Vivetta S/S 2017 β‘ Face-to-face whispers through translucent silk
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@rozaines
Vivetta S/S 2017 β‘ Face-to-face whispers through translucent silk

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You know what, I still don't like the direction of 'Laufey,' but after seeing the fiftieth 'Goddess of dishwasher' joke from unwashed incels on YT, I now hope the game rakes in a ton of cash just so the female devs can give them all the finger
Centaur Watching Fish by Arnold BΓΆcklin (1878).
I love love love BΓΆcklinβs mythical pieces, they have this sense of realism, and often even sensitivity.
Another issue I have with the Faye game is less to do with the game itself and more to do with my preferences. I soured on Faye's character post Ragnarok, and continued to sour on her and somewhat on the Norse saga as a whole because of how the Greek saga is diminished. Almost all the fandom content is about the Norse saga. People often act as if the Greek games had no depth, but Kratos's guilt and trauma over being tricked into killing his family is what really sold me on these games, and I just hate how Lysandra/Calliope are basically totally forgotten in favor of Faye/Atreus.
Even Valhalla does this. They couldn't resist including Faye in Kratos's 2 minute sections where he talks about his wife and daughter, like fr?? It just feels like they treat Lysandra as the boring ex runner up to Faye. Even Kratos says he forgot Calliope's flute song because he met Faye, as if Faye was somehow more important than her, or that she so successfully healed Kratos's trauma that he forgot the flute song that haunted him for hundreds of years... like that's literally his daughter what are we doing here.
me watching the new laufey trailer like...
yes, thank you, all this!
People are so excited and I just wtf is this? This story go into soooo wrong direction. I smell "Assassin's creed"...
The biggest problem I have with this game is that it undermines 2018 by having us play and get to know the dead woman Kratos/Atreus were grieving AFTER SHE ALREADY DIED. If the afterlife is just like the real world, where people can still die again and can fight and feel and think, but are just disconnected from the living, then... what is the point. Who knows what happened to Lysandra since the games seem determined to push her aside lmao, but Calliope in Elysium is so different from Faye's afterlife. Despite seeing Calliope, I can still feel Kratos's loss because the Greek underworld is a desolate, ghostly place. Even in Elysium, the spirits don't feel like living, breathing people, so Calliope's death remains a tragedy.
What's happening in Laufey looks completely different. It was already bad enough that Ragnarok forced some weird contrived dream visions of Faye to direct the plot, now this?? Faye was compelling in 2018 BECAUSE she was so mysterious, and then when she does show up the writers take the blandest, most generic possible route with her design and characterization. And not only that, but they're bringing the stupid mask back π !! All this effort into making a Faye game and TV show, when the focus could have been on properly fleshing out the Norse trilogy. Instead, we got Ragnarok's ham-fisted Marvelesque dialogue, chirping magical animal familiars like something out of a kid's movie, terrible pacing, everyone ooc, etc.
All this is in the Faye trailer. The obligatory uwu animal sidekicks, the tell don't show style of writing, the tonal inconsistency, the CUBE... like... 'Frank?'.... seriously? In an ancient Norse setting??? Atp everything post 2018 is a complete bastardization of GOW to me, including Sons of Sparta, which I personally enjoyed. The dark tone isn't completely gone, but it's severely watered down. The Greek games were at least juvenile in an edgy way- that's what GOW was back then. But Ragnarok, SOS, and probably Laufey are juvenile in a way I can only describe as 'Disney.' I just don't understand why people like this, the same way I don't understand how people thought Ragnarok was well designed in its story and characterizations.
I will say, the gameplay itself looks sick. Faye comes across as a complete badass and I am actually interested to see what they do with her. I like that they don't shy away from her getting bloody and being an actual warrior. That 'Touch me again and I will kill you' scene was great. I just hope most of the game is like that, and minimizes all the other elements I've described here. Still, I doubt I'll buy it until its on sale.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Also for anyone who hasn't seen it yet, here's the trailer
me watching the new laufey trailer like...
this is the funniest thing Iβve seen in any review ever
our idiotic ancestors used to believe stuff that's not true but luckily we've now figured out all the true things to believe in
"Am i still your pet?" ... "You never were."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The last character you wrote about is put in the last video game you played for a week. Can they survive?
The last character you wrote about is put in the last video game you played for a week. Can they survive?
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Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share.
Anne Rice, from the forward to a collection of Franz Kafka's Short Stories
ghost + wren
There will come soft rains and the smell of the ground, and swallows calling with their shimmering sound; and frogs in the pools singing at night, and wild-plum trees in tremulous white; robins will wear their feathery fire whistling their whims on a low fence-wire; and not one will know of the war, not one will care at last when it is done. Not one would mind, neither bird nor tree, if mankind perished utterly; and Spring herself, when she woke at dawn, would scarcely know that we were gone.
Sara Teasdale, "There Will Come Soft Rains" in Flame and Shadow (originally published in 1920)
Rozie, I am scaredπ(Just read the new chapter of TTH)
If my chapters don't fill readers with pure dread then I have failed as a writer... so this is good news for me LOL

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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FINSIHED (DIFF VERSIONS)
What's he pissed off about now??
first animation attempt π₯³