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it's that time of year when countless people in countless schools and universities start thinking about running a d&d night, and I'm here to tell you: that's the devil talking. listen, I play a lot of games, D&D among them, and I run a LOT of events for college students. what you want is a game with dirt simple mechanics, character creation that can be completed in about a minute or less, and a contingency plan to split your attendees into groups if too many of them show up to reasonably play together. maybe something that doesn't even have dice idk. I'm not being a buzzkill I SWEAR I'm sincerely trying to save you from the horrors of a D&D night where 20 people show up and half of them have level 20 characters packing 16 magic items and a bad case of Main Character Syndrome and the other half are going to need to spend 45 minutes making their first character sheet ever. just play a different game man.
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Okay, here's a story start idea based on the game "The Last Express".
"They are someone who shouldn't be on the train. They get on, sneaking their way to where Penelopy said to meet her. She sneaks into the private seating, and she's dead. This is bad. It gets worse as you search her room and can't find it. The killer must have taken it. They need to figure out who killed her if they want any chance of making it out of here. But they aren't on the registry; the train left without them! They'd be kicked if someone found out. You need to hide the body, then place it in the folding bed. throwing your coat out of the train window. She takes on the identity of Penelope. They look similar enough, and they are the only Britons on board. Barly anyone knows her face, she just needs to not give any suspicions of who she really is."
Rushed Ending: Readers expect a reward at the end of the book; if they don't get it, they feel cheated. Pacing is everything here. For example, let's give the example of the game of Thrones (The show, not the books), it dropped much of its political drama and focused on plot twists (HBO wanted it to end in one season, when it at least needed two)
Outside forces saving the day: When readers go on a whole journey with a character, through an entire book, they want to see them as an active character doing something that matters at the end. And when there's an outside force that swoops in and saves the day, it doesn't feel satisfying because the person we feel invested in no longer has a role to play. An example of this is Stephen King's novel 'The Stand'. The literal definition of a deus ex machina. To solve this problem, simply have your main character be the one to do something to solve the problem. And if you have multiple main characters, every single character should have a role in the ending. Are there exceptions to this? Yes (War of the Worlds comes to mind). But generally, if you want to play it safe, have your main characters do something to solve the problem.
Ending in the Middle: Readers want to know what happens. If you are thinking of ending in the middle of an action, there should be a clear sense of the action. Readers don't need to see everything about the ending, even if it's not shown. It needs a strong resolution. An ambiguous ending isn't the same as ending in the middle, ambiguous endings usually give the reader multiple endings and us not know which one they're going to choose. A well ending in the midle illudes to what's just about to happen).
Changing Topics or Genre: (this one is something I'm personally done a lot, and needed to adjust), you write a novel over a long time, and sometimes, when you reach the end, the vision for your book has a different tone or tenor than the rest of your book. But, readers often feel that as a betrayal. Like a writer was offering a completely different book, then goes 'surprise, a completely different genre'. And readers don't like that. An example is David Michel's 'The Bone Clocks', which goes full Michel Bay movie on us. If you promise a certain type of story, for most of the story, make sure the ending matches what you've set up. This doesn't mean not to let your story dip into multiple genres, but don't change everything last minute.
Unearned Happy Endings: There is nothing wrong with a happy ending! But there are pitfalls to look out for. You gotta make sure it's believable, that one's a given. Another is to make sure it's not entirely coincidental. Just sort of a chance of fate. Coincidences absolve the main character of the responsibility and hard work. of making the ending happy (It's a story thing). What you want is to lean against the happy ending. (For the romance writers, a trick to make those romantic happy endings feel earned as long as they nearly break up, go through a lot of struggle, encounter physical difficulties, encounter psychological difficulties, difficulty from in-laws, or a combination of those. And if they work through all that, the reader would feel validated). For a bad example, any Hallmark Movie.
It Was All a Dream: The worst one. Destroys the validation of a reader reading your book. Undermines all consequences in the book. Dallas season 9 was a prime example of this. With an example of it being done well being Alice and Wonderland, caused by the vibe and overall strong writing. Saying this trope being done well, though, makes my soul scream. So I'll stop here.
