Motherwell | Artwork
Robert Motherwell artwork of the week | Open No. 59: In Orange and Blue Panel, 1967/1969
© Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
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Motherwell | Artwork
Robert Motherwell artwork of the week | Open No. 59: In Orange and Blue Panel, 1967/1969
© Dedalus Foundation, Inc./Licensed by VAGA. New York, NY

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Exhibition | The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery
Via The New York Times:
"Paintings hang on the surrounding walls, and how museumgoers perceive Takaezu’s work might depend on where they stand... Across the room, three black circular shapes in Elegy to the Spanish Republic, No. 78 by Robert Motherwell echo the stoneware trio, while the painting’s bold brush strokes recast the marks on New Black Moon as gestural, dynamic, perhaps even violent."
Read the full article →
See the exhibition through January 3, 2016.
[Image: Ceramics by Toshiko Takaezu are surrounded by paintings, allowing the artwork to be experienced in a different context. Yale University Art Gallery]
Motherwell | Artwork
Robert Motherwell artwork of the week | Spanish Elegy with Marine Blue, 1977, in the exhibition Between Life and Death: Robert Motherwell's Elegies in Bay Area Collections at the de Young Museum →
© Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
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Caught on Camera May 15, 1957: Opening of Contemporary Art—Acquisitions, 1954–1957
Many artists visited the Albright Art Gallery for theopening of Contemporary Art—Acquisitions, 1954–1957 on May 15, 1957, including Franz Kline, Philip Guston, and Robert Montherwell. The exhibition consisted of a group of forty works of art presented to the Albright Art Gallery by Seymour Knox, Jr. from 1954 to 1957. While the major emphasis was on modern American painting, there were also examples of contemporary work by British, French, German, Italian, Mexican, and Spanish artists. The exhibition also featured contemporary sculpture purchased by the Albright Art Gallery during those past three years. The six examples, representing the work of Americans, Italians, and British sculptors, were all created during the 1950s. Contemporary Art—Acquisitions, 1954–1957 marked a defining moment in the growth of the Albright Art Gallery and the state of art in the 1950s. The exhibition was broken into three main parts: gifts from Seymour H. Knox, museum purchases of contemporary sculpture, and loans from the collection of Mr. and Mrs. Knox. “Taken as a whole,” wrote former director Gordon M. Smith in the exhibition brochure, “the three parts present an exciting survey of the creative spirit in art at mid-century.” Pictured are Franz Kline (American, 1910–1962) with New York, N.Y., 1953; Philip Guston (American, born Canada, 1913–1980) with Voyage, 1956; and Robert Motherwell (American, 1915–1991) with Elegy to the Spanish Republic XXXIV, 1953–54. These works, and many more from the Albright-Knox’s Collection, are currently on view at the Crystal Bridges Museum of American Art as part of Van Gogh to Rothko: Masterworks from the Albright-Knox Art Gallery.
Content and images courtesy of the Albright-Knox Art Gallery Digital Assets Collection and Archives, Buffalo, New York. © 2015 Albright-Knox Art Gallery. Photographs by The Towne Studio, Buffalo, New York.
#MotherwellFinding →

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April 1-20, 1957
Elegy to the Spanish Republic XXXIV is exhibited in 8 Americans at the Janis Gallery. Seymour H. Knox buys the painting and donates it to the Albright Art Gallery in Buffalo →
View the full Motherwell Chronology.
__________ Image: Elegy to the Spanish Republic XXXIV, 1953-54 © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
March 14-April 30, 1957
The Voyage and Personage, with Yellow Ochre and White are included in the exhibition Recent American Acquisitions at The Museum of Modern Art →
View the full Motherwell Chronology.
__________ Image: Robert Motherwell, The Voyage, 1948-49. © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
Autumn 1956
Motherwell creates a series of new collages. Several of the works include fragments of poems by Paul Eluard, which Motherwell is reading at this time →
View the full Motherwell Chronology.
__________ Image: Robert Motherwell, Yellow Envelope, 1956/ca. 1965. © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
October 1956
Motherwell joins the Sidney Janis Gallery, which also represents Albers, de Kooning, Guston, Gorky, Kline, Pollock, and Rothko →
View the full Motherwell Chronology.
__________ Image: Poster for October 1956 exhibition Recent Paintings by 7 Americans at Sidney Janis Gallery. Philip Guston altered the poster adding Motherwell's name as the eighth artist on his joining the Janis Gallery that month.
Summer 1956
Robert Motherwell returns to Provincetown and purchases a house at 622 Commercial Street with a small inheritance from Betty's mother. →
August 11, 1956
Jackson Pollock dies in a car accident in Springs, Long Island. In the weeks that follow Motherwell paints Monument to Jackson Pollock. →
View the full Motherwell Chronology.
__________ Image: Robert Motherwell, Monument to Jackson Pollock, 1956. © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY

