Money to burn, Alex Schaefer
Misplaced Lens Cap
noise dept.

Origami Around
TVSTRANGERTHINGS
KIROKAZE
ojovivo

#extradirty
The Bowery Presents
trying on a metaphor
Show & Tell
🪼

Fai_Ryy
Sade Olutola

ellievsbear

bliss lane

gracie abrams
Cosimo Galluzzi

PR's Tumblrdome
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@notational
Money to burn, Alex Schaefer

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Hannah Starkey
“And yet, strangely, Americans are probably reading more words than ever before. What has changed is what they read, and how. People are bombarded with emails, text messages, X posts, Reddit threads, Instagram captions. This explosion of textual fragments has come at the expense of devoting sustained attention to longer written works that convey rich and complicated information. Maryanne Wolf, a cognitive neuroscientist at UCLA, argues that people are losing the ability to think deeply about writing. That doesn’t mean they are forgetting how to decode individual words. Rather, they are losing the higher-order abilities of comprehension and synthesis. America, in other words, isn’t illiterate. It’s postliterate.”
— The End of Reading Is Here
Kimonos. Japan, Home of the Sun. 1963. Kikuko Mori, illustrator.
Internet Archive
David Hockney, Savings and Loan Building, 1967, acrylic on canvas, 48 x 48 in. (121.9 x 121.9 cm), Smithsonian American Art Museum, Gift of Nan Tucker McEvoy, 2007.42

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There is no event, no phenomenon, word or thought which does not have a multiple sense. […] The pluralist idea that a thing has many senses, the idea that there are many things and one thing can be seen as "this and then that" is philosophy's greatest achievement, the conquest of the true concept, its maturity and not its renunciation or infancy. For the evaluation of this and that, the delicate weighing of each thing and its sense, the estimation of the forces which define the aspects of a thing and its relations with others at every instant – all this (or all that) depends on philosophy's highest art – that of interpretation.
Gilles Deleuze, Nietzsche and Philosophy
my life is so boring, i think of swallowing colors
nacitopak, Andres Aguirre...
Pierre Soulages. Lithographie n° 32, 1974

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why go to the grocery store or to a restaurant when you can just get food delivered why go to the mall when you can get same day shipping on amazon why go to the library when you have kindle why make art when there’s ai why go to the cinema when you can stay at home and watch netflix. we are in a loneliness epidemic btw
the loneliness epidemic was invented by BIG SHIT to sell you more SHIT
Clarice Lispector
Elektronischer Einstein (Picture Processing), 1972 Franke, Herbert W.
Less Than, Digital Collage, 2025.
Offering Of Ash, Digital Collage, 2026.

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Here's a new addition to my growing collection of creative coding experiments. This Processing sketch explores real-time framebuffer datamoshing using live video or prerecorded footage. Instead of manipulating compressed video files, it continually reuses and corrupts previous frames, producing evolving glitch textures, motion smears, feedback echoes, and digital artifacts that respond to movement. The sketch includes multiple built-in presets ranging from subtle corruption to complete visual collapse, along with controls for motion vectors, sticky feedback, block size, corruption amount, color drift, and I-frame style pulse resets. In this video I'm demonstrating some of the different glitch behaviors and visual effects the system can produce. The complete Processing source code is available for Patreon supporters. https://www.patreon.com/AnotherHumanInTheLoop/posts/processing-demo-162840302?pr=true If you're interested in Processing, generative art, creative coding, experimental video, or glitch aesthetics, I'd love to have you along for the journey. New sketches and source code are released regularly. Thanks for watching!