Vincent van Gogh - "Courtyard of the Hospital at Arles" (1889)
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Vincent van Gogh - "Courtyard of the Hospital at Arles" (1889)

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Red Vineyards at Arles (1888) by Vincent van Gogh
Vincent van Gogh (Dutch, 1853-1890), Irises, 1889; in the Getty Museum, Los Angeles.
Le Moulin de Blute-Fin (aka Blute-Fin Mill), Autumn 1886. Vincent van Gogh. Oil on canvas.
Googled something about quick hydration and it suggested big jug of water, couple tbsp pickle juice, dash of lime juice.
Its surprisingly tasty????
Pleased to report that after a day of this i am not longer craving caper brine and my mouth is not dry as usual. There's some good suggestions in the notes too that I want to try.
-ancient roman posca: water, red or white wine vinegar, honey, salt, herbs (coriander, mint, thyme)
-switchel: water, ginger, vinegar, sweetener, lemon, salt
-ayran: yogurt, water, salt, mint
-Agua pepino: water, cucumbers, lime, sugar, optional mint.
I have been reminded of:
-shrub: vinegar, sida water, elderberry (or other berry), sugar.
I have now been informed of
-sekanjabin: honey, vinegar, mint, water.

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hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
Night Fisherman Under Giant Tree
by Ramy Hefny
https://fineartamerica.com/featured/night-fisherman-under-giant-tree-canopy-silhouette-wall-art-ramy-hefny.html
BEAUTY AND THE BEAST (1991) dir.: Gary Trousdale, Kirk Wise
'L'apres midi'. Olivier Neuray. 2026.

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"Isabella and the Pot of Basil" by John William Waterhouse, 1907
All nine of my tributes to my favorite adaptations of Beauty and the Beast!
Beauty and the Beast 1991
Beauty and the Beast 1987
Skønheden og Dyret 1989
La Belle et la Bête 1946
Beauty and the Beast 1997
Beauty and the Beast 1987 (Series)
Beauty and the Beast 2017
La Belle et la Bête 2014
Panna a Netvor 1978
Get prints: https://www.inprnt.com/gallery/drmistytang/
only there, on a bed of moss and grass would she allow her heart to rest.
Summer Evening, Wheatfield with Setting sun (1888) by Vincent van Gogh
Ermitage Saint-Antoine de Galamus, France - 2017

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The girl with the dragon boy
Prints available from June 2-10
I`m trying again. That`s how I see the castle. Actually it should be taller...