Unsolved Mysteries: This is a very nuanced topic, to say the least.
Predictable endings: "a good ending must be unexpected and inevitable."-Aristotle, in his work The Poetics. While he didn't use those exact words, the idea of an ending that is both unexpected and inevitable is a core theme in his analysis of tragedy and other dramatic forms. doesn't change how at odds those to things are (I have pulled my hair out trying to do this one in particuler). A good example of this is George Orwell's 1984 and Agatha Christie's Murder on the oriental express. Is this always nessisary, no, and pulling this off is easier said than done. But I do recomend making the gerny to that happy ending harder if you want to try this.
Here's a Disclaimer, I am not a professional writer, but whenever I see and research, there are exceptions to these rules that I never thought of when making this. But these are the general gist of what I've seen/read about. And I recommend you read the books mentioned and come to your own conclusions. I just hope this helps some people out.
More variety in factions would be something fun to do. Like the major 4 in dwarf fortress (Dwarves, Humans, Elves, and Goblins), they have the same mechanics across playthroughs. Which isn't a bad thing, but for more variety, modding could fill in this gap.
An idea for a dwarf fortress Elf variant mod is a Deep Elf mod, or a Drow mod. With a possible friendly faction in the caverns (Maybe the second or third). Instead of asking your fort to "Not cut down a single tree", they instead ask you to replant the same number of mushroom trees you cut down. In exchange, they give you some good materials from the underground, like lost relics they discover, caged cave beasts, and if you earn their favor, maybe a special metal (Maybe a metal that mixes plants and another metal. letting whatever it's forged into repair themselves when you put it near plants of the caverns). As for what happens if you make them angry, I think a more terrifying way would be to let their raids spawn with one of them riding a forgotten beast into battle (Not one that will automatically kill the rider, but still a forgotten beast). They could also show up with other underground dwellers for assistance. Maybe, if you want more danger, you could have them have a tomb that let's acts like the necromancer tomb, but instead, it can summon the misty forms of demons in exchange for a downed body and a casting time. Place this in their settlements or something (and if a settlement is accidentally found on a cavern level, their settlements would let you still come down, but also let you either slowly integrate that settlement if you respect it's people, pay some stuff, and have good relationship with whatever draw group owns that settlement).
A variant of goblins would be ones closer to folklore dragons. Effectively wandering nomads who double as wandering merchants. Offering good food, some artifacts, fire, and maybe some special materials. You may even be able to ask these travelers to get you specific items or resources (With a present chance to succeed, of course). Maybe there can even be a variant of this group who specialize in mercenary work, and you or a group of your dwarves could go out and pay them to help attack something, or help protect your settlements. (These groups would likely not exclusively be goblins, but have some other people around them.) Maybe these groups will even have certain affiliations with existing groups. Like being hostile or friendly with certain nations, making their actions more or less cheap, or keeping the fortress from certain actions if they're hostile to the fortress's nation is hostile.
A variant of dwarves would be tricky to make would be dwarves. for good reasons. Deep dwarves aren't really that special in my opinion, way too close to the normal dwarf. So why a variant of dwarf like people? They don't have any settlements; they are a scattered people. Often known for their creation of strange items. Random artifacts with innate magic. With their masterworks rumored to take on stranger abilities. Not always positive, mind you. They can be any person, as long as they have the [inchanter] tag. This would have fortresses try and recruit people they otherwise wouldn't bother.
As for humans, I have no clue. I'll leave that to you. But yeah, that's my idea. I do think it would be more effective to make more government types for each group, but I'll save that for another post.
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Ya know, an SCP cannon dedicated to looking at the lesser-used factions would be fun. Ya know, give a place where groups like Alexylva University, Ambrose Restraint, Arcadia, the Chicago Spirit, and other such groups have a chance to interact while dodging the Foundation, GOC, and the other big names in the universe. Honestly, that kind of thing would be a fun way to write about what all these lesser-known factions work and think about each other. Along with how other people see the other larger more famous groups.
