đ đ˘đđđđđŚ: In order to placate your anxious mother, you agree to return to your hometown to participate in a mating runâknowing full well that betas rarely get chased, never mind betas nearly old enough to age out of the practice. Youâve decided to treat it like a vacation, a chance to visit with your childhood friends, the mating run itself a nice relaxing hike.
All in all itâs a solid planâuntil alpha Todoroki Shouto, your best friend's little brother, steps in and blows it all to pieces.
đđđđĄđđđĄ: omegaverse, no quirks au, alpha!shouto, beta!reader, mating rituals, age gap, best friendâs little brother, older reader, afab reader, some class differences, aged up characters, semi-public sex, slight small town romance vibes, background implied dabihawks for some reason, smut, 18+; mdni!
đđđĄđđ : For @lorelune's spring fever collab! This fic is a little bit different than my usual fareâpart love letter to my hometown, part omegaverse smut, part style experimentâbut I hope you enjoy it anyway!! I also want to call out that Reader in this fic is Touyaâs contemporary, and is therefore older than Shouto. Everyone is in their 20s and Iâve purposefully left the age difference ambiguous in case the canon gap squicks you out, but please know there is a difference of at least ~3 years implied.
đđđđđĄâ: 24k, đ đĄđđĄđ˘đ : complete
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i love declining birth rates 𼰠"what a horrible problem! society will collapse!" oopsie it looks like you're gonna have to make having children worth it đ teehee you're gonna have to improve society in order to fix this problem, or it will all collapse. oh noooooo. how horrible. :3c
Unlike to common belief SHOTO is not dense when it comes to love. Shoto is dense to the social/verbal explainations of love. Because for shoto: everything is direct for him. His words, his actions, his thoughta and his feelings... He does not play around with words or sentences like "butterfly in stomach" / "i feel like im gonna die when i see you"
SHOTO is VERY good with feelings. He just doesnt like to show them without feeling comfortable around the enviroment he is in. Years of abuse and his mothers stiuation teached him to control his emotions and even bury them when he feels like he must do. He is one the most emphatic and respectful person you can ever see but... he will show this side of him only if he feels comfortable with you. If he feels ssfe with you. Especially if he feels FREE with you.
You can see that shoto usually dont use honorofics when he talks, which is weird because anyone else in japan or who talks japanese would thought this is the rudest thing you can do. But after you really get to know shoto... you know that he is the least possible human being to be mean unless he thinks there is an asshole in front of him. Shoto is kind, considerate and gentle, even with Katsuki.
Because for Shoto, verbal actions means nothing unless you show and proof it. He does not believe in kind words like he he believes in kind actions.
So when it comes to love, shoto is the most direct person you'll ever see... the moment he confirms that he loves you and ready for an relationship he will confess his love directly to your face like he is doing a chitchat with you.
And after you accept it... you will see both mix of boyfriend act and courting from him. Because shoto want know you by layer by layer... every details and unique habits you have, so that he can always respect your boundaries and also shares his with you... You would get probably shocked with this side of him after seeing the public side of his general actions.
Yes, he loves 1A and shows his insides a little bit more with his class... but with you, its even more deep. Because after realising his romantic feelings for you, shoto would take some time to decide if he should or should not take a step to you. Mostly because of his trauma with parents, his goals for school and future. But after war... especially seeing his older brother... he would decide that there is no day like today to let himself what he wants to do or enjoy the moments with the people who is in his life.
Shoto is passionate. In everything. His goals, his studies, his revenge, his feelings... anything im his life. Because once shoto is sure about something, ANYTHING, he will do his best towards it.
So naturally, he is REALLY passionate with his lover too. Because for him, meaning of loving someone is sharing his deepest and most unknown sides in him with you. He will love you patiently, passionatly and gently...
And after spending lots of time with him, understanding and learning about him you were sure about one thing: Shoto Todoroki's love, is the most purest version of love you could ever get... A gentle, kind, respectful love which keeps you refreshed like an ice and a love that burns with most passionate flames you could ever see...
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ok I know I seem insane for watching project hail mary for the fourth time in 10 days but I got to watch it with the directors commentary tonight and itâs incredible how much thought and love went into this film by EVERYONE. the directors, ryan gosling himself, the sound department, costumes, set production, cameras. everyone has so much pride and the story is so beloved by all. anyway here are some of my favorite things from the commentary
no one knew how to pronounce eridani (air-id-ah-ni or air-re-deni) so they just literally never said it in the film
the âgood luckâ at the beginning is supposed to have been written by the astronauts on the ISS who delivered ryland to the hail mary
the mop ryland was dancing with was called moppy ringwald
when ryland calls stratt after successfully breeding astrophage and he says âcarl and I made a baby,â that was ryan gosling calling sandra hĂźller on her day off and she had no idea thatâs what he was going to say. that âwhatâ was her genuine first reaction
the scientist whom ryland called a stagnating waste of carbon was the bearded guy sitting next to him and stratt in the initial phm meeting
the idea of the soundtrack being so hopeful was supposed to be like there were two different planets cheering him on
when ryland is sitting on the beach in that donât-go-crazy room and sees a figure walking towards him, thatâs him on erid at the end. heâs seeing himselfÂ
among the markings on rocky were the petrova line mission patch, his rank, family crest, and wedding band
rocky always stamped his claw on the ground twice for a question
they wanted to make it so that eridani could have different tones. so it could be a given series of keys for one word and then you could change the frequencies for happy, sad, scared, etc.
after rocky wakes up and asks ryland if they caught the taumeoba and ryland shakes his head no and then yes, the directors went âwhat an odd thing to doâ
ryan gosling wrapped all the gifts that ryland gave to rocky himself
the entire reason that exchange panel was put on rockyâs ball was so that ryland could pass him the little beanie earth
the movie starts with an upside down shot of ryland waking up. the epilogue starts with a right-side up shot of ryland waking up. he also makes his bed and brushes his teeth to show how time has passed LOL
their headcanon for explaining the rocky nature of the beach is that the eridians tried to emulate sand but got the scale of the grains wrong
rocky had them create a beach, and wave machine for the beach, and a tree for ryland so that he felt closer to home, but rocky was all he needed for that
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CONTENT ঠshe/her pronouns & fem & afab reader, reader has a quirk & hero name (Mist), ex-hero!reader, pro-heroes, heavy angst, yearning, intense situations, high up places (building, bridge, cliff), reader has a background & a complex personality
WARNINGS ঠtrauma, emotional detachment, apathy towards death, conflicting emotions, themes of death & suicide, death threats, bullying, depressive & spiraling thoughts, reader receives ridicule & scorn as a hero
A/N ঠngl iâm a little nervous with this story because itâs pretty heavy. but if youâre here, thank you for reading and i do really hope you enjoy this new fic iâm working on :) that being said, please make sure to read the warnings lol! the heaviness comes very quickly
SUPPOSEDLY, EVERYONE HAS A FIRE WITHIN THEM. One that blazes according to their will. One that flickers in the depths of their being, whipping with each fluctuating emotion and fueling the very essence of their life.
