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Giambattista Valli Fall 2023 Couture

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UM WE FORGOT THE OTHER TWO
Things I want to do to Him everyday
when the situationship got you so fukced up, you had to reconnect with mother nature:
Challenging bouquet commish but I think it turned out good

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via Yan Bin Sha Hanfu (ç 杨纹)
éĺ¸ xiapei
Various xiapei - a type of accessory for womenâs formal/ceremonial hanfu.

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Hello :), I have a question, in Mo Dao Zi Shi donghua Hiang Cheng and Wei WuXian wear a sleeveless type of overgarment, what is this called? It doesn't show up a lot when you look for men's hanfu, and I can't seem to get the name of this overgarment.
Hi! I havenât read/watched Modao Zushi, but I think I know what youâre talking about - the sleeveless overgarments depicted here, right?:
SoâŚ.to be honest, Iâm not completely sure what they are ^^;;; The closest type of hanfu they resemble (to me, anyway) is Banbi/ĺč (half-sleeve jacket). Banbi can be worn open in a parallel style, and the shortness of its sleeves can vary. Some examples:
Itâs very possible that this particular sleeveless garment (which appears quite often in historical Chinese dramas as well - see below: examples from Cdrama âThe Legend of Duguâ) is not based completely on historical clothing, but is rather the product of the artists/designers taking some creative liberties with fashion.
Perhaps some other knowledgeable folks can shed more light on the matter (@Fouryearsofshades)?
Hope this helps!
Random Stuff #9: Â Daoist Elements and More in The Untamed/MDZS Part 1 - Concepts
(Part 2 Here) (Super-long post ahead!)
Though The Untamed is a Xianxia/äťäž drama (kind of like fantasy genre), there are some elements in it that had clear roots in Chinese culture, especially religious/philosophical Daoism. So here are some Daoist elements within the world of The Untamed/MDZS:
âCultivationâ (Dao)/éÂ
In Chinese, the âcultivation methodâ is the âDaoâ/âéâ, which some of you may recognize as that character that sometimes stands for Daoism.  Within Daoism however, that character has a deeper meaning than just a name; in fact it is one of the most important concepts of both philosophical and religious Daoism (it also has a few different meanings, but the world of The Untamed mostly focuses on one of them; Stanford Encyclopedia of Philosophy has a very comprehensive article entry on Daoism that explains the concept of Dao in detail, for anyone whoâs interested in more scholarly explanations). It actually translates best as âwayâ or âpathâ (note:  when not referring to a specific âwayâ, it absolutely CANNOT be translated as âthe wayâ or âthe pathâ, and I will get to why thatâs important), and basically means a âwayâ of doing something. For example, to make a salad you might rip the lettuce leaves or cut them with a knife.  Both of these methods would be âwaysâ/é of making a salad. And as you can see in this example, there are many different ways of arriving at a result or accomplishing a goal.  Since Dao encompasses all of the different ways of doing all the different things, it cannot be translated as âthe wayâ, since âtheâ would imply that âthere is only one wayâ, or âonly one right wayâ, of doing things. Â
(image credit:Â My Great Lakes)
This concept that there is more than one way to accomplish something is very important to the story of The Untamed/MDZS, especially in terms of Wei Wuxian. But we have to clarify the âgoalâ in The Untamed/MDZS first:  what was it that these people were trying to accomplish with their different âwaysâ?  Looking at the overall story, it appears that they were all generally trying to do good and uphold justice by warding off or neutralizing supernatural threats. Now that weâve established the goal, letâs return to WWX.  In the story, WWX was forced to give up the regular âcultivationâ/ the âsword pathâ/ĺé, instead founding the âdemonic cultivationâ/âdark pathâ/éé in order to survive the extreme environment of the Burial Mounds and acquire enough power to get revenge on the Wens.  Since the Wens killed a lot of people, WWX would also be upholding justice by punishing them for their evil deeds.  As the lyrics of the opening song of MDZS animated series puts it:  âthough his (WWXâs) âpathâ was different, there was justice within his heartâ (éä¸ĺäšĺ¨ĺżä¸). Conversely, this is also why the sects/clans were wrong to label different âcultivationsâ/âwaysâ as good or evil, as both WWXâs âdemonic cultivationâ and the regular âsword pathâ could be used as powerful forces for good and evil. Of course, the irony was that while the sects hailed their âsword pathâ as âthe one right pathâ, they were using it to control each other, instead of using it to do good.