So, I've noticed a new game genre starting to emerge, specifically descended from Leathal company but has become something more distinct. The first one I can think of is Content Warning by Avalanche. The game where you try and get gruesome images of monsters and deadly artifacts, all to become a popular content creator on SpookTube.
Meanwhile, in a more recent example of the headliners, you go into a quorinteened New York to get pictures of terrifying aliens and civilians being torn limb from limb. This is something I hope becomes a pattern and its own genera. This type of game of "Four dummies go out and document some dangerous things to more people" sounds like a fun one.
I can think of a couple of themes this gameplay loop can encompass, like hunting for cryptids who may mawl you or people trying to document an alternate dimension left for Dead 2, but you're a photographer watching this and not helping much. and probably more. I really enjoy this goofy game style that's come out in recent years.
I'm asking a question that seems obvious, but GW has said there are so many chaos gods that I'm becoming confused. Like, The Black king that is supposedly the Emporer, that weird chaos god of being petty (I think they're called Malice), The new tech guy that I'm angry isn't currently a leader of the dark mechanicus to give them more relevance and direction (Also, I'm shocked the demons who tempted the original mechanicus into splitting off hasn't been retconned into just being him). Like, are there more? Are there others that I've missed, or is that all of them? (That's not even mentioning fantasy, which has an old lady who haralds the endtimes, whatever the horned rat is< something equivalent to a guy guarded by a demon of each of the main four. Why is that a thing?!? How much of a threat are they to get the main four to work together in guarding them?!? like what is happening over there???)
Imagine a city concept that occurred to me while building. A combination of Hive Cities, Night City, SCP, and the city from Law and Order would be an amazing setting for a cyberpunk-themed game. just crawling inside a city where the outside is swarming with anomalies. The inside of the walls is like a mixture of Night City but overcrowded and full of ghosts. All while unnamed things squirm within the walls. Honestly, just add some stuff from World of Darkness stuff (Like the lore and vib from Bruva Alfabusa's video "Gothic Horror RPGs set in your Hometown – An Intro To World Of Darkness" and maybe the ones from Home Safety Hotline in there as a public service of sorts. There would be video examples bellow, but I hit the tumblr video limit per post).
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Soft-Hearted Criminal: Has a soft spot for the underdog despite a life of crime.
Neon Nomad: Obsessed with the transient lifestyle, constantly seeking new experiences.
Doomsayer: Believes every anomaly is a threat to humanity's existence.
Romantic Dreamer: Seeks love and connection in a cold, cybernetic world.
Cynical Optimist: Sees the worst in people but still believes change is possible.
Techno-Shaman: Merges spirituality with technology, seeking balance in the digital age.
Eccentric Inventor: Creates bizarre gadgets that often backfire.
Devout Rebel: Fights against authority in the name of a personal belief system.
Apathetic Observer: Detached from the chaos, prefers to watch rather than engage.
Jaded Mercenary: Once had ideals; now only cares about the next paycheck.
Gadget Enthusiast: Loves collecting and modifying tech, often at the expense of practicality.
Moral Compass: Sticks to a strict code of ethics, no matter the situation.
Nostalgic Dreamer: Longs for a past that never truly existed, often romanticizing simpler times.
Curious Novice: Eager to learn but often underestimates the dangers of their work.
Futuristic Mystic: Believes in the spiritual implications of technology, often makes predictions.
Moral Guardian: Questions the ethics of containment, advocating for humane treatment.
Overly Enthusiastic: Excited about even the smallest things, often annoys others.
Wandering Mind: Gets lost in thoughts, often daydreaming about anomalies.
Social Media Influencer: Obsessed with their online presence, values popularity above all.
Bitter Survivor: Has been through hell and back; distrustful but fiercely loyal.
Corporate Sycophant: Willing to do anything for their corporate masters.
Combat Junkie: Thrives on the adrenaline of conflict, constantly seeking fights.
Philosophical Idealist: Ponders the meaning of existence amid chaos.
Doomsayer: Always believes the worst is yet to come; preps for the end.
Hopeful Idealist: Sees potential for good in everyone and everything.
Rebellious Indentured: Defies orders, trying to undermine the system from within.