Itâs the feeling of being alive, even if it has the potential to burn you, exposing you to equal parts of fulfillment and sorrow.
Why is it that people take that risk?
You used to believe that happiness can only exist when thereâs sadness. A balance of some sort. And maybe thatâs the reason why itâs worth burning, because in the face of endless turmoil, you know there will be a light at the endâhappiness in the end. What do they say? What doesnât kill you makes you stronger?
The notion makes you laugh.
For the revelation came astoundingly clear to you one day, when the fire scorched and nearly burned you alive: itâs easier to live as cold ashes than to roar furiouslyârecklessly. Because when sadness creates happiness, the reverse is bound to happen, where happiness creates sadness, resentment, and pain. Itâs a way of protection, from being swallowed whole by the fire when you detach yourself from these emotions.
It doesnât change how deathly cold it feels, but you do get used to it, the flicker of life that lacks inside of you. It gets easier with time because you notice it less the more you get accustomed to it.
It becomes your new way of living.
With your hood down, you walk the streets with your eyes pointed forward, but your gaze lingers on nothing. Itâs rather cold today, the air hardening your bones in a way that lets you know itâs here to stay, unthawing and still.
Itâs a feeling that you welcome.
At this time, the city is quiet, just barely waking up in its early morning hours. Few people are out and about on their way to work or on a stroll. They move with a direction in mind, with intention. You are here, with neither.
You keep walking.Â
With one foot planted in front of the other, thatâs as far as any of your direction goes. Clinging to the edge of the sidewalk, it should startle you when someone manages to bump into your body on the wide and empty sidewalk, but you barely bat an eye.
A grunt before you hear, âWatch where youâre going.â
Your eyes remain forward as your body sways, shoulder tingling from the impact. You donât respond, not even when they grumble louder, something about how young folks donât have any manners these days. It doesnât garner a reaction out of you.Â
So, you keep walking.Â
One foot in front of the other, watching shop owners roll their gates up and briefcases swinging from stressed fists.Â
Itâs become a practiced mindset: the sounds all going in one ear and out the other, the motions all passing through your vision without any meaning to them.Â
From up ahead, a newspaper boy skirts around frames, leaves of gray spilling from his hands. The papers bounce with his pace, fast and loose, and you almost think that itâs intentional when one slips from his stackâa meant-to-be occurrence in a rather sickening way.Â
The paper flutters in the frigid air, blowing aimlessly until it lands right at your feet. It makes you pause, passively.
THE THREE-YEAR ANNIVERSARY OF THE GOLDEN EAGLE AGENCY, AND TWO YEARS SINCE THE RETIREMENT OF PRO-HERO MIST. HER SCANDAL AND LAST FAILED MISSION STILLâ
Your eyes dart upwards, not caring to read the rest of it. Maybe two years ago, you would have. Maybe two years ago, your hands would have reached to the ground and crinkled the ashen paper in both curiosity and dread. Maybe that fire in you would have burned in either anger or disappointment.
There are a lot of maybes, but you donât indulge in them. Instead, you keep walking.
You walk and walk and walk. With no direction, with no intention, with no meaning. You donât linger on the words, because itâs easier to move when they donât dwell restlessly in your head. Because moving has only become possible after youâve numbed every and any attachment.
Itâs the only protection you have that works; itâs easier to snuff out the emotions than to let yourself feel. Because feeling leads to caring, and caring allows too many opportunities for one to burn. Allows the flame to blaze furiously and vulnerably to winds and terrain you cannot control.
The bigger the fire, the more itâll attract. And as long as there is no kindling to begin with, the embers wonât catch. Everything hurts less this way.
The only thing you allow to roam free is your body. At least, itâll seem like there is direction, even if you know there isnât. And eventually, it brings you somewhere to rest, somewhere high above the ground where thereâs no longer a road for you to keep planting your feet in front of the other.
These are the only places that bring you some semblance of quiet, where the voices donât dare to even reach you. And with an empty mind, you stay where the air feels the coldestâthe stillest.
You stay until the sun dips below the horizon, and the next day greets you much the same.
â50/50
The first time you meet him, itâs on the roof of one of the highest skyscrapers in the city.Â
In broad daylight, perched on the edge of the building with your legs dangling off the side. Your hands are tucked underneath your thighs, as your gaze sweeps over the tops of buildings and ant-like people swarming the streets below.Â
A gust of wind breezes by, strong enough to sway your body, but it doesnât faze you. If anything, this feels familiarâit always does, reminds you of the days when your feet would catch nothing but air, when you swung from ledge to ledge with rock-hard mist wisping from your palms.
Though it must be a scary sight to others. You donât think of how this could look until you hear him.
âMiss,â a calm voice echoes from behind, and your eyes instinctively shut at the sound.Â
Itâs an easily recognizable voice to anyone in this day and age. A deep and low timbre you remember hearing during police debriefings. One that was never directed at you personally, but always managed to catch the whole precinctâs attention. Deep and clear-cut, with maybe an ounce of awkwardness in it.
People usually feel relief from hearing his voice, but in this moment, it only tells you that youâve wandered far today. Far enough to the part of the city where his duty lies.
You donât turn your head, clearing your throat before speaking your thoughts aloud to the sky in front of you.
âShould I consider it an honor that they sent the number two Hero? Or offended that they think I canât handle myself this high off the ground?â
âNeither,â you hear the voice say, and the acute carefulness in it makes you laugh inwardly. Itâs funny, you werenât actually planning on taking any of his answers seriously. Not like there was genuine curiosity behind asking the questions.
But they really did send someone, you end up thinking. They really thought you would try to kill yourself.
You wouldnât. Probably. The probably doesnât help your case, but you simply allowed your body to roam freely. So what if it falls? In your head, there are only two choicesâtwo percentages if falling was what you ended up doing, if you were ever at deathâs door: 50/50.
A 50% chance that youâd accept it, that youâd let your eyes close as you free-fall knowingly.