(The two âpathsâ/daos. How different are they?)
âCultivationâ/俎éÂ
Well now that weâve cleared up what âcultivationâ/é or Dao actually is in the context of the show and what the characters were trying to accomplish with their different âwaysâ, this âcultivationâ or 俎é becomes easier to understand. It means the development (俎) of oneâs skill in regard to the âpathâ (é) one has chosen.  For example, most characters chose to develop their skills in the âsword pathâ.  In actual religious Daoism, however, since the ultimate end purpose is to become an immortal/äť, 俎é would mean doing something to work towards that immortal status.
âCultivatorâ/äť
In Daoism, the character âäťâ can be translated as âimmortalâ, âsageâ, or âcelestial beingâ, and refers to the end goal of religious Daoists: to âmetamorphoseâ into an immortal (çž˝ĺçťäť) (also connotes transitioning into eternal afterlife through death).  The characters âçž˝ĺâ literally mean âto become featheryâ, because at least in Western Han dynasty (202 BC-8 AD) figures and tomb murals, such immortals often appeared as humans with feathers or winged humans, and are capable of flight. Â
Over the next few hundred years, the appearance of immortals gradually morphed into humans that fly by floating, standing on platforms of clouds, or riding birds (often cranes)/mythical creatures. Â
In the drama and the animated series, äť is often used as a descriptor in different words (ex: äťé¨, äťĺŽś, äťäžŁ, äťçźâŚetc), rather than a standalone noun.  However, it is still a reference to this general idea of training/cultivating oneself to become something greater, and provides a strong connection to Daoism.
âCultivatorsâ/俎壍Â
In Daoism, this term is used less than é壍, but it still means âcultivators of Daoâ (俎éäšäşş), or simply, âDaoistsâ. In The Untamed/MDZS, of course, it means practitioners of a âcultivationâ/âpathâ.
âGolden coreâ/é业
This one has roots in real life sects of religious Daoism. The translation âgolden coreâ itself is quite literal.  âGoldenâ from the descriptor é, and âcoreâ for 业, presumably because it looks like a sort of core. In reality, 业 is quite hard to translate.  Stanford Encyclopedia of Philosophy translates 业 as âalchemyâ, so I will use âalchemyâ for 业 from here on out.  In religious Daoism, there are two types of this alchemy: external and internal, and both are supposed to help one towards immortality.  People who practiced âexternal alchemyâ/ĺ¤ä¸š basically made âimmortality elixirsâ (in reality it wasnât a drink like âelixirâ implies, but a ball-shaped chewable) in the hopes that it would give immortality to whoever ate it. This is very much like alchemy in Europe, except instead of trying to turn things into gold, people were making things to eat for immortality.  Some fun facts:  these elixirs frequently contained heavy metals like mercury and lead, and ironically would shorten peopleâs lives instead of helping them live longer; also legend has it that an explosive attempt to make elixirs actually led to the invention of gunpowder.
(these appears to be actual products of external alchemy found in an Eastern Jin dynasty tomb, well-preserved due to its high mercury content)
This external alchemy obviously does not apply to âgolden coreâ in The Untamed/MDZS, so letâs look at internal alchemy. âInternal alchemyâ/ĺ §ä¸š is much more abstract than external alchemy, but in simple terms it is the practice of using meditation and similar strategies to return oneself to a state of emptiness (kind of like âone with natureâ). This is probably what the showâs âgolden coreâ was based on.  Also another name for âinternal alchemyâ/ĺ §ä¸š is âgolden alchemyâ/é业, literally the same characters as âgolden coreâ/é业 in the show. Â
There is one major difference though. While real practitioners of internal alchemy believe that everyone already possess a âgolden alchemyâ (âgolden coreâ), in the show everyone has to âcultivateâ themselves in order to have one in the first place.
