Bette Davis appeared to me like archangel Gabriel to tell me that her and Joan were fucking backstage at the 1963 Oscars
Stranger Things
I'd rather be in outer space đ¸
noise dept.

Product Placement

Origami Around


oozey mess

Discoholic đŞŠ
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
TVSTRANGERTHINGS
PUT YOUR BEARD IN MY MOUTH
Show & Tell
"I'm Dorothy Gale from Kansas"
The Bowery Presents

romaâ
Misplaced Lens Cap
Game of Thrones Daily

seen from Argentina
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seen from United Kingdom
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seen from Algeria
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seen from United Kingdom

seen from Colombia
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seen from United States

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@rooroo227
Bette Davis appeared to me like archangel Gabriel to tell me that her and Joan were fucking backstage at the 1963 Oscars

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omfg i totally forgot tumblr existed oops
body language check! <3
ABBOTT ELEMENTARY 2.14 Valentineâs Day
going into the next string of abbott episodes i just want to reinforce something iâve sat with after a foray into the AE tags recently: melissa does not (should not, cannot) function as the center of the abbott narrative. we canât, as fans, look past a majority Black cast and the wonderful, meaningful stories abbott tells because we (and i say âweâ because i am and have been part of the problem) are attached to lisa and/or the characters she plays. we canât write for, and edit for, and create for, and care for her while actively doing a disservice to everyone else involved.
abbott elementary is about janine teagues. itâs about her superpower of seeing the best in everyone and striving for the things others say are out of reach. itâs about the connections she makes, and the way she sees the world, and her journey to becoming the person she believes she can be.
melissa is a part of that journey. she is not the only part.
all of this to say that as much fun as i have coming up with theories about melissaâs sexuality, as important as the work wives story is to me, as much joy as i get in seeing women of a certain age like sheryl and lisa thrive, i canât enjoy those things while simultaneously pushing the rest to the side. abbott is about SO MUCH MORE than that, and both the show and fandom are filled with similarly rich and full and impressive works that deserve just as many accolades as moments like âno women?!â do. i want to spend more time with them.

