beep beep

this rest of the thread continues after the third tweet from the reblog.

like THE FULL THREAD is genuinely so reassuring.

sometimes, it is not enough to just know, sometimes you might need that reassurance of "do you really think of me when i'm away?" and someone reassuring you that yeah, they do. and evaluate that! trust that! just like op did.

and then learning that ykw, it's NOT any of my business really. and finding comfort in that trust that like. whether they are or aren't thinking of me, they really do love me.

A couple other posts with western graphics:

she's almost-angry while she talks. "he took the train with me. all the way home. it's an hour in the wrong direction." she's got a bright yellow raincoat and round glasses. she looks cute and thoughtful and like she reads books a lot. she's his type and you know that.

the bartender rolls her eyes and points to you. "he drove this one to her grandma's house. six hours both ways."

you were younger then, hadn't ever kissed a girl yet. were still saying "bicurious" because of your irish catholic family. it was so long ago skinny jeans were still socially acceptable.

and you'd met him, and he'd been perfect. his narrow face and dark hair and his wry self-deprecation. and - okay, yes, the fact he was a singer/songwriter was also hot. you liked the feeling of sundays with him, the two of you noodling through his new songs together while you slowly learned to play bass guitar. you liked writing his name on your converse. you liked his ironic "mom" tattoo and his fancy coffee obsession and his scrappy handwriting.

you didn't know, then, what kind of man he was. maybe he didn't either; he was young too. you say it into your earl-grey-gin-something. "he has... a playbook, i guess. the things he does... he does it with everyone."

she looks at you with wide, beautiful eyes. jesus christ, she's young. "we stood outside in the rain, just talking," she says. "i know that can't be fake. i have a ton of, like. examples here. he's a good guy. you should have seen him. i'm not, like, a complete idiot."

did you play defense attorney with him like this? did you bristle when others warned you about how quickly he leaves women?

you gnaw the thin black straw and stare at the other side of the building, where his band is setting up to play. you have no true rage against him, but it's not fun to watch him ruin other women. "did he get you a little stuffed animal yet?" yours had been a panda.

she stares at you and then nods, just once, stiffly.

you hold out your hand and start listing things, weighing them on your fingers. "did he tell you that he'd never seen someone like you, that you move like a dancer or something?" at her nod, you continue. "buys you ice cream and then drives up to the river to watch the stars? shows up at your place just because he missed your voice? takes you to the pet store to look at the fish?"

the bartender points at you. "don't forget he does that little dog game he does."

you close your eyes. you remember him in his stupid leather jacket, bouncing on his toes. he'd gotten the petstore clerk to allow him to handle a ferret. you had vibrated with joy, wrestling the noodle bodies from hand to hand. and then he'd said we're going to live together. we're going to get a big dog and a big lawn and -

"you get into a fake fight about what you'll name the dog," you monotone.

"chili," she says. she sets her jaw a little higher, and you catch a flash of muscle clenching. "we settled on chili. it's gonna be an irish setter."

the bartender snorts while she maneuvers deftly through making a batch of espresso martinis. "sounds about right. now i've got two rotties, but when that shit happened to me? we chose Portland. and we were gonna get a samoyed." she snorts again. "as if he could afford that grooming bill."

you had actually started that conversation in the pet store. you wanted a big, slobbery dog. a mutt, but a big mutt. something mastiff-like. something that you could walk alone at night with. your family has a tradition of "letting the dog name itself," where you'd write all the potential names on a piece of paper and then throw them. whatever the dog went to, it'd be the dog's name.

but he had said name it something girly since it's so big. he suggested Lavender or Pansy. at the time you'd thought it was funny and cut and sort of sweet. he wanted to pick up a dog from the ASPCA that weekend, he said. i'm gonna go get us Lavender. you hadn't learned yet that he would promise you a river but never even deliver a raindrop.

"it's like this every time, babe," the bartender says, not unkindly. "i'm sorry. i've seen too many like this, and you seem like a sweet kid."

the other woman bristles. "i'm not a kid. thanks for your advice. but." she stands up, slaps a ten down, stalks away.

the bartender looks at you and holds her hands up and shrugs. you shake your head and look down into the drink, stirring it idly.

"do you think he's written her the four lines yet?" the bartender asks, pushing a drink to someone.

you almost flinch, but don't. you'd been in the back shed, practicing together. he said he had a present for you - the beginnings of a new song. really just a couplet more than anything, barely more than 30 seconds. it should have made you feel glorious, feral, glowing.

but you had stood there, realizing you had books of songs about him, none of which he ever agreed to play. the song he'd written you had floated through the room and you felt strange and disconnected and insane all at once - it was such a vapid, stupid stanza he'd made. and then he said that terrible phrase - i love you babe.

and you had been suddenly both very out of your body and also very present, thinking: oh my god this guy is a buffoon and i'm wasting my time. the spiralbound notebook with pages of poems and lyrics and stories you'd written for him is now stashed in some rubbermaid. you'd wanted to burn it at first, but the effort had exhausted you.

the four lines of song are usually pretty banal - something about her eyes, something about her smile, something about how she's special. but they work. they always work, because people want to believe in the magical commodity of love - that it cannot be manufactured.

later in the night you watch that man get on stage and sing punk rock to a thinning crowd. he takes the time out of the setlist to try out a "new song" that goes out to his girl in the crowd, all of 30 seconds of music. he says he likes her eyes and her smile and she's special.

you think about stopping her physically. you think about showing her the group chat of exes in your phone. you think of how young she is - maybe 22? - and how you, at 22, would have told your current self fuck right off. you had believed it too, after all. people need to make their own choices. besides. maybe you're wrong. maybe this time it actually is that precious, starry, once-in-a-lifetime love.

The Radium Girls were factory workers who painted glowing markers on watches. They pointed their paint brushes with their lips after being told do so and that it was safe for them to do so by their managers. The paint had radium in it to promote the glow.

Dentists became the first people aware of the medical complications happening amongst all the women working in this factory. Complaints of loose bones, teeth, ulcers, etc. began to circulate amongst the staff.

Eventually, the girls started to die. The first one’s jaw literally came off her skull before her death as a result of radiation poisoning.

Perhaps all of that you could say was “stupidity” on behalf of the workers and corporation.

But what came next wasn’t. The corporation, the U.S. Radium Corporation, originally called the Radium Luminous Material Corporation, lied to the public and said that their workers were dying from alternate causes such as syphilis. They continued to instruct their staff to work business as usual, perpetuating more deaths and illness amongst their staff so their product could continue to be made.

The Radium Corp offered to change the method of painting dials, but the alternative brushes slowed down work and they were paid by the dial. To continue earning the wages they needed, the girls were forced to continue to use the brushes that they had to wet with their mouths.

The girls eventually took the matter to court. They took it to court eight times because Radium Corp continued to appeal until 1939.

As a result of their win, which provided a settlement to each girl a lump sum, a yearly stipend, and medical expensed paid by the company, LABOR LAW changed to ensure that companies could be held accountable for not properly protecting their employees from disease. New health regulations and standards were put in place to keep workers safe and they stopped using the brushes after that point.

(I don’t have the data to say if there was a corresponding wage increase to factor for lost wages due to a slowing down after new regulations were made).

The point, though, is that this company willfully knew that its staff was geting sick and dying from the procedures they put in place, and lied to their staff and started a public smear campaign saying these women had sexually transmitted diseases instead.