ojovivo
izzy's playlists!
Sweet Seals For You, Always
Peter Solarz
i don't do bad sauce passes
AnasAbdin
DEAR READER
JBB: An Artblog!
blake kathryn
art blog(derogatory)
Mike Driver
⁂
occasionally subtle
let's talk about Bridgerton tea, my ask is open
Discoholic 🪩
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
🪼
seen from Belgium
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@runecestershire
hey, do you have a link to that post where you suggest that saying hamilton in theatre is good luck? i've been looking for it everywhere since ages
I’ve been awol and it’s quite possible this ask is a year old, but here’s the post
http://runecestershire.tumblr.com/post/137932088521/shredsandpatches-the-poetic-mathematician
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Right. I’m runecestershire on both Dreamwidth and Pillowfort. No idea if I’ll actually end up using either, but there, I’ve at least built the cottages so I can move into them if I feel the need.
Hi guys! I don’t think I’m actually back, but the apocalypse drew my attention so I guess I’m here packing up. I don’t really have another social media presence (yet). Wherever Tumblr ends up moving to as a whole, I’ll most likely set up something there and post here to let you folks know my name. Worst comes to worst, if I get deleted for naughty gifs of teacups or what the heck ever, my old Livejournal is Alivion, so I should be able to use that to at least let folks know where I go.
A goth dating app called graveyard and instead of liking someone you dig them
Putting the romance back into necromancy
@anaisnein
The most important figure from English legacy is incredibly, for me, a teenager by the name of Mary Shelley, and she has remained a figure as important in my life as if she was family. And so many times when I want to give up, when I think about giving up, when people tell me that dreaming of the movies and stories and stories I dream is impossible, I think of her. Because she picked up the plight of Caliban, and she gave weight to the burden of Prometheus, and she gave voice to the voiceless, and presence to the invisible, and showed me that sometimes to talk about monsters we need to, we need to fabricate monsters of our own.
Guillermo Del Toro, during his acceptance speech for Best Director at the 2018 BAFTAS (via medinaquirin)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My main problem as a writer is that I don’t write because “I have a story to tell”. I write because there are worlds I want to visit, ideas I want to explore, people I want to meet, conversations I want to hear, emotions that I want to express, and impossibilities I want to make real.
Which means that I still need a fucking plot.
The absolute worst is when this collides with the "advice" to cut all unnecessary description and tone down any fancy words or tricky sentences, and all you're left with is the bare skeleton of a plot that was only there as an excuse for the stuff you wanted to write anyway.
Information on this production: here.
Panthers and leopards in medieval bestiaries
The main point of medieval bestiaries wasn’t realism, especially because most of the people illustrating them had never seen most of the exotic animals depicted on the pages - but each animal still needed to be instantly identifiable. Because of that, visual codes were developped for each animal.
In most bestiaries, panthers and leopards have many colors (usually seven, frequently considered a perfect number at the time in Europe), sometimes in dots, sometimes in patches or in stripes. Usually, the breath of the animal is also coloured, because it is supposed to attract all animals (except its enemy the dragon, because the panther was seen as a Christ-like figure at the time), as seen on image 2 and 3.
Sources:
Bestiaires du Moyen Âge (Michel Pastoureau)
Image 1: Richard de Fournival’s Bestiaire d’amour: France (Paris), 13th-14th century. Bibliothèque Nationale de France
Image 2: British Library, Harley MS 3244, Folio 37r. Panther
Image 3: Rochester Bestiary, c. 1225-1250
The awesomely creepy art of Alex Konstad.
Website
Tumblr
DeviantArt
ArtStation
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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John Keats’ engraving of the Sosibios Vase
no sideblogs, we chaotically cram our personal posts, aesthetic posts, and 800 hyperfixations into one blog like men
Alternately, have sideblogs and cram the same post on all of them simultaneously, thus spamming your followers to hell and back.
I feel like everyone should have a political cause that’s at least 100 years old and makes no sense to hold in the modern era. I feel like the political discourse would be better if we could cut our teeth on arguing whether the Austrians or Italians own Tirol, or whether you should support the Wittelsbachs or the Romanovs for control of the Baltic
#i feel like anyone who knows as many songs of the jacobite uprising as i do has to reblog this#and dee for royal charlie
I feel called out here!
Rīċheard ᚱᛁᚳᚻᛠᚱᛞ [riːtʃhæɑrˠd] ‘ruler-hard’
Chao shao-an
#Skull
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2018 is þe year of using þe þorn again instead of þe letters “T” and “H” in succession
gotta keep it smooþ
þank you
Who let Feanor have a tumblr??
Are you protesting þis?
Guys, guys, “ðis” and “smooð” shouldn’t have þ, ðey’re hard TH sounds.
We should be bringing back eð as well.
Ðis is ðe year we start spelling þings ðe Anglo-Saxon way again, and we’re gonna do it right.
Both the letter eth (Ð,ð) and thorn (Þ,þ) were actually used interchangeably in Old English. Ðis is right and so is þis. Þey’re not interchangeable in oþer languages or for ðe IPA, but I þink ðat for English, þe crazier we get ðe more Beowulf would be proud of us.
#æsþetic2k18
I will die before I use Ð at þe start of a word
If we bring back Þ and Ð just enough so þat folks stop using þem as aesþetic P and D and I stop having to do doubletakes, þat’ll be enough.
Beautiful images taken on an unusual nineteenth-century Arctic expedition are the focus of the Peary-MacMillan Arctic Museum’s new exhibit, Solely for the Purposes of Art: Images from William Bradford’s 1869 Arctic Expedition. The exhibit, in the Hubbard Hall Foyer, showcases ten spectacular images of Arctic landscapes.
Between the iceberg and field-ice. The Panther firing up, 1869, albumen print by John L. Dunmore and George P. Critcherson. Museum purchase.