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BARBARA X MELISSA + wlwyearnbot tweets insp [i,ii]
everyone get in đ
at least yours is probably a whole picture. mineâs a pathetic little thing, ripped right down the middle⌠what are you rummaging in your trunk for now?
this. itâs the picture of my mom. and itâs ripped too.
right down the middle?
right down the middle.
its like an hour late but i had things i really wanted to add. this is my gift exchange for @roobroker . please enjoy. ( @abbottgiftexchange ) i hope this formats right ....
_________
Janine has an appointment after school and has asked if Barbara could pick her son up and watch them for an hour or two. Barbara had agreed with ease having missed Caleb since seeing him a month ago. As soon as bus duty was over, the woman kissed Melissa a quick goodbye and reminded her to keep her updated on the parent teacher conference. Barbara knew exactly what daycare Janine put Caleb in, aside from having picked him up before she was the one who suggested it in the first place. The trip was a little more than 10 minutes due to afterschool traffic and while she hated driving into school traffic, it was worth it to see Caleb. Making sure to grab her ID after arriving, she made her way in the front door. In the front office sits a few kids, maybe two years old. A gentleman sets one of them down on a playing mat after seeing her, âAfternoon, who are you here for?â
Barbara smiles at him, âCaleb Teagues, please.â He nods and repeats the name into a walkie, âSend Caleb Teagues to the front for pick up.â Waiting for a reply before he turns back to her, âDonât forget to sign him out when he arrives.â He then goes back to the play mat to clean up. Barbara steps away from the door and waits leaning her back on the wall. She can hear him coming by the running feet approaching and the âAuntie! Auntie!â His mother clearly told him who was picking him up today. When he makes it to the doorway he stops and just yells, âAuntie!â again.Â
âHey, baby.â She calls back and he is back in motion again. Only barely not slamming into her knees, still she grabs the wall to keep herself up. He doesnât let go immediately and her heart swells a little because of it. She gets to see Caleb more often than her grandkids and being with her makes her miss them every so often. He finally lets go and she leans down to squeeze his shoulder, âLetâs get to the car first, then you can tell Auntie everything okay?â He nods showing his missing teeth with joy. Quickly as she can, she signs him out and checks her phone. The parents for the conference tonight arrived just after she left, Melissa would be done with her meeting much quicker than either expected.Â
Finally ready to leave the building she extends her hand for the little Teagues to take and pushes open the door. As she walks, she can feel his little skips in his stride. âYour Auntie Melissa bought you ice cream last night.â Barbara waits for the incoming squeal before she continues. âWe have to go pick her up first.â He nods and kicks into a full skip as they round the car. âWhy she didnât come with you?â She unlocks the car and helps him out of his backpack, correcting his sentence before she answers, âWhy didnât she come with me?â Caleb just nods, stepping into the car and plopping into his seat. She misses when he was small enough for her to pick up. It wasnât that long ago, the precious boy being small like his mother.Â
Barbara buckles the boy into his car seat while answering, âShe is with someoneâs parents. Thatâs why we have to pick her up.â Swinging his feet and nodding his head, âOkay, yay!â She chuckles and shuts the door back at him. Once she gets in the front seat, he begins to talk about his day. At his speed, she understands some things, like they had applesauce with lunch and colorful spotted cookies for a snack which she tells him were M&M cookies. By the time they have arrived at Abbott he has started talking about his blankets and toys with great detail.Â
She parks up front in the half empty lot in front of the school. Picking up her phone she sees the text from Melissa that the meeting is over and just to text her when they arrived. Unbuckling, she turns in her seat, âCaleb, smile for Auntie.â With pride he cheeses at her phone and blinks at the flash as she takes the picture. Although his eyes are closed the picture is too cute not to send. Texting Melissa afterwards, âWaiting for you out front.â From the back seat, playing with his lanyard Caleb asks, âWhat kind of ice cream?â Thinking for a moment, she canât seem to remember what ice cream Melissa bought, seeing the bag, or the receipt. Rather than admitting she doesnât know, she lays the responsibility on Melissa, âYouâll have to ask Mel when she gets in.âÂ
The two sit there talking mostly about Caleb and his toys or classmates until Caleb spots the red head coming their way. He bounces in his car seat, points, and laughs happily. Melissa is walking their way, hair over one shoulder and her large black bag over the other. Barbara points behind her as Melissa gets closer, directing her attention to the beaming child behind her. Opening the front door, only to set her back down and open the back down and lean in to tickle Caleb. âHey, big boy!â He giggles and tries to tickle her back, although his hands are on her shoulders rather than her stomach. Chuckling at him, she pulls away, âLet me see that smile.âÂ
Grinning wide for Melissa, he still tries to talk, âsee my âissing eeth?â Melissa nods and starts counting, âMissing three! Your big boy teeth will be coming in soon.â Dropping his smile and looking at her questioningly, âBut I am a big boy already.â Barbara has to laugh from the front seat, âYes, but you will get much big, baby.â Seeming to be the answer he needs, he simply says, âOkay.â Lightly squeezing his cheek, Melissa steps back and shuts the door before getting in the car. Behind her, Caleb is feeling for his missing teeth, âFinger out of your mouth, hun.âÂ
Sitting down comfortably, Melissa leans over the console and kisses Barbara who briefly asks about the meeting again. âIt was good. Mostly a progress check from the last meeting.â Barbara nods and kisses her one last time before Melissa can move back to her seat. While buckling, Calebâs voice fills the car again, âWhat ice cream âd you get me, Auntie Messa?â Turning to her wife with a raised eyebrow, Melissa mouths, âIâm gonna get you.â seeing as her ice cream is being offered up to her favorite nephew sheâs not actually all that mad. Looking in the mirror to talk to him, âWe have vanilla bean and cookies ân cream.â Avoiding listing the one sheâs most protective of.Â
Barbara is pulling out as more questions come from their back seat, âWhat color is vanilla bean?â
âWhite, I guess, hun.â
âBut itâs a bean. Beans are gween.â
âNot that type of bean, sweet boy.â
âSo itâs sweet?â
âYes. Very.â
âWhat kinda cookies are in the ice cream?â
âOreo cookies.â
âThe black crackers?â
âYes, with the white cream in the middle.â
Similar questions follow them all the way home, even all the way inside until the ice creams are set in front of him. The vanilla bean is in a black container while the cookies n cream is in a yellow one, so he chooses the brighter one. Grabbing three spoons as Melissa scoops out one bowl of cookies n cream and two vanilla bean, Caleb stands politely waiting to help her. Putting one spoon in each bowl and hand one to him, âHold it with both hands.â Caleb nods and walks with both hands on the bowl, putting it on the table first and then climbing into his favorite chair at the dining table. Barbara joins them not too long after. As they eat their ice cream, Caleb tells Melissa many of the same things Barbara has heard in the car. This time he adds details, like how he has a TRex stuff and a plastic velociraptor which takes them three times to understand, his blue cubby at school and his new light up shoes.Â
Melissa and Barbara sit side by side, holding hands and listening intently, catching up on months worth of events. They only cut him off once he has finished his ice cream. âLetâs clean this up.â Barbara stands taking their bowls and walking to the drain with them. Caleb hops off of his seat and walks over to the dishwasher pulling it open. He waits beside her to help her load them. Though Barbara doesnât often use the dishwasher, she wonât deny that him offering to help makes her proud. âSuch good manners.âÂ
Barbara rinses the bowls and spoons and passes them to him who sets them a little sloppily in the bottom rack. While she dries her hand, she gives him instructions on the correct way to place them in the rack. When he is done, she still bends down to adjust a few things. Melissa stands against the door nodding her head, âNice job. Very good, honey. Want to play a game?â Running to her legs the same as he had Barbaraâs at the daycare, âWhat game?â Arms locked around her knees, she clutches the wall and looks up at Barbara for help. âThink you can be Auntie Mel at Connect 4 now?â Leaning back now, using her legs as a pivot, âI think so!â Melissa groans a little in pain and leans down the same time as Barbara to pull him free, nearly butting heads. âYouâve got to let go so I can get the game. Then weâll see if you can beat me.â
For the next hour, Melissa sits on the floor with Caleb reteaching him how to play Connect 4 and enjoying watching how excited he got even when he lost. Barbara sits on the couch behind Caleb trying her best to help him and throws Melissa a pillow to hopefully help relieve what will most certainly be a painful back later. Once Barbara receives the message that Janine is headed their way, she announces it as their last game. Both on the floor pouting, âLast game, then you can clean up and come cuddle with me before your mom gets here.â Melissaâs pout disappears and she leans over their game to whisper, âLast game, loser has to tickle Barbara.â Caleb giggles and reaches out to Melissa, âI win, I tickle you.â The red head laughs and shakes her head, not finding it in her to correct him. He loses again, proudly. They clean up with Melissa poking at him and him giggling and returning to the poke. Barbara takes the box from them once it is done to put it up. Melissa does her best to get off the floor and on the couch.
Barely having sat down, Caleb jumps in her lap and begins to tickle her. âI win. I got you.â She laughs and grabs his hand, âNo, honey. I won. Iâve got you.â before attacking him with tickles. When Barbara returns, she watches for just a second before bending over the couch and joining in. For the first time in months their home is filled with the laughter of a child for an extended period of time.Â
âThis Betty White scene from The Golden Girls still never fails to make me happy, 30+ years later. Betty improvised most of the story, and Bea Arthur and Rue McClanahan couldnât help but lose their composure and slip out of character. RIP to a comedy queen.â [source]