A 50% chance that youâd save yourself, that furls of mist would release from your fingertips to catch your flailing body.
50/50. You would either die or live, and with chilling apathy, you think that neither outcome could go wrong.
Another gust of wind blows by. Goosebumps arise on your skin as you shiver, one hand sliding from under, scraping against the concrete, to rub at your bare arm.
âIt is rather cold up here,â the man continues, steady and a little coaxing, as if approaching a wild animal and refusing to back down. Still a faceless voice from behind. âWould you like to come inside with me?â
âDo you think Iâll jump?â you ask absentmindedly.
âThe elderly couple who called in thinks so.â
You shift your head ninety degrees, looking sideways. Halfway to seeing him, but not fully committing to it. Your eyes meet gray concrete instead. âIâm asking if you think I would.â
Silence, a beat too quiet save for the wind. It rustles your shirt before traveling chillingly underneath it. All before,
âIâd hope you wouldnât.â
Thatâs a new line, you canât help but think. Everyone else hopes otherwise.
A smidge of something close to annoyance breaks in your voice; youâre not exactly sure where it stems from, or why itâs coming out, but you try to contain it. âYouâre not answering my question.â
Without hesitating, he says directlyâplainly, âMy answer is noâŚâ
Not said as a hope anymore, but more as a fact. As if he knew in his bones that you wouldnât.
Itâs astounding how confident he sounds; he doesnât even know you. It makes you finally turn your head fully over your shoulder, having to stifle your surprise when you realize how close he is, barely a foot separating you two.
The ledge youâre perched on is a raised wall that borders the roof, so you meet him squarely in the eye despite his tall height. There he stands, in all his heroic glory, wrapped in a sturdy navy blue suit.
Now, gray concrete is replaced by a gray iris, and another one of sea glass to pair with it on a rigid face. How notorious: that left side of red hair meeting the right side of white hair, split cleanly down the middle. You hold his gaze, not looking away, watching as red and white strands cross over his face from the breeze.
And in that low and clear-cut voiceâone that was never directed at you personally, but is, without a doubt, in this momentâTodoroki Shoto, one of the nationâs prized heroes, says:
ââŚYou wouldnât.â
His answer makes you pause, because it wasnât said as a taunt. It was said as a simple answer to a question. It was spoken as if he knew you, spoken with a belief that you wouldnât, spoken with such clarity and confidence that it makes you wonder how you truly look in his eyes.Â
âŚWho is this guy?
This wouldnât be how he would coax someone who may actually be suicidal, right? Surely not. Itâs brazen, even for him. It doesnât even try to convince.Â
Try me, youâre tempted to say. Partly because you know it would evoke a reaction. Partly because you're not afraid to prove him wrong.
You donât, because you donât care enough to do either. Instead, you bring your legs up from the ledge, twisting your front so that it faces the building. But thereâs hardly any room to place them, so each leg settles on either side of his broad body, just hovering over his hips.Â
Itâs a disbelieving intimate position; you essentially cage him in, your bodies close enough to graze, and it takes an active effort not to touch him.
The Pro-Hero doesnât move back, but you see his fingers twitch out of the corner of your eye. His peculiar, heterochromatic gaze remains steady on yours, refusing to break eye contact.
You tilt your head to one side.Â
âCan you move,â you say monotously, leaning forward so your face is mere breaths away from his. A challenge that he doesnât back away from.
You can feel his warm exhales from this close, can see the saturated flecks in his irises, and the texture of his burn scar. Another notorious feature of his. It borders the entirety of his left eye, thick discolored skin that healed with time but remained stubbornly bumpy.
People always said it was his most defining feature, and it takes a little more effort not to stare at it. âYou wanted me to go inside, right?â
âNo,â he says pointedly. âI asked if youââ
Before he can finish his sentence, your palms jerkily lift and lay themselves flat on his rigid chest, shoving hard. It forces him back a couple of feet more than you thought it would. The recoil isnât bad either, and you hardly flinch as you bounce back a few inches, hardly fazed as if there wasnât a threatening death of a two-thousand-foot drop behind you.
Rather, itâs his movement that makes you flinch.
The Pro-Heroâs arm flies up, grasping firmly onto your forearm as if you were actually flung backwards into the impending abyss, and tugs. Tugs you so hard that your breath hitches when he yanks you clean off the concrete ledge and into his chest, arms tight on either side of your tumbling body.Â
The smell of smoke immediately engulfs you, his body hot and cold to the touch, even over his hero suit. You reflectively shove your way out of his embrace, looking at him with accusing eyes, and speaking with an even more accusatory tone.
âThat was not neededââ
âYou were going to fallââ
âDid you think that Iâd want your help?â
At your question, his eyes turn hard, eyebrows pinched low. He seems frustrated as he pauses, opening his mouth to retort.
But you donât bother to hear his answer this time, skirting your way around his body, opting not to shove him again. Because something told you that if you were push again, heâd probably pull, again. You donât want to see itâto feel it, so you leave. You leave the number two Hero on the roof all by himself without so much as a glance back.
Your steps are heavy as the metal door slams shut behind you, echoing in the hollowness of the empty staircase. Itâs only until you sneak out the back alley, away from the rest of his team waiting idly on the sidewalk, that you mull over what just transpired.
No matter how much you try not to think about it, his words repeat themselves in your head. A river that ends up right where it started. And you canât stop the annoyance that comes with itâthe minuscule size of curiosity that you refuse to acknowledge.
âYou wouldnât.â
The thought makes your eye twitch, your fists clenched tighter than youâd like to admit. Because who the hell did Todoroki Shoto think he was? To have his presumptions. To think you wouldnât. To say it so definitively with such a confident look on his face as if it should mean something coming from him.
Itâs irritating how two words, one sentence, can cause this much discomfort to rise inside you. It wound your muscles, squeezed your heart. To the point that your hand hastily crawled up to wrestle with the sudden suffocating fabric of your shirt.
The feeling sickened you, pointlessly so.
â50/50
You donât truly remember much of what happened leading up to your retirement as Pro-Hero Mist. They say that if an event is traumatic enough, your brain desperately tries to protect you by blocking it out. You figured thatâs why the past was a hazeâa blurry mar in your cycle of memories. Frankly, youâre thankful for it; it's a wonderful thing not to be able to remember the darkest parts of your life.
Because now, two years had passed since then, and only your version of the story remains in your head:
You had quit being a Hero because there was no need to be one.
