doomed yaoi

Okay but like imagine witchxlumberjack doomed yaoi and then. it’s like. “I know what you did. That oak my sister burned amongst. The ashes mixed amongst her flesh and blood… it was your tree. Your harvest. Your wood.” And the lumberjack is sitting there like dude my wood? and then like. when the witch gets kidnapped they’re like. “I hope that if I die on the pyre, it is by your wood I befall.” and the lumberjack is like. “Live, and you can have my wood every season day and night.” HA THIS IS SO FUNNY TO ME

Symbrock (movie) is so cool guys it’s so cool and also really kinky but they’re both monsterfuckers but also consider. Eddie Brock’s absolute lack of self preservation as well as Venom’s absolute lack of self preservation but in two different ways. Eddie’s insatiable thirst for the truth that gets him into shit situations. Venom not understanding how the world works. The insane codependency they have on each other to keep each other alive. How they’re both so down bad for each other. How venom is afraid of the power they holds over Eddie sometimes, but is more afraid of eddie’s mortality. How Eddie hates how venom can’t understand the rules of society sometimes, but how he loves that about them too. Because they’re both losers and social outcasts. ALSO trans Eddie Brock has my heart ok. Venom’s disregard for gender, the lack of gender as a concept. Eddie Brock being raised in a transphobic environment + society contributing to his constant thirst for truth. It would be such a good way to explore gender identity. Because like. Let’s say Anne knew Eddie before he transitioned. Even if she didn’t she would always view Eddie as a trans man, hold that pity which invalidates. I’m saying this as a trans person myself, and gender is a messy messy thing. Then consider how venom understands Eddie and completely disregards the idea of gender. How they wholly accept Eddie, how they cannot understand why anyone would think otherwise. How they don’t see Eddie as a trans man but as a man. And hell if that isn’t the most validating thing ever.

Singapore has some really good poetry by the way just putting it out there. Personal favourites? Anatomy of a wave + dowhile both by Yong Shu Hoong are great collections. So is a history of amnesia by Alfian Sa’at. No other city (anthology) is really cool in a local sense, exploring love, loss, belonging and change in the face of rapid modernisation. Beachlight by Cyril Wong is unapologetically queer in the best way. Gaze Back by marylyn tan is the female experience in the rawest. Burn after dawn by Chim Sher Ting explores the Japanese Occupation in such a poignant and destructive way. Giving ground by Theophilus Kwek explores how place, location and belonging can bring about a change in thought and language. Lillatorg is a collaboration between four poets, Heng Siok Tian, Toh Hsien Min, Yeow Kai Chai, and Yong Shu Hoong, written in an exquisite corpse format. You want free poems? Singlitstation, a free website, has quite a few, all by local poets. How about prose? I highly recommend Amanda Lee Koe, delayed rays of a star, and Balli Kaur Jaswal, sugarbread. How we disappeared by Jing Jing Lee too. Don’t sleep on Singlit guys, there is so much works about identity and belonging, as the result of rapid modernisation clashing with the conservative cultural roots we had. About immigration, the melting pot of cultures we are. There is so much more to Singapore than our gardens.

Couple of things that wreck me uhhh. Every single spiderman edit that needs to have Gwen’s death in it. Also spider man brand new day edited to babydoll. ALSO infinity war//endgame tony stark//spider man death scenes edited TOGETHER to mamas boy. Hannibal edited to nettles. House edited to nettles. Good omens edited to nettles. Stucky edited to nettles. And I am specifically referring to. I’ve never seen brown eyes look so blue. Also this one doesn’t wreck me but it’s genius Hannibal edited to eat your young by hozier. Amazing. Phenomenal. What else… all the I’ll believe in anything pride month edits. House edited to merry Christmas, please don’t call, extra points if they use the Christmas episodes. The I’m slowly forgetting your face trend to every character who has died or disappeared (loki, both Steve and Bucky, kon-el, house AND Wilson, robby bc the foreshadowing makes me want to puke, Peter. Parker. and also deadpool becuase I have a soft spot for deadpool, both azi and crowley, tony, Natasha, you get it), purple rain to loki dying with the “the sun will shine on us again brother” is poetic because he dies. in purple fire. god. Any dead poets society edit to Adrianne lenker. The normal heart by larry kramer. Like literally just that piece of media alone. your name engraved herein. Also just that piece of media alone. Kon-el dited to Connell. Robby edited to the audio from isle of dogs, I’m not a violent dog. I don’t know why I bite. Extra points for using the scene where he cries and hugs baby Jane doe with the sun behind his head. Brocedes full stop. Daniel Ricciardo leaving f1 at the race in MY. country. Anything edited to Radiohead. Also, hilson edited to let down. Natasha edited to the specific part in forwards beckon rebound, I’m not afraid of you now. Lee chandler saying I can’t beat it in the living room of his dead brother. How about old foggy? Avocadoes at law. Johnlock to soldier boy/army dreamers. Stucky to that too. Yeah