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No, Maâam, that was me. :DÂ
shut up. respectfully.
mirror, mirror on the wall, whoâs the fairest of them all? (all of them)
this is literally me in one post. stop stalking me. respectfully.
not me SOBBING MY EYES OUT because i'm super-duper hormonal this week. i just remembered betty white & rue mcclanahan & bea arthur & estelle getty were dead and i couldn't manifest a universe where they become my next-door neighbours and we start a cult. thanks, pms. really. thank you. i'm going to go cry into my pillow now. okay. bye-bye now.
Abbott Gift Exchange: Andante Andante
This is my contribution for the Abbott Elementary Gift Exchange (@abbottgiftexchange), a short little fic for @barbarawar - I really hope I followed the prompt correctly! Happy holidays :)
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Melissa is always exhausted coming home from school, and today is no different. For months, sheâs worked tirelessly, patching boo-boos and sounding out sight words. But today is one of the worst. Because while Melissaâs absolutely drained, second graders on the last day of school before winter break are a handful of speeding bullets.
She slips into her car and tips her head back, catching a momentâs rest before she drives home. Streets encompassed by snow make Melissa wish she were nine again, chucking snowballs at her cousin Anette for kicks. But Melissa isnât nine anymore; sheâs an exhausted none-your-business-year-old second-grade teacher with no husband and no family to go home to over break. She still hasnât come to terms with that.
Night has set in by the time Melissa unlocks her front door. All she wants is a glass of wine and a bed to collapse onto.
But the first thing her green eyes land on is not wine or the door to her bedroom.
Barbara, still wearing her teaching clothes and winter coat, is a sight to behold. Sheâs never looked more radiant. Melissa is sure of it. There isnât a woman on earth more beautiful than Barbara Howard, and thatâs the goddamn truth.
âI didnât know what time you planned on leaving school, and I wanted you to have dinner waiting when you did,â Barbara hurries to explain, a flash of something darting across her face. Melissa couldâve sworn it was impatience, Barbara counting the seconds til she could leave, Good Samaritan duties fulfilled, but with a start Melissa realises itâs nerves. Barbara is nervous.
Behind her is a meal set for one. Barbara managed to cook a complete, if small Christmas dinner and set the table, all before Melissa got home.
Melissa doesnât know what to say. Thank you doesnât feel like enough, and the words Can you stay? catches in her throat. Itâs been so long since they last sat together for a meal outside school. Melissa misses the jokes and smiles reserved just for her.
âGeraldâs in the car,â Barbara says, as if she can read Melissaâs mind. âThe kids are expecting us.â
âYeah.â Melissa nods. She hopes Barbara canât see the disappointment on her face. âHave a fun break.â
What else is there to say?Â
Barbara takes Melissaâs hand and squeezes it once as if to say, I know how hard youâve been working. I know.Â
Melissa lets Barbara pull her close to her body and the two of them hold each other, surrounded in comfortable silence. Then, slowly, Barbara detangles herself and slips out the door, into the snowy night.