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May 11-August 7, 1955
The New Decade at the Whitney Museum of American Art includes five works by Motherwell. The exhibition catalogue includes his essay, “A Painting Must Make Human Contact.” →
Summer 1955
Motherwell rents a house in Provincetown. →
October 13-December 18, 1955
Je t’aime No. II is included in The 1955 Pittsburgh International Exhibition of Painting and Sculpture at the Carnegie Museum of Art. →
View the full Motherwell Chronology.
__________ Image: Fishes with Red Stripe, 1952-54. © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
February-July 1955
Motherwell paints Je t’aime No II, Je t’aime No IIA, Je t’aime No III, with Loaf of Bread, and begins Je t’aime No IV. He later describes the phrase “Je t’aime” that is inscribed in large cursive script across the center of each canvas as “a cry that I would like to love.” →
April 14, 1955
Motherwell's second daughter, Lise, is born. →
View the full Motherwell Chronology.
__________ Image: Motherwell's stepdaughter Cathy, friend Gerry Levine, and Jeannie Motherwell on the couch at 173 E. 94th Street, 1957. On the wall is an early state of Je t'aime IIa, 1955-57
October 17-November 1954
Motherwell travels throughout Germany as part of an American delegation that includes Richard Lippold, architect Richard Neutra, designers Charles Eames and George Nelson, and John Coolidge, director of the Fogg Museum. The four-week trip is sponsored by the German government as part of the planning process for the post-war reconstruction of German cities. →
January 1955
Motherwell leaves the Kootz Gallery after ten years. →
View the full Motherwell Chronology.
__________ Image: Frankfurt, Germany, October 1955. From left: unknown, Robert Motherwell, Richard Lippold, Karl Kamrath, Richard Neutra, Dione Neutra, unknown, Clair W. Ditchy, unknown, George Nelson, Charles M. Beggs, J. Byers Hays, Charles Eames, Donald Sultner-Welles (?)
Summer 1954
Motherwell teaches at the Colorado Springs Fine Arts Center School. During the summer his marriage with Betty becomes increasingly troubled. In late August, Motherwell teaches at the Yale University Summer School in Norfolk, Connecticut. →
September 1954
Motherwell's essay ''The Painter and the Audience'' is published in Perspectives USA, as part of a symposium on the Artist and the Audience. Saul Bellow, Robinson Jeffers, and Roger Sessions also contribute essays. →
View the full Motherwell Chronology.
__________ Image: Brochure for the summer session at the Colorado Springs Fine Arts Center School, Summer 1954. Illustrated on the cover is Motherwell's "Bird," 1954, oil on palette paper, 11½ x 15 in. (29.2 x 38.1 cm). Present owner unknown.
May 12-September 26, 1954
Younger American Painters: A Selection at the Solomon R. Guggenheim Museum includes Wall Painting IV →
View the full Motherwell Chronology.
__________ Image: Robert Motherwell, Wall Painting IV, 1954. © Dedalus Foundation, Inc./Licensed by VAGA. New York, NY

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Motherwell | Artwork
Robert Motherwell artwork of the week | The Celtic Stone, 1971, in the exhibition Motherwell as Printmaker: The Artist at Work at The Gallery at Industry City →
© Dedalus Foundation, Inc./Licensed by VAGA. New York, NY
Motherwell | Artwork
Robert Motherwell artwork of the week | Pink Nude with Bowed Head, 1958, in the exhibition Robert Motherwell and the New York School at Hunter at The Bertha and Karl Leubsdorf Art Gallery at Hunter College →
© Dedalus Foundation, Inc./Licensed by VAGA. New York, NY