The fact is straight to the point. Clean-cut. Almost a saving grace in its simplicity when you think about what the tabloids still drone on and on about:Â
Mistâyouâwere jealous of a rising young Hero, Golden Eagle, and tried to slander them by making false allegations that their new agency was selling civilian information to villains. You were resentful, delusional, and so in over your head that you became reckless and injured civilians in a sorry excuse of a rescue mission.
Your attitude was already unbecoming of a Heroâunkind and too blunt. Adding that on top of maliciously spreading lies and your wretched carelessness, itâs better off that you had quit.Â
These two versions of the story couldnât be more different, and it serves as a reminder of how the world turned its back on you in the blink of an eye.
Because the competency you were once praised for turned into being a dangerous threat to society. The renowned Hero that even managed to break the Top 20 in her debut year, Mist, died along with the flames of the last mission she did. Replaced by ashes that left a burnt taste in peopleâs mouths. A fire that once burned bright, that eventually became snuffed, as if it was never lit.
Mist, the Hero who could save anyone, turned into Mist, the disgrace of a Hero who has no shame.
Mist, the savior of our people, one rope at a time, turned into Mist, the Hero that doesnât deserve a pedestal in our society.
Mist, the brave, turned into Mist, the delusional lunatic. The jealous bitch. The rising threat.
The Hero that the world is better off without.
If you put it like this, maybe you did remember far more details than youâd like. But you see it more as ghosts that used to haunt you. Now, you donât pay them any mind.
Because it didnât matter in the end. The people got what they wanted, and that was for you to step down. To retire. To quit.
You can admit that it hurt at first, felt like knives dipped in poison, stabbing you at every turn. No one really tried to believe in you, even when you claimed with your full chest that your evidence was real, that you were trying to protect and do your duty as a real Hero.
No one believed you.
On top of that, your reputation as a Hero was already unsteady: a Hero, but not quite heroic enough. A little too unkind. Reliant, but seemed heartless. According to the press, there was never anything resembling close to a smile on your face. People were intimidated by your infamous expression that looked like it could give less than a damn.
That scandal was just the nail in the coffin, a tipping point in the otherwise unstable scale that no one bothered to balance. They couldnât care less. In fact, they probably reveled in your damnation, used the opportunity to finally put someone else in the spotlight. Someone that they felt was more deserving.
Those in your life turned their backs, and those on the side spat on you with venomous words.Â
What can you do?
You remember hurting. You remember feeling stuck, like you were in this hopeless pit surrounded by vipers leering with their fangs at you. You remember feeling scared and thinking heartache can only happen when you care this much. And why should you care this much?
All of Japan practically threw you in after all, with nothing less than wisps of air to pull you back up. Maybe they thought you would be fine; itâs your quirk, you emit it from your very fingers, so why help? Youâre tough, right? You didnât actually care about being a Hero, right? You couldnât have, not with that attitude.
Maybe you couldâve tried harder to fight back; after all, civilians' lives were at risk. But people often overestimate a Heroâs resolve. Itâs hard to protect others when you feel like you canât protect yourself. Itâs hard to protect the very people who hate you, the very people who donât want your protection.
It didnât matter that you cared. You had heart, you knew you did. It just didnât matter in the end becauseâ
No one believed in you.
It hurt. So much.
In the face of vipers in this dark and meaningless pit, you chose neither to fight nor climb out. If anything, you knew you would be met with the same fangs even if you did climb out. And that would be after putting in the stinging effort.
So you sat, huddling in on yourself for survival, stilling your being to complete and utter silence. If you knew you were stuck, if you were going to get bitten, that you were going to die, why not spare yourself the terror beforehand? Why not ignore everything and numb yourself to complete indifference?Â
It hurts to live, and it hurts to die. It all seemed the same at this point. So, you decided that death seems less scary if you donât care about dying. And living seems less scary if you donât care about living.
You realized that caring can become a choice too. So, you chose to stop caring. To numb yourself so that even if the vipers touched you, you wouldnât feel the pain.
It all made perfect sense in your head.Â
Perhaps in this life, you were simply unlucky to cross paths with that wretched Eagle, but at least now you knew the worldâs true colors. In its darkening hues of black and grays, it revealed the heinous things one can do and say.
You can at least count your stars for that one.
â50/50
That pit is the reason why you like high places. For a second, you feel like you can breathe, and you can pretend that all that hissing and biting is beneath you. The escape is freeing, less suffocating in many different ways, if only for a moment.
The second time you meet him, itâs on a bridge that crosses over one of the largest rivers in the city.
In the cool evening chill, perched on the edge of the metal beam with your legs hanging in the air. Your hands are braced on either side of you, as your gaze sweeps over the soft ripples of the waves, the sun reflecting off the water in rows of glitter.
The sunset is nice here. The sounds, not so much. Tires rolling over the asphalt rush behind you in increments. And you saw from earlier: the car parked in the shoulder with its hazards on, the apprehensive look on the womanâs face behind the window, as she looked straight at you while clutching a phone to her ear.
It was only time before your quiet was interrupted.
âMist.â
Your old name sounds brittle to your ears, calm but heavy with his voice. It causes your spine to perk up just the slightest.
Passively, you think: Him again? Your gaze doesnât move from the water as his presence draws nearer. Only this time, heâs unable to come directly behind you with the beams barely having a platform to sit, let alone stand.
You like the distance it creates, and you listen to your own voice come out blank, a little bit hoarse. âDidnât you hear? I told everyone I didnât want to be associated as a Hero anymore. That name no longer exists.â
âIt existed at some point.â
You turn your head over your shoulder to eye his figure standing where metal meets concrete. The Hero must see or feel something you donât notice, because he cautiously follows up with,
âI wonât call you that.â
Your head swivels back forward, closer to ignoring than acknowledging him. Itâs a few passing seconds before you hear a crystalline sound resonate from behind, and feel a chill not brought on by the evening. Ice quickly materializes next to you as your eyes flit over to his body, settling beside you on the beam.
âIt is rather cold up here,â he states, looking at you with his mouth set in a straight line. As if on cue, a gust of wind breezes by. You sway, but donât steady your position. Goosebumps prickle your skin, but you donât rub at them.
âYouâre here,â you say curtly.
âA civilian called. Claimed a woman is planning to jump from a bridge.â
You donât blink. âA bold claim.â
âWould it be true?â
âCanât say.â
Heâs quick to respond. âIâm quite glad she called in.â
Still refusing to look at his figure, you question him absentmindedly. âWhy? I thought you said I wouldnât?â
The Hero seems to ponder over your question, silent. For a second, you think heâs about to make up an excuse, perhaps about how you never know or that he came just in case. But you flinch as something drapes over your shoulders, and it makes you quickly look down.
