ruins of St Andrews Cathedral in Fife, Scotland
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ruins of St Andrews Cathedral in Fife, Scotland

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Joseph René Gockinga (1893–1962), “Le Vampire”
pen, brush & black ink on paper, n.d.
source
In this Roman mosaic, the Greek phrase for 'know thyself' is written beneath the skeleton figure.
The mosaic once decorated the floor of a tomb on the Via Appia in Rome. It was discovered in 1865 near Santa Maria Nova, in the vicinity of the Villa dei Quintili. Dating back to the 2nd century AD, the artwork is currently on display in the Terme di Diocleziano section of the Museo Nazionale Romano.
The inscription at the bottom, ΓΝΩΘΙ ϹΑΥΤΟΝ, is the Greek phrase γνῶθι σαυτόν, or gnōthi sauton. It translates to 'know thyself.' This saying was one of the ancient maxims associated with the Temple of Apollo at Delphi.
In a Roman context, this phrase didn't just mean knowing your character. It also carried another meaning: know your limits, know that you're human, and know that you're mortal.
That's why the reclining posture of the skeleton is significant. Resting against a cushion, the figure evokes the tradition of reclining that we recognize from Roman banquet scenes. However, this mosaic doesn't come from a dining room, but from a tomb setting on the Via Appia.
The concept of death wasn't foreign to Roman banquet and dining culture, either. Two silver goblets adorned with skeletons from the Boscoreale treasure serve as a similar reminder: conveying to the drinker that life's short and death is inevitable...
There's no lengthy text on this mosaic. The message is direct: to know thyself is also to know that you're mortal.
1966 flood of the Arno Rive, Florence.
josef honzik

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Missae in agenda defunctorum, 1740
Witchcraft and Witchcraft paintings <3
"Mors imperator" — Hermione von Preuschen (1887)
A memento mori with wishes for the New Year.Print made by: Anonymous .German Date: 1500 (c.)
The British Museum
Gargoyle on the Salisbury Cathedral [3430 x 2278]

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After 1650, a disturbing phenomenon known as “suicide by proxy” became increasingly common. People who wanted to die, but feared that direct suicide would condemn their souls to hell, committed crimes punishable by death so they could be executed legally after confessing and repenting. Many believed this would allow them to achieve salvation. Some committed arson or blasphemy, but most shockingly, many murdered young children, believing the children’s innocence would guarantee them entry into heaven as well.
Historian Kathy Stuart argues that this practice emerged partly because Catholic and Protestant states strongly enforced religious discipline and ideas about sin and salvation. Despite harsh punishments, governments struggled to stop the practice. Using archival records from Germany and Austria, Stuart explores how religious fear, social pressure, and despair drove people—especially women—to commit these tragic acts.
ROLLER DERBY KISSES, Acrylic on MDF and leather, Riikka Hyvönen
A sculpture of a demon fanning the fire, located on the tympanum of the central portal of the Bourges Cathedral in France. 14th century CE
'thorn necklace' by ted muehling, 1987
Students of the Dublin Metropolitan School of Art, ca. 1910. National Gallery of Ireland, ESB Centre for the Study of Irish Art, Margaret Clarke Archive

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A horror fanzine from 1967
The dance of death at Basel: death and the Pope. Lithograph by F. Hasler after H. Hess. Death’s delighted face seems to say, “I got a big one this time.”