I support the Paranormal Intelligence Bureau! Check out this big blog post about the first episode releasing in 2018 thndr.me/VnYP7p http://thndr.me/VnYP7p

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I support the Paranormal Intelligence Bureau! Check out this big blog post about the first episode releasing in 2018 thndr.me/VnYP7p http://thndr.me/VnYP7p

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Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
And the raptors were dudes in suits. I shit you not.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
(link to said post about malfunctioning t-rex)
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rex and was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside the t-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
@spinosaurus-the-fisher is this the kind of content you love?
Realism comes at a cost, it seems.
i mean ok but why has nobody posted this:
It’s a three piece raptor suit.
Old movies had the best special effects
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
@jurassicparkandrecreation
@shepfax
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
https://en.wikipedia.org/wiki/Kevin_Padian
This post just gets better and better with time
Always reblog this and it hurts my soul when they say old movies because I was like ten when this came out and… THIS WAS MY CHILDHOOD.
Contemporary movie makers need to see this post and take notes!
I made a character sheet for the excellent roleplaying game Ucharted Worlds. It is in the form of a passport as it’s a scifi themed game. Even though we’re moving towards a world only of digital compontents, I think this contributes to immersion, just as any other prop supposedly belonging to your character does so. You can find the character sheets in this link Have fun!
After lots of feedback from the beta testers, we decided to go for a new look for Wasteland Bar Fight to better fit into our Corp Wars universe and this is the result!
We also decided to remove most of the GUI elements to remove clutter, since most that we saw play the game at GDC Europe and...
Some old concept art
This is the world of Corp Wars:
Our future is their past. The seeds of our civilization survived by the actions of its destroyers. Much has changed. The Nommo Empire holds most of Africa – ruled by an elite class of techno-shamen who call upon spirits of the past to teach them the secrets of the universe.
An industrial giant resides in the largest open mine on earth. Kyburgh, the last megacity, home of unscrupulous corporations whose tentacles of aquisition crawl from that hole in the ground to grab as much of the outside world it can and drag it into the pits of Kyburgh.
Scattered across the world are self-sufficient survivalist city-states. Enklaves are remnants of business-owned territory, government safe-houses and the fortresses of armies cut off from their superiors. They are tough, leading strict lives and commonly sacrifice themselves for the greater good of their hive.
Outcasts and tribeless wanderers gather in the wastelands, forming scavenging gangs. Sometimes these settle down to form new tribes and villages. Some times they murder and pillage their way across the land like a plague of locusts. They’re the wastelanders, or wasters. Bandits, robbers, thieves and murderers of a desperate and ruthless kind.
What is the Next World – the world of Corp Wars? was originally published on Kybernesis

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Wasteland Bar Fight OST by Kybomatik
Check out Kybomatik’s awesome Wasteland Bar Fight OST, with inspirations from 80’s Cyberpunk and trashy metal.
Kybomatik has composed an excellent soundtrack for our Post-Apocalyptic Bar Fighting game, Wasteland Bar Fight. Drawing inspiration from both Cyberpunk and trashy metal riffs typical for the 1980’s, the soundtrack fits our Wasteland theme perfectly.
If you’re into the Cyberpunk sound, make sure to check out the excellent Cyberpunk pieces "InGame", “Bad Android” and "Boss Fight". While all you fellow metal heads out there might appreciate "Wasteland Warlords I & II" with their trashy metal riffs.
Also, while you’re listening to the Wasteland Bar Fight OST, remember to check out our Wasteland Bar Fight landing page to join our open beta for Android and iOS!
NOTE! We’re not currently using all of these tracks in the current version of Wasteland Bar Fight, but we’re including them all since they’ve all been part of the soundtrack at one time.
In other news!
We’re currently working on a new game play video with the new look. So keep an eye open and we will update you both here and on our Social Media channels when it’s live on YouTube. Meanwhile, you can check out our old game play video if you haven’t already, so you can compare when the time comes!
Oh and any comments you might have on the soundtrack or Wasteland Bar Fight generally are more than welcome!
Wasteland Bar Fight OST by Kybomatik was originally published on Kybernesis
Corporate troopers and a large hardsuit (Shirow landmate) design for the Siege. The Development is starting to need a lot of designs and here are some of them, from the Corporate faction.
All right! Remember, when Wasteland Bar Fight is out, Waster Bully up there is going to come running to beat you up!
:D My favourite bully.
Beer WILL be spilt. Teeth shall fly. :)
WAAAAAGH!! BAR FIIIGHT!
Wasteland Bar Fight gets new models! http://wbf.kybernesis.com/ The Beta has been fun and we’re in the process of putting cut features back into the game as well as adding new content. There will be three bars and an overarching story to them. We intend the game to become harder, but more fun.
“I want to run away.” The statement was swept away between the crumbling concrete blocks of their massive fortress city. “What?” Juna didn’t bother to look up, kept looking at her card, sliding her thumb across its self-lit screen to read another page. Of what, Rik didn’t know. He leaned...

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Dariusz Zawadzki
The intro(s) to our first game, http://wbf.kybernesis.com/ Wasteland Bar Fight! You can play as either Guy or Gal. Follow our Facebook page for news! https://www.facebook.com/kybernesis
10th of #Nyarlavember. Is that the Yellow King!? Does this mean Agent Cushing awoke to a showing of The King in Yellow? #lovecraft
9th of #Nyarlavember. Agent Cushing is awake again, or is he? #lovecraft
8th of #Nyarlavember. That symbol again? Who left it here? What do those scribbles mean? #lovecraft

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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7th of #Nyarlavember. Someone, Cushing himself?, left this in the casebook. #lovecraft
6th of #Nyarlavember. Agent Cushing is going temporarily mad after a Shoggtoh invaded his dream. #lovecraft