine Art for Sears and Roebuck (1962)

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"—𝗬𝗼𝘂 𝗸𝗻𝗼𝘄, 𝘄𝗵𝗲𝗻 𝘀𝗼𝗺𝗲𝗼𝗻𝗲 𝗯𝗲𝗹𝗶𝗲𝘃𝗲𝘀 𝗶𝗻 𝘆𝗼𝘂, 𝗺𝗮𝗻, 𝘆𝗼𝘂 𝗰𝗮𝗻 𝗱𝗼 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴, 𝗮𝗻𝘆 𝗳𝘂𝗰𝗸𝗶𝗻𝗴 𝘁𝗵𝗶𝗻𝗴 𝗶𝗻 𝘁𝗵𝗲 𝗲𝗻𝘁𝗶𝗿𝗲 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗲 𝗮𝗻𝗱 𝘄𝗵𝗲𝗻 𝘆𝗼𝘂 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗿𝗶𝗴𝗵𝘁 𝗶𝗻 𝘁𝗵𝗮𝘁 𝘀𝗼𝗺𝗲𝗼𝗻𝗲, 𝘁𝗵𝗲𝗻 𝗪𝗔𝗧𝗖𝗛 𝗢𝗨𝗧 𝗪𝗢𝗥𝗟𝗗, 𝗰𝗮𝘂𝘀𝗲 𝗻𝗼𝗯𝗼𝗱𝘆 𝗰𝗮𝗻 𝘀𝘁𝗼𝗽 𝘆𝗼𝘂 𝘁𝗵𝗲𝗻, 𝗻𝗼𝗯𝗼𝗱𝘆 𝗲𝘃𝗲𝗿. —𝗜 𝗸𝗻𝗼𝘄 𝘆𝗼𝘂 𝗳𝗲𝗲𝗹 𝘁𝗵𝗶𝘀 𝘄𝗮𝘆 𝗮𝗯𝗼𝘂𝘁 𝗟𝗲𝗶𝗴𝗵… —[𝗟𝗔𝗨𝗚𝗛𝗦] 𝗪𝗵𝗮𝘁? 𝗙𝘂𝗰𝗸 𝗻𝗼. 𝗜'𝗺 𝘁𝗮𝗹𝗸𝗶𝗻𝗴 𝗮𝗯𝗼𝘂𝘁 𝗖𝗵𝗿𝗶𝘀𝘁𝗶𝗻𝗲, 𝗺𝗮𝗻."
CHRISTINE (1983) dir. John Carpenter
what if the Eraserhead baby was a woman who shopped at Target
youve seen dog day afternoon i assume?
do not put me and al pacino in the same room one of us is leaving pregnant and it isn't gonna be me
friend sent me an Instagram reel yesterday with 1000s of likes that was basically like "pride and prejudice is timeless actually because it's about an autism4autism romance 🥰" and then the creator proceeded to cite moments in the book and film where Lizzie and Darcy are "socially awkward" and....listen. I'm far from an Austen scholar, but I have taught Austen novels as an educator and this kind of psycho-pop analysis that views characters as individuals with autonomy over their actions, rather than tools in a story written at a particular time to say something about that time, pisses me off more than I can say without sounding like an asshole. I'm sorry but Darcy isn't rude and awkward and even cruel to Lizzie because he has autism, he says and does those things because he's a wealthy upper class land owning man raised to see a middle class woman from a large family with no male heirs like Elizabeth as inherently beneath him which he expresses to her multiple times because it is socially acceptable for him to do so in a society where someone like him is privileged above almost all others. He is "socially awkward" around her because of misogyny and classism (PREJUDICE) and she is "socially awkward" around him because a woman of her standing at that time simply wouldn't have had much to do with the gentry but to actually push back against the shit that Darcy says would be social suicide for her whole family so she protests the only way she can which is refusing his advances (PRIDE). not to be the "context collapse is the death of media literacy" guy. But this is the problem with the kind of head empty, let people enjoy things, if I can't relate to it what's the point type crowd. Youse think you're being so quirky justifying incoherent and anachronistic interpretations with your rampant individualism, ensuring that other people never confront anything that challenges them in these stories like patriarchal misogyny and classism. Pride and Prejudice becomes an "autism4autism romance", completely undermining the historical context of its status as one of the great social satires about the class and gender politics that Austen so expertly observed around her. This attitude is why we have nonsensical historical dramas that actively hate history like fucking edgy bdsm "Wuthering Heights", Bridgerton, The Buccaneers, and even a 2025 Frankenstein movie where the monster is just misunderstood and does no wrong uwu etc. because individual relatability and catharsis is king over anything actually saying anything about anything now. Everything is relatable and nothing is meaningful.

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Ronkẹ Adékoluẹjo and Eliza Scanlen as Gwendolen Fairfax and Cecily Cardew in The Importance of Being Earnest
Is today going to be the first day that we have a Black director Academy Award winner after 98 years?
No. It's not. 😐
Me watching Sinners get snubbed for every category
Is today going to be the first day that we have a Black director Academy Award winner after 98 years?
I'm too woke for some horror to work on me. Like, "Oh no... These people are sex pagans. That's so crazy 😐. Well the 'good guy' is christian which is a religion too, so jot that down. He's also a cop. A cop who's breaking the law to further his investigation. So maybe he deserves to be burnt alive in a huge wicker man effigy."

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i heard theyre casting jacob elordi as white gilgamesh