Consider tender is the flesh. It presents a society in where cannibalism is normalised, because being vegan is way too hard or something. Now I want you to consider: why is cannibalism within that society so accepted? Of course it could be the fact that it’s the only way to survive, blah blah blah, but I don’t actually believe in that. First of all, veganism. Secondly, if we consider the normal reasons why cannibalism is frowned upon, it’s a social structure. Our society has raised us to believe consuming flesh of humans is unorthodox. But I don’t think it’s the literal act of consumption that disgusts us, as tender is the flesh proves. It’s mainly a social construct. But beyond that, on a personal level, what does cannibalism mean to us? Which is why I propose; our disgust at cannibalism does come about from a wider ingrained moral system, but on a more personal level, cannibalism threatens our position. Think about it this way: we’re at the top of the food chain. We are the ones who consume, not the ones being consumed. We have never once ever faced the threat of a predator in a literal sense of consumption. Now cannibalism changes that. Cannibalism threatens our place in the food chain. It threatens our inherent sense of superiority, the hierarchy we have imposed into this ecosystem: cannibalism suggests that we too, can be eaten. That’s what scares us, what disgusts us. Not the act of eating, nor the flesh we are eating. It’s how the act threatens us. And I think that’s why cannibalism is normalised in tender is the flesh. Because there’s a clear distinction between the consumers and the consumed. The new social structure within tender is the flesh separates the humans being eaten and those eating— so those who are consuming are left feeling no threat. They know they will never be eaten. And it is that reassurance that enables cannibalism. Fun stuff !

I need a H&W crossover fanfic like. House and Wilson meet Holmes and Watson at the hospital after they did something stupid and at the same time Hannibal and Will are also there on the run. The intense yaoi impact between the three of them breaks the Richter scale. @ff writers thanks

I really love the Pitt in how it portrays characters, because you go into it expecting a medical drama but what you get are a bunch of soul crushingly relatable characters. And for me it’s the way their issues aren’t the main focus. They aren’t doing it overtly or forcing it in your face, they’re representing the daily person. They’re representing the daily struggle most people don’t see, the people with those issues in daily life. For me it humanises them, allows for even greater empathy and awareness. Because these characters aren’t just people in a screen after a while. The way it critiques the healthcare system, reminding us that the fault doesn’t lie in the people, it lies in the system. The way that beyond that, it humanises healthcare workers, reminds us that beyond just people we expect to save everyone they are as human as we are, bleed just as easily, cry just as easily. The way Robby can’t allow himself to have good things, believes he can’t bring any good, yet still he tries every day until he’s worn out. The way you see that in how he works, how he fights, how he tries, how he loves. The way his trauma manifests yet he pushes through it because he’s expected to, as a male, as a leader. How he represents toxic masculinity, toxic responsibility. That ache to have someone, anyone, to knock him out or take over or tell him what to do, how to feel. The way Abbot is constant motion, constant running to ignore the fact that one of his legs are gone, to ignore all his issues. How he cannot care for himself, but fights and fights with all he has to care for those around him. How he shows that recovery isn’t a one size fit all or a one shot cure, how it’s a constant battle as much as your issues are. Javadi representing parental expectations, being viewed in relation to someone else instead of being your own person, the struggle for people to know you as you are, not as your mother’s daughter. Whitaker is a story of strength. He messes up, gets messed up, but comes back every time and keeps trying with kindness in his heart. His unwillingness to ask for help, and how that slowly changes. How he inspires those around him, how he becomes better and helps those around him become better. He’s the hope that we all need. Santos being unable to be gentle, Santos needing that shield to protect herself, because deep down she’s afraid and vulnerable and the only way she can carry on in life is by bulldozing through everyone. Dana seeing everyone slip through her fingers, seeing so many people die day in day out, seeing her colleagues slowly waste away yet always turning up, always being there, always trying and offering whatever support she can. Langdon representing how you never really know what someone is going through, but also humanising addicts, showing that anyone could be struggling, but also that addicts aren’t all bad. Langdon, for all his white boy characteristics, cares, learns, especially from Mel, and tries. McKay and the mother who burned her hand… The way they show how to care in the right way, how maybe sometimes people don’t want your money or help, they want your understanding. Mel King you are truly a wonder. Representation of neurodivergence in the Pitt is masterfully done. And beyond that. Beyond just the main characters, every patient, every episode deals with issues. It speaks so much to the common person, has so many struggles that hit so close to home. It presents you the rawness and gentleness and anger and violence and care and compassion and every messy emotion in between that we all experience. That’s the Pitt. And that’s what I love about it.

Superman x Lex Luthor has always existed it just took Nicholas Hoult to look breedable for you guys to wake up. Smallville sleeper agents are slowly emerging, and I am so here for it

I’ve never seen brown eyes look so blue/I will soon forget the colour of your eyes/give me your eyes I need sunshine/the whites of your eyes shine black in the lowlight/crazy bout his angel eyes/linger on your pale blue eyes/the whites of your eyes burn from across the room/are you watching me with the eyes of a predator/never let them take the light behind your eyes/starless eyes for heaven’s sake

Peggy ily but return Steve Rogers to us please. Remind him of his boyfie on suicide watch pls. He’s gonna form the next suicide squad mama keep all the guns