Victor Creed- The sabretooth

Betty Ross    @atomfcrged

Bruce Banner    @gammafcrged

Bucky Barnes / Winter Soldier    @hydrafcrged

Cassandra Shiroma (Soulstone AU)    @soulsfcrged

Clint Barton    @fletcheredfcrged

Frank Castle        @vengeancefcrged

Jessica Jones         @whiskeyfcrged

Kilgrave           @purplefcrged

Natasha Romanoff    @redroomfcrged

Nebula             @galaxyfcrged

Thanos             @gauntletfcrged

Tony Stark             @starkfcrged

“Give that back!” Zatanna chased the thief out of her dressing room down the hall and despite the fact he was much faster and agile she had magic on her side locking every side door and when the bastard broke through actual thin wall she got creative summoning an arcane barrier to half him to his tracks.

Her father’s watch, one of her most precious possessions and a powerful grimmoire .

“Give it back! I don’t  want to hurt you. I understand desperation but that watch is more precious to me than my morals!” she warned .

Having broken in and gotten the item, it was very simple until he reached the door, a woman (the owner) chasing him the moment he began to make his exit. She smelled not human but to place what she was to him was difficult. Not that he had much time to think about it as he had to run. The doors, of which he was sure were open, locked themselves, so he had to make his own exit.

Maybe she was a mutant, he thought as he broke through the dry wall and landed outside.

However he was stopped in his tracks by a big energy wall which made him turn to face the woman and grin.

A Cog Special for NaNoWriMo

Hey friends! I’m unable to participate in NaNo this year, but! I thought I could share with you a “prompt list” I developed for myself. One prompt a day, this list might just help you achieve a complete book in 30 days! (Maybe.)

ACT ONE

11/01 - Develop what most inspires you. Let your world blossom, your character present themself, or your conflict begin.

11/02  - Introduce your protagonist’s day-to-day routine. Show who they are in their own element before their life spirals out of control.

11/03 - Show readers a conflict that’s been occupying your protagonist’s mind–use this as an opportunity to reveal another dimension of your world and the characters that inhabit it.

11/04 - Delve deeper into the side characters. Explore their superficial relationships with your protagonist.

11/05 - Bring in a new face. This face might belong to a new friend, a love interest, or even the villain.

11/06 - Take a moment to breathe, then destroy your protagonist’s world. Break it in such a way there’s no taping it back together. (And remember! This doesn’t have to be a bad change! Just an irreversible one.)

11/07 - Let your readers wallow in the fallout. Show how your protagonist initially responds and who they reach out to (if anyone).

Congratulations!! You’ve completed Act One! You’re well on your way to a book!! Remember to take a small breather and reward yourself. Look how much you’ve accomplished in as little as a week!

ACT TWO

11/08 - Your protagonist is on the precipice; let them jump. Encourage them. This is where the plot truly begins.

11/09 - Show your character the paths they can take. They don’t have to choose one yet, but let them know what their options are.

11/10 - Introduce conflict between your protagonist and one of the characters they thought they trusted.

11/11 - Explain away the conflict. Put your protagonist and that character back on somewhat firm ground–maybe there’s still suspicion, but it won’t break them. Yet.

11/12 - Make your character choose a path. It’s too late in the game to be all wishy-washy about what to do and how to do it.

11/13 - Show them that they’re not yet equipped to handle the primary conflict of your novel.

11/14 - Let them take a step back and re-asses. Let them consult with those that they trust and try to find how to best tackle the conflict.

11/15 - Give them a way to grow the skills they need or learn the information they need to best succeed in the main conflict.

11/16 - Renew their confidence. Little-by-little, help them remember that they can do this.

11/17 - Let your protagonist’s relationship with another character take an unexpected turn. This could be anything from them having helpful knowledge/skills to having a connection with the villain to being romantically interested in the protagonist.

11/18 - After all their hard work is paying off and your protagonist thinks they might just be able to succeed in their goal.

11/19 - The newfound skills/information/etc. your protagonist has gathered are put to the test, and they come out victorious. Delight all around!

Take a moment to think and reflect. Have a nice tea and prepare for everything to go utterly, terribly wrong, because that’s where we’re going with this.

11/20 - Your protagonist’s worst fear is confirmed and all the bravado they’ve gathered comes crashing down around them. (Hint: This is a great place to bring back the 11/10 conflict.)

