MARIE ANTOINETTE (2006) dir. Sofia Coppola

@theartofmadeline

Andulka
trying on a metaphor
art blog(derogatory)
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

Cosimo Galluzzi

bliss lane
The Bowery Presents
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH
RMH
Xuebing Du
occasionally subtle
The Stonewall Inn
Not today Justin
almost home
"I'm Dorothy Gale from Kansas"
we're not kids anymore.
seen from Egypt
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seen from United States
seen from Argentina
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@rococo-reinette
MARIE ANTOINETTE (2006) dir. Sofia Coppola

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Baroque Pearl Mounted as a Grotesque Beast
c. 1600-1725
Gold, enamel, diamonds, and baroque pearl
European
Art Institute of Chicago
Northern Hog Badger (Arctonyx albogularis), family Mustelidae, Kaziranga Tiger Reserve, Assam, India
Once considered to be a subspecies of the Greater Hog Badger, A. collaris, which has now been split into 3 species.
photograph by Soumyajit Nandy
"C'est en vain", from "Modes et Manières du Jour à Paris à la fin du 18e siècle et au commencement du 19e siècle” by Philibert-Louis Debucourt, c. 1800
Scribe loses control of his papers, Sterling memorial library, Yale

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The MET Gala is a fundraiser for The Met. Putting on the fashion exhibition is VERY costly. Has the politics, inflation, and bullshit gotten out of hand? Yeah. To give you an idea of how much this can cost, the collection I work for has 2 gowns from 1798 & 1809 currently being conserved and had mounts made for them so displaying them wouldn’t cause further damage. They were already in a solid B shape and cost more than 50k to conserve so the public can view them for 5 months each. They will then be reboxed (archival tissue and box) for a minimum of 10 years before they’re considered to be seen again. Oh, and archival material only lasts 10 years before it has to be replaced, whether or not it’s being considered for display.
Don’t like the gala? Support local museums with a textile or fashion collection, they get fractions of the revenue or publicity, and still aim to achieve a solid fraction of what the MET does. More collections are deaccessioning their textiles because they’re costly to maintain, large and need space. However, after big names artists like Van Gogh, Botticelli or da Vinci they get the most interest in from the public. The study of clothing is an opportunity to shine light on women & minority stories as well. Don’t let the fact that some of the guests suck and have more money than any of them need take away the importance of museums and dress study.
ABBIE CORNISH as FANNY BRAWNE
BRIGHT STAR (2009) dir. jane campion
hieronymus bosch’s bird is so kind
Venus Bathing: A Fashionable Dive, Thomas Rowlandson, c. 1800
Etching with watercolour
The Other Bennet Sister 1.10 - Chapter 10

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Court dress panel, France, 1775/1784
Embroidered silk satin with silks, velvet appliqué, chenille, metal purl, swansdown.
V&A
“ONCE UPON A KISS” for Vogue Portugal (March 2026)
Shot by Élio Nogueira, Styled by Loizos Sofokleous, Set & Prop design by Jana Frost
18th century fashion: blue
Orange |Â Pink | Purple | Red | Green | Yellow
Golda Rosheuvel as Queen Charlotte Bridgerton Season 4 (2026)
Green bugs! (sticker sheet in shop :)

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detail of the “phoenix portrait” of Queen Elizabeth I by Nicholas Hilliard. oil on panel, circa 1575
SONG OF THE SEAÂ (2014) Dir. Tomm Moore