Hopeless Romantic: Seeks true love in a world filled with betrayal.
Cynical Historian: Collects stories of the past to inform their worldview.
Playful Trickster: Loves pranks and light-hearted deception.
Nightmare Survivor: Scarred by their past, they now fight to protect others.
Propaganda Artist: Uses art to influence and manipulate public opinion.
Neural Explorer: Obsessed with exploring consciousness and the digital mind.
Detachment Artist: Constantly keeps people at arm's length to avoid emotional pain.
Social Engineer: Expert at manipulating social situations to their advantage.
Techno-Dystopian: Believes technology is a tool of oppression.
Glitch in the Matrix: Frequently has moments of confusion or déjà vu.
Obsessive Collector: Hoards oddities and artifacts, convinced they have hidden value.
Urban Explorer: Loves uncovering hidden places in the city, finding beauty in decay.
Mercurial Temper: Quick to anger, but equally quick to forgive.
Undercover Enthusiast: Thrives on living double lives, enjoys the thrill of secrets.
Cybernetic Junkie: Obsessed with augmentations, willing to sacrifice anything for enhancements.
Benevolent Protector: Acts as a guardian for those who cannot protect themselves.
Compulsive Debater: Argues fiercely about the ethics of containment and research.
Data Collector: Obsessed with gathering information about everyone and everything.
Caffeine Addict: Relies on stimulants to stay alert and functional in a fast-paced world.
Dreamweaver: Believes dreams hold the key to understanding reality.
Anomaly Worshiper: Views certain Anomalies as divine or otherworldly entities.
Digital Ghost: Feels disconnected from the physical world, prefers digital interactions.
Cynical Guard: Sees the worst in humanity and is constantly wary of breaches.
Mischievous Hacker: Enjoys causing chaos in systems just for the fun of it.
Obscure Philosopher: Ponders deep questions, often frustrating others with complex thoughts.
Survivor of Betrayal: Trust issues stemming from a significant betrayal in their past.
Grizzled Veteran: Experienced and tough, has seen it all and is not easily impressed.
Urban Legend: Known for larger-than-life stories and exploits, whether true or not.
Adrenaline Seeker: Constantly looks for the next thrill, even if it’s dangerous.
Dreams of Utopia: Envisions a perfect world and actively works toward it.
Disenchanted Idealist: Still holds some hope but is deeply disillusioned.
Night Owl: Thrives in the dark, often prefers to operate under the cover of night.
Paranormal Believer: Convinced that there are hidden forces at play in the world.
Tech Obsessive: Fixated on the latest technology, often to the detriment of their health.
Gentle Giant: Physically intimidating but has a kind heart.
Obsessive Researcher: Driven to understand anomalies at any cost, often neglects personal safety.
Curious Philosopher: Questions everything, often leading to existential debates.
Cynical Comedian: Uses humor as a coping mechanism for the harshness of life.
Corporate Spy: Works for the highest bidder, skilled in espionage and deceit.
Memory Seeker: Obsessed with recovering lost memories, either personal or historical.
Kinetic Learner: Prefers hands-on experiences over theoretical knowledge.
Curator of the Past: Collects artifacts and stories from before the fall of society.
Techno-Skeptic: Questions the reliance on technology and warns against its dangers.
Egotistical Genius: Believes they are the smartest person in the room and often proves it.
Undercover Enforcer: Operates in the shadows, enforcing their own brand of justice.
Cold Strategist: Plans every move carefully, often cold and calculating in their decisions.
Wanderer: Nomadic spirit, driven by a desire to explore and discover.
Nurturing Parent Figure: Acts as a caretaker for those in need, often sacrificing their own needs.
Social Chameleon: Adapts their personality to fit in with any group.
Dispassionate Observer: Watches the world unfold without feeling much attachment.
Rebellious Artisan: Uses art to challenge authority and express dissent.
Data-Driven Analyst: Relies solely on data, dismissing anything not quantifiable.
Reluctant Leader: Unwillingly thrust into leadership roles but rises to the occasion.
Eternal Optimist: Sees potential for good in every anomaly, often to a fault.