11/21 - Your protagonist struggles to cope with the last blow they took, but they don’t have much time. They need to compose themself.

11/22 - Time to gear up for the grand finale. There’s no going back now, and everyone knows it. Let your protagonist and their allies gather.

Look at you go!! You’ve written the majority of a book?? You’ve made it through the hardest part and you’re in the home stretch. You can do it!!

ACT THREE

11/23 - Shove your protagonist into a room with the conflict that’s been haunting them from the beginning and let them have a moment with it.

11/24 - Bang! Pow! Climax time!

11/25 - Just when your protagonist thinks they’re winning, make it all go wrong. A fundamental piece of the puzzle is missing and we’re in disasterland now, lads.

11/26 - Let a side character prompt the protagonist’s defining moment–let them do something unexpected to prompt an even more unexpected response.

11/27 - Ideally, this will be victory time! Everything we’ve been hoping for since the beginning comes to fruition and all the protagonist’s hard work pays off. Alternatively, you could make this end real bad. It’s up to you.

11/28 - Let the results of the final conflict settle in. These could be good or bad, depending on your story, or even better: both.

11/29 - Go back to the beginning. Rewrite the first scene or develop a prologue. Now that you have a sense of the ending, you’ll have a better idea of where things should’ve started!

11/30 - Show your readers where everyone ended up–did they get a happy ending? A sad ending?

as usual like or reblog if sideblog for a para to double para starter from Zee

A kid? Victor had to think twice when he had broken in earlier that week to make sure he smelled it right. Sniffing he grumbled, the nose didn’t lie and couldn’t lie. Great, now he had two kids- sons on this earth. Both of which he knew nothing about until adolescense, even better! And both of whom he’s not sure who the mother is… Sighing, Victor got the files he was there to get and got out that night, inwardly fuming about it.  Part of him had thought to forget about it but nah, he couldn’t. He couldn’t forget about the flesh and blood he created and what they were up to. A mutant for sure, his scent told him as much, though he was unsure if the kid even knew.  Then again, maybe he did, he was after all working for the FBI and well, not many did that. Victor had a past with them however, and knew what it took to get in.  Perhaps he had to pay him a visit, and check~ An evil grin spread across his face as he thought of it. Fast forward today, where he had dressed up all in his villain costume for the show, and showed up at the front door, slashing through the men as he went. Yep he gotten their attention, sad for them that Victor was fast and vicious.  In the middle of ripping a mans guts out he heard the shout, and before he turned to look, he sniffed and a grin formed on his face, “Bingo” He murmered, dropping the man, and turning to his lil’ boy. Well… At least to him at his near 7 foot stature.  “Ya got me kid~ Clean up ain’t fun anyway~”  He held up his hands casually as he grinned widely. 

Things had been strange for Stiles recently.  His senses had been on high alert, and he had noticed that they were sharper than usual.  He figured it was just some lingering something from all the supernatural shit he had gotten into in his wayward youth; but as he looked at Sabertooth, his senses were screaming about blood, and not the type that pooled around his feet.

This man…was his blood.

His gun lowered as he looked at him.  The realization triggering something.  His mouth ached, and so did his finger tips.  Blood pooled in his mouth and he spit it out as he took several quick steps back, confused.  His tongue moved around inside his mouth, searching for the source of the blood and coming up with fangs where his normal canines had been.

“What the…fuck…”

His mutation was taking hold, making him more feral.

He wanted Scott.

Wanted Derek.

Wanted Noah, who he recently learned was not his biological father.

He stumbled back.

@sabertoothyvictor

Working with the FBI was stressful work.  But he had already solved two cold cases that no one had thought would ever be solved.  He was only twenty one, but already he was climbing in the ranks.  He could see things in a way that others couldn’t.

He was working in his office (because he had his own thanks to his skills), on a recent murder board when alarms started going off.

Stiles looked towards the intercom, listening as word got out that the mutant known as Sabertooth had made his way into the facility.

“What is it with feral creatures always showing up where I am?”

Stiles sighed, and unholstered his gun before making his way into the halls, following the chaos until he stood behind the mutant in question.

      Written by Penny. 18+ only. NSFW & triggering content present. Main blog (Logan) & sideblogs (dash only).  Indie.  Selective.  Low / varied activity.  XMCU based w/ alternate timelines, verses, universes & crossovers. Duplicates & oc friendly.