Fabric itches your skin; you see it fluttering around your body before comprehending what it is. It blocks the wind immediately, but thatâs an afterthought as his chest hovers near you.Â
The Hero fixes a stiff blanket over your equally stiff shoulders.
The warmth that no doubt came from his quirk is like a fireplace at your side. It makes you wonder if he did that on purpose: coming up on your right. You push the thought out of your head.Â
His voice, low and smooth, speaks next to your ear before pulling back. A respectable distance. âYes, I did say that, and I still believe in it.â
Why?
You bite your tongue before the question comes out, looking at him in that same accusatory manner as before. Heâs only doing his heroic duties, but it's rather bothersome; a fake performance to a crowd that couldnât care less.
The wind ruffles the standardized EMT blanket that he placed over you. You neither push it off nor try to keep it on, even as itâs on the verge of blowing away.
The scene flashes in your mind if it did. If the fabric lifted off of you and danced with the wind, flowing its way softly into the gentle waters below. It would probably land with a soft plop; you probably wouldnât hear it from this far up. A body would be vastly different.
âWhat should I call you?â he interrupts your thoughts, still looking at you.
You donât think before you say your name. It comes out unconcerned and emotionless. A simple answer to a simple question. He repeats it to himself a few times, quietly, and you deliberately ignore how natural it seems to roll off his tongue. As if heâs tasted it before.Â
His quirk emanates from afar, an unwelcoming heat felt through the rough blanket.
His tone is still careful as he says, âFirst, a building. Now, a bridge. Why?â
âThe sunset is nice here.â
âIt is,â he responds, nodding. He breaks his view of you to look over the river, and you notice the way his two-toned eyes seem to gleam. Then suddenly, he asks, âAre there other things you find nice?â
âWhy?â
âIâm curious.â
You shrug, and the movement nearly sends the blanket off your shoulders.Â
It surprises you when you indulge his curiosity, if only to placate him. âNothing comes to mind.â
âWe all have preferences.â
âIâm indifferent.â
A purse of his lips just slightly before turning to you. âHow about soba? Do you eat them hot or cold?â
You wrinkle your eyebrows, blinking. Why on earth is he bringing that up now? âIt makes sense to eat them cold when itâs hot. And hot when itâs cold. I do that.â
He nods again, his expression barely changing. âThat does make sense. Though I eat them cold all year-round.â
âOkay,â you respond dryly, your face tight.
Heâs as awkward as people say. Everyoneâs probably heard of his cold soba obsession; itâs a well-known fact, you just donât understand why heâs mentioning this now. More so, why youâre even having this nonchalant conversation about soba as if you both werenât movements away from falling into a river.
Well, it might be obvious to him. He would catch himself easily. You still were at a 50/50.
âYou do choose to eat soba, yes?â
ââŚYes?â
He blinks at you. âDo you consider that indifference? I would say it is a preference.â
Irrational annoyance spikes within you, to a degree you havenât felt in a while. Because sure. Sure. Anything is a preference, you want to bite out. Itâs a preference to breathe, and a preference to eat. A preference to walk, and a preference to go in the first restaurant you see that just happens to serve soba. What of it? Why does he care?
You donât say all this, but the way his gaze flickers for a split second tells you your face mightâve shown more than what you meant to. He doesnât point it out.
âWhy are you here?â you canât help but ask.
âA civilian claimed a woman is planning to jump.â
âNo,â you sigh, a little more impatient than youâd like to admit. âI mean, why are you here? Iâm sure the number two Hero has better things to save. You said it yourself that you believe I wouldnât jump. Couldâve sent someone else.â
So why waste your time?
The Hero is quiet for another moment. Youâve noticed that thereâs this unpredictability with him: he either answers too quickly or too slowly. Either says whatâs on his mind instantly or thinks too deeply about his next words. Itâs an observation that makes you tilt your head; for what reason, you donât know. In fact, you donât want to know.Â
Is not wanting to know a preference too?
After a few seconds of silence, he then looks at you with a downward angle in his eyes. âWould you believe me if I said I wanted to talk to you?â
âTo convince me not to jump?â you bait him.
He shakes his head, a small movement. âTo talk to you,â he repeats.
âI donât know why thatâd be true.â
He shrugs. Another small movement. âI have my reasons.â
And what would that be?
You donât voice the question out loud. Just in case heâd think itâs a preference to ask.
The Hero gazes out into the horizon. âThe sun has set. Are you done here?â
You look in his direction and see that, indeed, the sun has gone down. Bright, warm rays replaced by the cool blue of the beginning night sky.Â
Yeah, I am done, guess itâs time to jump, youâre tempted to say. Partly because you want to see his reaction. Partly because you think it would be funny.
You donât. Instead, you bring your legs up from the beam, twisting your front so itâs perpendicular to the metal running alongside the bridge. You place your feet onto the bars and haphazardly push up, with little to no care for your swaying balance.
That crystalline sound chimes in your ears again, and you glance behind to see that heâs stood up as well, an emergency landing of ice formed underneath where you both stand now. An exhale forcibly escapes through your nostrils as you walk back to the cement of the bridge. You ignore the bystanders and his team from afar, and start back down the road from where you came.
The standardized EMT blanket that the Hero draped over your shoulders still hangs on despite ruffling wildly from the wind. You neither push it off nor try to keep it on, even if it was on the verge of blowing away.
You resist the urge to glance back.Â
And the blanket miraculously held on the entire time, only off because your hands wrenched it away the second you got home.
â50/50
Sometimes, you forget what your own voice sounds like.Â
Unless a personâs a fan of talking to themselves, people donât realize how their voice barely gets used unless it's to communicate with someone, to express themselves to someone. And they donât realize just how stagnant a throat can feel when that someone is no longer there.
Itâs as it goes: people donât talk to you, and you donât talk to them. You stopped reaching out when your phone calls only ever ended with leaving a pathetic voicemail, until they didnât go through at all. You stopped because disappointment hurts more when you keep hopelessly trying.Â
So, you rarely talked. There was no reason to.Â
Eventually, weeks would pass by without you using your voice, and when it did come out, it felt foreign in your own mouth: the pitch, the tone, the breathiness of it. That split second where you donât even recognize itâs you whoâs speaking.