Daring Innovator: Challenges the status quo with new ideas and technologies.
Futuristic Dreamer: Envisions a radically different future, often in conflict with reality.
Ghost of the Past: Haunted by a previous Anomaly encounter, shaping their current behavior.
Gentle Manipulator: Uses subtlety to influence others without them realizing it.
Conflict Avoider: Seeks to defuse tensions and promote peace, often at personal cost.
Disgruntled Employee: Frustrated with the bureaucracy of their job, seeks change.
Perfectionist: Strives for flawlessness in research, often to the detriment of their health.
Bittersweet Realist: Acknowledges harsh truths while still holding on to a glimmer of hope.
Cynical Optimist: Holds onto hope while being deeply skeptical of others.
Machine Whisperer: Has an uncanny ability to communicate and bond with technology.
Mysterious Stranger: Keeps their past and intentions hidden, sparking curiosity in others.
Contradictory ideology: Holds conflicting beliefs and traits, making their goals harder to predict. Because the human brain is more than able to believe 2 conflicting things at once.
A friend asked me to make this for an RPG thing. Now it's run into complications, so here is a list of 100 different foods that can be considered for whatever characters you have in mind.
Hamburger helper
Phantasmal popcorn that shows visions of the past.
Grilled Eggplant lasagna
Fried chicken sandwich
Sloppy joe
Vegan gluten free mac and cheese
Microwave bacon
Bread
Cake that changes its ingredients based on the eater's mood.
Ramen noodles with fried egg
Ghost pepper wings that cause time dilation effects.
Pizza
Mysterious stew that induces vivid hallucinations.
Sushi
Hamburger
Fried chicken
Biscuits
Buttered rum
Neocí
Transdimensional tea that allows glimpses into alternate realities
Raw butter
Champagne armagnac mir lemon drink with caramelized butter on top
Pound cake with carigold butter
Satan sausage (Spicy meat sausage with marsala sauce)
Omlett
Anything with paprika
Cold coffee
Anomalous spicy noodles that change flavor every bite.
Mozzarella sticks
Classic Margherita pizza
Well done smores
Biscuit burger
Black bean tacos with avocado
Raw Eggs
Mentaiko spaghetti with lemon, butter, and soy sauce
Meatball sub
Beef stroganoff over egg noodles
Ravioli
Thai green curry with chicken
Cold pizza
Steak
Convenience store brand grilled chicken breast
Protein bar
Salmon Onigiri
Mediterranean quinoa salad
Muscle chicken
Vegemite
Creamy mushroom risotto
Pineapple
Steamed chicken pack (Convenience store preserved chicken)
Chicken bars (Minced and boil chicken breast)
Egg salad sandwiches
Ratatouille served with crusty bread
Chocolate satin pie
Banana
Mint chip cookies
Fish and chips with tartar sauce
Strudel
Nabi
Pork katsu
Smoked salmon bagel with cream cheese
Spam
Shape-shifting salad that takes on the form of the eater’s favorite vegetables.
Fried fish
Sugar that enhances or dulls emotions based on color.
Rice
Savory apple and cheese tart
Strawberry shortcake
Roasted vegetable medley
Royal milk tea cake
Yaki micu
Chocolate quesant
Pad Thai with shrimp
Burnt ends
Fresh fruit smoothie bowl
Baked potatoes with sour cream and chives
Barbecue
Falafel wrap with tahini sauce
Saki soaked rice
Butter nails lobster
Grilled octopus with lemon and herbs
Chocolate lava cake with vanilla ice cream
Pork belly bao buns
Stuffed bell peppers with rice and beans
Vegan lentil soup
Cloud cake that makes the eater feel weightless.
Inverted soup that serves as a window to another dimension.
Whispering wine that reveals secrets when drunk.
Any Parfies
Ethereal pizza that changes toppings based on cravings.
Grilled fish tacos with slaw
Metamorphic cheese that changes texture with each bite.
yousharknotpass
vaporwave
theartofmadeline
tangentwithtanner
amandla
baratheonpilled
stormborns
jacobvanloon
