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Giorgio Morandi

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Mishka Henner, Levelland Oil Field, Hockley County, Texas, 2013, Hockley County, Texas, Series: Beef & Oil.
THORNTON WILLIS
LITTLE ROCK II, 1980
Caught on Camera May 15, 1957: Opening of Contemporary Art—Acquisitions, 1954–1957
Many artists visited the Albright Art Gallery for theopening of Contemporary Art—Acquisitions, 1954–1957 on May 15, 1957, including Franz Kline, Philip Guston, and Robert Montherwell. The exhibition consisted of a group of forty works of art presented to the Albright Art Gallery by Seymour Knox, Jr. from 1954 to 1957. While the major emphasis was on modern American painting, there were also examples of contemporary work by British, French, German, Italian, Mexican, and Spanish artists. The exhibition also featured contemporary sculpture purchased by the Albright Art Gallery during those past three years. The six examples, representing the work of Americans, Italians, and British sculptors, were all created during the 1950s. Contemporary Art—Acquisitions, 1954–1957 marked a defining moment in the growth of the Albright Art Gallery and the state of art in the 1950s. The exhibition was broken into three main parts: gifts from Seymour H. Knox, museum purchases of contemporary sculpture, and loans from the collection of Mr. and Mrs. Knox. “Taken as a whole,” wrote former director Gordon M. Smith in the exhibition brochure, “the three parts present an exciting survey of the creative spirit in art at mid-century.” Pictured are Franz Kline (American, 1910–1962) with New York, N.Y., 1953; Philip Guston (American, born Canada, 1913–1980) with Voyage, 1956; and Robert Motherwell (American, 1915–1991) with Elegy to the Spanish Republic XXXIV, 1953–54. These works, and many more from the Albright-Knox’s Collection, are currently on view at the Crystal Bridges Museum of American Art as part of Van Gogh to Rothko: Masterworks from the Albright-Knox Art Gallery.
Content and images courtesy of the Albright-Knox Art Gallery Digital Assets Collection and Archives, Buffalo, New York. © 2015 Albright-Knox Art Gallery. Photographs by The Towne Studio, Buffalo, New York.
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"The notion that the species can be improved in some way, that everyone could live in harmony, is a really dangerous idea. Those who are afflicted with this notion are the first ones to give up their souls, their freedom. Your desire that it be that way will enslave you and make your life vacuous." ― Cormac McCarthy, who was born on this day in 1933

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a-beautifulchaos Fred Sandback (USA 1943 – 2003) was a minimalist conceptual- based sculptor known for his yarn sculptures, drawings, and prints.
Lynn Davis, Red Pyramid, Dahshur, Cairo, Egypt, 1997, gelatin silver print
Richard Diebenkorn from Five Aquatints with Drypoint 1978 aquatint with drypoint, printed in black approx. plate 10 15/16 x 7 7/8"
Photographs of oil fields by Mishka Henner
Jack Whitten
Kappa, I. 1976. Synthetic polymer paint on canvas, 6’ 4" x 64" (193 x 162.6 cm). Gift of Mr. and Mrs. Lawrence Levine. © 2013 Jack Whitten

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Egon Schiele
Sunflowers
1917
Yesterday my song “Rockin in the Free World” was used in a announcement for a U.S. presidential candidate without my permission. A picture of me with this candidate was also circulated in conjunction with this announcement but It was a photograph taken during a meeting when I was trying to raise...
Richard Diebenkorn (American, 1922-1993), Untitled #5, 1981. Gouache and colored crayons on paper, 63.2 x 47.8 cm.
“At almost five, fishing on a bridge over the Pigeon River, Omemee, Ontario, August 1950.” - Neil Young, Waging Heavy Peace. Copyright 2012.
Richard Long Muddy Water Circle, 1994

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Stephen Stills / Neil Young
I will be showing some recent paintings in a group show in NYC this weekend. All are invited!
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