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please. even ai is onto us.
Thoughts on Abbott women and their relationships to the cameras:
AUSHSHS, OKAY. One of my favorite things to think about how is how the Abbott characters are super aware of the cameras and how they have different relationships to the fact that theyâre being filmed all the time. Here are some thoughts/headcanons for women esp.
Janine: Janine is the most honest with the cameras, treating them like friends, and thus shares a lot of her life with them: her triumphs, her plans, her sadnesses, her insecurities. Hell, I think itâd be fair to say that she even overshares, allowing the cameras unfettered access into her home and car and life beyond the workday. I especially thought this during âSick Day.â This poor girl was literally, like, letting herself be filmed running to her bathroom!!! Like, girl, set some boundaries. You have a right to some privacy!!!!! But, of course, this is the crux of Janineâs central character arc. So lonely, once a clearly neglected child, our protagonist has a hard time with boundaries in general, and that extends to how she interacts with the cameras. They have become her closest companions and her dearest diary, her safe place for unapologetically being herself. Weâre always getting Janine unfiltered, and itâs an incredibly humbling experience for an attentive viewer. Sheâs fully let us into our lives, and we feel for her deeply. My God, we just want her to be happy.
Barbara: Of the cast, Barbara is one of the most vigilant of the fact that she is being constantly surveilled and has to perpetually maintain her perfect facade because of this crucial fact. Itâs her almost doll-like smile into the camera when she says that she doesnât have a weird thing about her. Itâs how sheâs always emphasizing how proper and moral and Christian she is in her talking heads. One of my favorite recent examples is from the tattoo episode when she initially says her favorite âbâ word is Barbara, but then her first correction is to the more upstanding and characteristic answer of âBible.â But, as some of my favorite Work Wives gifsets have shown, Barbara occasionally forgets that the cameras are thereâusually when sheâs drawn into the intimacies of a moment, allowing herself to feel her own emotions without disciplining or regulating them. And it has to be with someone she emphatically trusts, such as Melissa. But any slippages, which are few and far-between, are quickly and efficiently amended. She studiously remembers herself. She slips the mask back on and smiles directly at the cameras and dares them to question what they saw in the place. She is Barbara Howard, married woman of God. Sheâs always perfect, donât you know?
Ava: OKAY, OKAY, so I genuinely think that out of everyone, Ava is the most aware of the cameras being on her at all times. TikTok queen and social media extraordinaire, how can she not be? Like Barbara, and honestly even more proficiently than our favorite repressed lesbian lady, she touts an expert facade to the cameras, hyping up her natural charisma and her extrovertism and coolnessâsometimes to the point of excess. Sheâs always catering to a targeted audience. She knows her way around an algorithm, a trend, a hashtag, perpetually attuned to what the people like and want to consume. Of course, she, too, has her rare moments of vulnerability, but the cameras have to be super quick and sneaky to find them. Avanine enjoyers, I think one of my favorite shots is when the cameras initially locate Ava and Janine talking about Avaâs grandmother during the step episode. The framing is faraway at first because the cameras are at the distanceâclearly intruding and zooming on this quiet momentâand thatâs pretty much the only way they ever catch our Ava Coleman slipping. I am sooooo invested in the fact that we can probably count the times that weâve seen Ava unmasked on one hand!!!!!!
Melissa: Melissa has a fascinatingly contradictory relationship with the cameras, perhaps to match the oxymoron between her own well-chosen facade and her personality. She presents herself as tough and unflappable, likes to maintain an air of âdark mysteryâ to others as she once famously smirked in a talking head, but simultaneouslyâbehind Janineâsheâs probably been the most candid of the cast with the cameras. She actually let them stay in her house! Oh, yes, she absolutely insults the cameras from time to timeâclearly distrusts them, stops herself when she thinks sheâs saying too much, fears that theyâre snitchesâbut sheâs also told them some pretty damn intimate things too, like showing them pictures of Kristen Marie and literally crying. I really love LAWâs headcanon that thereâs one camera person that she thinks is cute and so confides in more because I think that tracks with our general conception of Mel as someone who only relaxes around people she trusts. Some cameras are cops to herâthey invite suspicion and paranoia, alerting her fight-or-fight response. Others have seen her at more unguarded moments and teased a lovely softness out of her.