Youâre only reminded when a stranger asks you a question, and a simple head nod or shake wouldn't suffice to answer. Your voice would come out hoarse and scratchy, always having to do a little clearing of your throat every time. Only the gods knew the last time you had a conversation that was actually filled with life.
When was the last time you even used it?
âŚProbably when you talked to that Hero. The incident on the bridge was well over a month ago.
You havenât seen him since. More so because you make it a point to not wander too far anymore, lest you run into him again. Itâs the only direction you take note of now, a direction that your feet avoid. It works to keep his face out of your mind and prevents that uncomfortable feeling of curiosity from rising again.
But sometimes you can feel it bubble up like acid, crawling into your throat at the sudden sight of him on a billboard or magazine. Your reaction would be immediate: you swallow it down hastily and force yourself to move on with your day. You donât think about it, you donât linger.
Today, your feet bring you to a grocery store across town, prompted by one look into your empty fridge this morning.Â
There isnât a fancy list to go off of; usually just rice and any kind of protein. You used to love trying out new ingredients and recipes. Now, you cook what you know, what is easy. The drive to put in effort seemed to have lessened over time.
You shop for a bit. Walk the streets a bit. People watch a bit.
Then, you go home, kicking aside the pile of worn envelopes lying in front of your door, sent by unfamiliar names. They always are, and theyâre more unassuming than they look, but you know whatâs inside. You learned early on that it wasnât a good idea to check those anymore, and theyâve piled up high now. An inky, toxic gate you have to pass before you can finally head inside.
You cook. You eat. You shower. You sleep.
It happens on autopilot; you hardly need to think about it, and it borders on a nearly out-of-body experience. As if you're watching from above, watching an NPC moving in a game, never straying and mindlessly doing what it's programmed to do.
The next day greets you very much the same.
â50/50
The third time you meet him, itâs on a cliff that overlooks the entire cityscape, a dense line of trees separating you and Musutafu beyond.Â
Itâs three months after the first encounter, and so early in the morning that dew still clings hefty on leaf blades. Youâre perched on a ledge of rugged rocks with your legs swinging in the air. The terrain is rough, jutting out precariously with free space underneath your platform-made seat. Your hands fall in your lap, as your gaze sweeps over the fog shrouding the forest.
Itâs quiet here except for the few hikers milling about, taking advantage of the sunless sky. It only takes one thoughâone person with one phone callâto hear that peculiar, deep, and frank voice again; a cautious voice above all else.
This time, it comes in the form of your last name. Your ears twitch at the call because you donât remember the last time youâve heard it laced without resentment.
He almost makes your name sound soft, almost needed.
âDo you normally like to hike?â the Hero asks from behind.
You donât turn around, and heâs met with silence because you choose not to answer either. Your lack of response is mostly due to you not knowing how to respond. Itâs not that you necessarily like to hike⌠your feet just brought you here, wandering like they usually do.Â
Itâs odd, you thought this area would be far enough away from his patrol route. At least, it shouldâve been.
The Hero speaks again. âIs it your preference to hike in the mornings?â
Now, this makes you peek behind your shoulder, finally acknowledging his presenceâhis presence that is quickly becoming a bother. You ask stiffly, fighting through the scratchiness in your throat, âWhy do you keep bringing up my preferences?â
âDoes that bother you?â he asks coolly, cocking his head to the side, the red strands of his hair crossing over the white ones. The sight makes you bite your cheek, not knowing if heâs feigning innocence or if heâs just that thick. Maybe it's the latter.
You turn your gaze back to the forest, but your vision just canât seem to focus on anything. Blurs of green and brown, while your ears raise at the sound of scuffling, suddenly too aware of your surroundings. Small pebbles of rock bounce off your lower back as you blink aimlessly in front of you.
A thick fabric drapes over your shoulders, alarmingly like last time, and your spine straightens. The heat of a body floats above your head as you glance down to seeâ
A black jacket.
âIt is rather cold up here,â he says from above, a little too close for comfort. It causes the hairs on the back of your neck to stand up pin-like.
You donât move, akin to a deer in headlights. âWhat is this?â
âMy jacket.â
Another twitch, this time in your fingers. âI see that. Why?â
âBecause I always find you in places that are cold,â he glances around, âHigh up, too.âÂ
Youâre caught in a moment of silence as your eyebrows slowly crinkle at his answer. Completely taken aback, you canât help but think to yourself, why?
What heâs insistently doing, intentional or not, goes beyond a Heroâs obligation. So, why is he doing this?
Why is he acting so nonchalant with you? Asking about your preferences as if that matters, putting jackets on you as if your non-existent relationship called for such familiarity. The attention is both unsettling and painfully bothersome.
Sighing, a breath leaves your lips in a continuous cloud, and you ignore the way he settles in beside you. Mimicking you by hanging his legs off the little platform youâve wordlessly claimed. You have to stop yourself from flinching when his body twists forward to face your front, big hands coming up to adjust the collar of his jacket.
Chest to chest, he messes with it from his awkward angle; his face nearly obscures your whole vision, but you make it a point to look past him. You donât move an inch during his ministrations, focusing on the forest behind him. His hair blows haphazardly, its colors contrasting the greens of the forest and the blues of the sky.
From this close, you can smell him. He actually does have the natural scent of a warm fireplace during the winterâsmoke and fire, mingling with crisp cold air.
Eventually, he decides his jacket is secure enough to withstand the wind and promptly draws away. From the corner of your eye, you see heâs rigid. Back as straight as a needle, palms steady on his knees. Not quite figuratively on edge, but most definitely attentive.
You donât want to see it, so you force your gaze away.
Silence envelopes you two. It wouldâve been awkward or uncomfortable if you allowed yourself to dwell on it. You choose not to.
Vaguely, more scuffling can be heard from behind, and you already know his team is waiting in the line of trees that borders the cliff, dutifully waiting for a sign from their boss. You can feel their hawk-eyes pecking you from afar.
He seems to realize that you noticed and mumbles, âI tried to convince them to give us some privacy.â
You reply blankly, âTheyâre doing a bad job at it.â
âThey like to take precautions.â
You shuffle a little in your spot, a crumble of rock rolling next to you from the movement. It rolls and rolls, tumbling down into the green abyss below. You stare after it, as if you could follow its path.
âHow are you?â the Hero mutters quietly, asking as if you two were old friends who randomly stumbled upon each other on the street. A question asked out of obligation, but still too familiar for your liking.Â
âGood,â you reply blankly, not giving it much thought.
