SZ She/her

The funniest version of bloodymary, to me, is where Adrian finds Simon entirely separately and has to go through their own ordeal of bonding with a sad traumatized squishy wet human while wondering how their partner's going to react. And then when Rocky gets back theyre both nervously llike. Hey babe. So there's something I have to show u,,,,, also you're gonna have to get cool about a lot of things real fast. Meanwhile simon and Grace are sniffing at each other like two cats being introduced through a bathroom door

This is the greatest map I have ever seen. I want an interactive version where you can click on any city in the world and get a pop-up list of all the climate-equivalent cities.

so it turns out this exists and it makes a fine rabbit hole for passing the time during a conference call

OK, this is super neat and also a great tool for writers’

My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.