[mdzs] Analysis of Jiang Chengâs name and character traits
After my previous posts on WWX and LWJâs names (now LSZâs and LXCâs also), I decided to do another one on Jiang Cheng, as I think this reference sheds so much light on his significance in the story.
Jiang Chengâs name derives from a poem by renowned Tang Dynasty poet Du Mu. âäşéç桹ć ďźćąćžć°´ćľ´ç§â (yĂşn kuò yÄn shÄn shĂš, jiÄng chĂŠng shuÇ yĂš qiĹŤ) translates to âvast clouds and mists entwine the deep forest trees; autumn bathes in the clear riverâ. Cheng (ćž) itself means âto make [sth] clear and uncloudedâ.
The poem paints a vivid picture of autumnâs colours dancing on the clear water. Interestingly, the phrase ç§ć°´ (directly meaning autumn waters), is used to describe a longing gaze, deriving from the Chinese idioms ç§ć°´äźäşş (meaning the friend one is longing for) and ć犿ç§ć°´ (meaning await with great anxiety).
My heart aches at this discovery. Doesnât this bring to mind JCâs plight of persuading WWX to abandon the dark and perilous demonic path, his envy of WWX and LWJâs relationship, the months he spent waiting anxiously for his return from the Burial Mounds, and looking after Chen Qing for 13 years whilst keeping faith that one day he might see his brother again? JCâs father chose his name to mean âclear, untarnishedâ, however throughout his life he lived in WWXâs shadow... he hid his true feelings towards him behind brash words in life and raging condemnation in death.
Jiang Chengâs zi, or courtesy name Wan Yin (ćĺ), comes from a poem by another Tang Dynasty poet Xu Hui. âčśéŚç§ć˘Śĺďźćžéľćĺćśâ (chĂĄ xiÄng qiĹŤ mèng hòu, sĹng yĂšn wÇn yĂn shĂ) translates to âI wake from a hazy nap in autumn, enshrouded by the fragrant aroma of tealeaves; at dusk I saunter and recite poetry, the pine branches swaying in timeâ. The words Wan (ć) means âat nightâ and Yin (ĺ) means âto reciteâ or âto cry/lamentâ. The poemâs depiction of a deep sense of abstruse melancholy â as the poet spends his days in Autumn idly, being indifferent to the world â is widely quoted by Chinese literati of todayâs age.
To me, this is a great depiction of how lost and despondent JC would have been the first few years after WWXâs death. Letâs not forget that he is the only surviving character in the story who lost every single person dear to him the moment WWX died â itâs hard to imagine how he managed to rebuild the Sect without anyone by his side...
Bonus trivia: Both JCâs birth and courtesy names are taken from scenic moments set in Autumn. In Chinese tradition, the Autumn season is associated with the emotions of both courage (éć°ć¨Şç§) and sadness (ç§éŁč˝ĺś), the act of mourning (ç§çĽ), and is also connected to the Westward direction, often considered to be the direction of dreams and enlightenment. These words depict JCâs key events in mdzs â courage when he saved WWX from the Xuan Wu cave, sadness when WWX defected from the Jiang Sect, mourning when he lost all his loved ones, and enlightenment when he found out about the golden core and finally resolved his inner turmoil.
au where madam yu dies during childbirth so yinzhu and jinzhu become jiang chengâs primary caretakers
fashion design for chinese costume dramasÂ

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â¨Wrap your arms around me, baby boy!!â¨
â animal lover? hey look at my cute bird
â Timmies addict? picked up some donuts on the way
Gilâs got that ass secured and insured.
~~~~~~~~~
indophil face studies instead of studying for my exams