âDid you eat breakfast yet?â
âNo.â
âWould you like to join me?â
âNo, Iââ
Before your sentence finishes, he reaches behind you, miraculously producing a tied plastic bag. Takeout, it seems. And for whatever reason he had that on standby, you really donât want to know.
âI brought soba,â he declares, as if it should mean something. You stare as he works to untie the bag, graceful fingers maneuvering the taut plastic. He coils one end, then pushes it through the hole from where it looped through.Â
He takes out the containers one by one, lays them side by side on the rocks between you two. âItâs cold soba,â he then tells you.
Not a word leaves your lips. In fact, theyâre pressed shut together. Tight. Tense. On guard.
Chopsticks are then brought out, and he takes the liberty of splitting yours and handing you them along with a container. The takeout tray splits into two sections: one filled with buckwheat noodles and the other filled with a dark tsuyu.
Your hands feel obligated to take them, and you almost hate the nod of approval he gives to himself.
Then, in this unwelcoming turn of events, Japanâs number two Hero starts eating cold soba next to you while sitting precariously on a cliff.
Youâre motionless. You shouldâve refused the tray to begin with, but you didnât, and five full minutes pass before you finally decide to move. You eat, because that is the only action that is familiar in your mindless program that has strayed, in the midst of whatever ridiculousness this Hero has brought with him.
You take a bite. You chew. You take another bite. You chew again. All while the Hero keeps glancing to the side to look at you. Observing you. Studying you. And for the first time in the past two years, you find yourself fighting to keep your tightly-held emotions at bay. Your fingers trembling as the thought repeats itself over and over in your head:
You know what heâs doing, and you really, really hate it.
The noodles taste like sand in your mouth, and you nearly spit them back out.
It hits like rapidfire, the emotions from all these odd, unnecessary occurrences of meeting him, this stranger. It rolls into one big ball of vile frustration because what Hero actually goes this far?
You hate that he keeps talking to you as if you two knew each other. You hate that he keeps bringing up your preferences as if they matter. You hate that he noticed it was cold and put his jacket over you. You hate that he brought food and that itâs cold soba. You hate that heâs checking to see if it is truly indifference as youâre eating his cold soba in the cold weather.Â
You hate that itâs been him who finds you here, where the air feels the coldestâthe stillest. It has happened three times too many.
Acid bubbles in your gut, and you know it's not just your stomach reacting to the food. No, itâs that uncomfortable feeling again: the unwelcoming curiosity. That unbearable warmth that seems to heat up your chest and settle disgustingly behind your ribs.
It all feels too much, and you sense yourself tensing up, huddling into yourself with round shoulders, around a heart that feels much too warm. It reminds you of that flame again, that wretched fire that used to burn inside you.
With shaky hands, you quickly set your container down on the rocks, not caring if the tsuyu splashes over the edge. Then, with swift movements, your feet climb up onto the platform, body hoisting itself upright before promptly turning away from the forest view.
Rock crunches underneath your shoes.
You hear him do the same, not wasting a single moment, lifting himself up faster with even swifter movements. A cool palm places itself on your shoulder before you throw it off wildly, turning to him with hard eyes.
His eyebrowsâone white, one redâimmediately pinch in the middle, guarded and confused.
âWas the soba not to your likingâ?â
âYou are not to my liking,â you state bluntly. The Hero doesnât blink at your outburst, only hovers his hand in the air for a second before it falls to his side. He purses his lips, and you find yourself speaking again.
âStop bothering me,â you grit out, finding that with each second passing, your annoyance only grows stronger. Amplified when you look at his worried face.
Why is he so nosy? Why is he so worried?
You fail to notice the vibrations that start from where your shaky feet stand.Â
And your tone is icy when you say again, âStop bothering me. And the next time you get a call about Mistââ
You fail to notice the bits of debris that start falling towards the edge, the subtle cracking of the earth splitting, even as the Hero starts looking around in alarm.
He reaches for you with that stupid warm hand. âWaitââ
You toss his open hand aside and throw his jacket to the ground, your head hot with rage that hasnât been felt in years. ââwhether itâs on a cliff, a bridge, or a building, tell them itâs fineââ
You donât even notice your own voice rising, too caught up in tearing off the concern this man has persistently shown you. Concern that you find is incredibly unnecessary and utterly smothering.
Your voice echoes across the forest, ââand tell them that sheâs not trying to kill herself. Oh, but I bet they would be real sad to hear about thatâ!â
The Hero urgently grabs onto both your shouldersâheterochromatic eyes blown wideâwith heavy palms trying to push you. âWaitâ We need toââ
His touch scorches you in that same unbearably warm way like before, traveling from your chest to where his hands touch your body. It sickens you, and you throw them off in a fury, steadying the swing of your body with two harsh feet.
You donât notice. Anything. Only feeling the irrational spike of anger that has pooled since your first encounter with the number two Hero. You know itâs just the tip of the iceberg, and you know itâs unfair to let it all out on him. But then again, maybe you want to push him away.
The trickling of emotions that emerge when youâre around him are enough to scare out any living daylight left inside of you.
You point an accusatory finger at his chest, pressing hard. âNo. You need toââ
âŚCrack!
Your heart stops as you stumble hard, then lurches out of your chest as the once-precarious now-turned threatening ledge breaks from underneath you. A gasp barely escapes your throat as you quite literally lose your footing, your foundation crumbling beneath your feet within seconds.
You donât have time to register anything except that the groundâthe cliff is cracking. Collapsing. Falling. Youâre falling. And the world slows down within those prolonged seconds as you forget whatever insult that was about to come out of your mouth.
Lightning-quick, the two choices strikes in your mind as your body is suspended in the air:
Two choicesâtwo percentages if falling was what you ended up doing, if you were ever at deathâs door: 50/50.
A 50% chance that youâd save yourself, that furls of mist would release from your fingertips to catch your flailing body.
A 50% chance that youâd accept it, that youâd let your eyes close as you free-fall knowingly.
50/50. You would either die or live, and with chilling apathy, youâve always thought that neither outcome could go wrong.Â
Because both choices are painful: it hurts to live, and it hurts to die. Because both choices are terrifying, and death is less scary if you donât care about dying, living is less scary if you donât care about living.
Because you donât know whatâs worse: staying in that devastating pit of vipers, or crawling out with your flesh raw and bleeding just to be met with even more venom. With more resentment. With more hate.Â
Because sometimes, you can still hear it in your head, the ghosts that used to haunt you, that still haunt you:
You donât deserve to act all high and mighty.
You donât deserve to be a Hero.
You donât deserve to live knowing what youâve done.
You should just die.
You wanted to, but then you didnât; you couldnât pinpoint why you were conflicted, so then you decided to let life choose. To let it bring you to whatever direction it thinks you deserve. Like this moment now.
Japanâs number two HeroâTodoroki Shotoâlooks at you with wide frozen eyes, his face shrouded in panic and twenty other emotions you choose not to decipher. Not like thereâs any time to.
You fall first since you were closer to the edge, slowly, along with the debris and the winds. You hear crystalline noises, the same ones that have tried to be a safety net in the past, back on that bridge when you couldâve fell.
Todoroki Shotoâs mouth is open mid-shout, but you donât know what heâs yelling about. You can only stare back.
His hand reaches out, warm palm and all, searching for yours.
All you have to do is reach out the same. All you have to do is grasp his hand, the other half of the 50/50.
And in that split second, you know which 50% has won when your arm doesnât move.
Your eyes shut.
And you let yourself fall.
â50/50
ending notes. thank you for reading! :) a couple of things i wanted to point out is that since this chapter is from readerâs pov, her inner monologue may come across as rather emotionless and stoic. which was actually quite a challenge to write because iâm used to a lot of /emotions/ in my works haha. oh and also she really only addresses/sees shoto as just a hero right now, so that explains the lack of his name in this chapter (which, too, is such a challenge to write!!! LOL)
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A/N: Itâs been a while, but I had to write this idea down. I still find the thought of Shoto naming his son after his late brother so sweet!
Youâre sitting at the kitchen table, your hand protectively resting on your round belly, trying to stay calm as Touyaâyour twelve-year-old son with his fatherâs fiery red hair and the name of his deceased uncleâstands across from you, arms crossed. His gray and turquoise eyes flash with anger.
âMom, thatâs not fair! Iâm old enough! Iâve trained with you guys so many times! I can take care of myself!â
His voice cracks at the end, like it always does when he knows heâs pushing it but wonât back down.
You take a deep breath. Your quirk stirs under your skinâa faint crackle in the air that only Shoto would notice if he were here. But heâs not back yet from his last shift. And youâre on maternity leave. Again. This is the second time.
âTouya,â you say as calmly as possible, âyour dad said no. And I agree with him. A patrol isnât a training ground. There are real villains out there. And youâre twelve.â
âBut Dad was my age when he was already training with Grandpa Endeavor! And he pushed him way harder than you guys ever push me!â
The name Endeavor is rarely spoken in this house. And when it is, never positively. You see Touya immediately realize his mistake. His shoulders slump a little.
âI⌠I just mean⌠I just want to come along. Just once. Please.â
You shake your head. âNo. End of discussion.â
His eyes narrow. âYou donât get it. You treat me like a baby!â
âTouyaââ
âNo! Always no! Always too dangerous! I have a quirk! I can fight! But you never let me do anything!â
He turns and storms up the stairs. The door to his room slams so hard that the dishes in the cabinet rattle. You sit there for a moment, hand on your belly, feeling the little one kick. As if to say: Mama, calm down.
The front door opens. Shoto comes in, still in his hero costume, his white hair strands lightly frosted. He pauses in the hallway, hearing the too-loud silence.
ââŚSame topic again?â he asks quietly, having immediately assessed the situation.
You just nod.
He takes off his boots, comes over to you, and places his hands on your shoulders from behind. His left side warm, his right cool. Always that perfect balance that has calmed you from the start.
You sigh. âHe hates us right now.â
âHe hates the situation,â Shoto gently corrects. âNot us.â
You both fall silent for a while.
Then Shoto says: ââŚMaybe I should take him along just this once. A quiet patrol. Iâll stay with him the whole time.â
You turn to look at him. âShoto.â
âI know,â he says, raising his hand. âI know what Iâve always said. But⌠heâs like I was. And he reminds me of Touya⌠That stubbornness. If we always just say no, heâll go out on his own one day. And then itâs really dangerous.â
You look at him for a long time.
Heâs right. You both know it.
You nod slowly. âJust a quiet route. And he wears the tracker. And stays in sight at all times. Andââ
âAnd Iâll watch him,â Shoto finishes the sentence. âWith everything I have.â
The next evening, Touya stands in front of the hallway mirror, adjusting the hoodie you specially got himâdark, inconspicuous, with small reflective strips. His red hair still glows like a signal fire.
Heâs trying to look cool, but you see his hands trembling as he zips it up.
Shoto kneels in front of him. âRule one: You stay with me at all times. Rule two: If I say âdown,â you drop into cover immediately. Rule three: No quirk use unless I explicitly say so.â
Touya nods eagerly. âGot it.â
You stand in the doorway, hand on your belly again. You wanted to come along, but Shoto gently but firmly refused. âYou stay here and rest,â heâd said. âWeâll be back in three hours.â
Now you bend down to Touya and press a kiss to his forehead. âBe careful and listen to your dad!â
He grins crookedly. âI will!â
Shoto places his warm hand on your cheek for a moment, kisses you softly. âWeâll be back soon.â
Then they leave. Father and son. One with white-and-red hair, the other with just red. Both with that calm but unyielding look.
You close the door and stand there for a moment before sighing and turning to find something to occupy yourself.
Three hours laterâexactly to the minuteâyou hear the key in the lock.
Touya bursts in, eyes wide, cheeks flushed. âMom! Mom, you wonât believe what happened!â
Shoto follows, much calmer, but you catch the small smile at the corner of his mouth.
âWhat happened?â you ask, heaving yourself up from the armchair.
Touya starts talking immediately, words tumbling over each other: âWe were downtown and there was this guy trying to rob a store, and Dad stopped him and I got to call the police, and then a little boy couldnât get his cat down from a tree and Dad lifted me up and I got the cat and everyone clapped andââ
He talks and talks until heâs out of breath.
Shoto steps beside you, arm around your waist. âQuiet patrol,â he says softly. âAlmost.â
You look at Touya, now sitting on the couch, eyes shining as he recounts how cool his father was.
Maybe it was exactly the right thing to give in just once.
Maybe he needs thatâto see that his father doesnât just say no, but also protects. That being a hero isnât just about fighting, but about responsibility too.
Touya looks over at you both. âThanks,â he says quietly. âFor letting me come.â
Shoto just nods.
You smile and hold out your hand. Touya runs over and hugs you carefully around the belly.
Shoto wraps his arms around both of youâwarm on one side, cool on the other.