THE JOCKEY BY HENRI DE TOULOUSE LAUTREC (1899)
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THE JOCKEY BY HENRI DE TOULOUSE LAUTREC (1899)

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Yelizaveta Savina - “Princess Tamara,” a triptych based on M.Y. Lermontov's poem “The Demon.”
Mythical bird man, Thailand, 1775.
Devrim Erbil (Turkish, 1937), Untitled, 2024. Mixed media on canvas, 100 x 100 cm.
T.E. Lawrence’s drawing of a Syrian castle (Citadel of Salah Ed-Din) which he produced on his walking tour of Lebanon and Syria in 1909. He was gathering information and evidence for his senior thesis at Oxford which was later published under the title Crusader Castles.

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I acknowledge that there are a lot of different elements that go into making a really good movie, but also I am personally convinced it's like... 70% the writing
Yeah you get it
Tiles, Gustav Klimt
this post is like my personal fucking nemesis. every time it crosses my dash there's more people tagging this basic bitch bed bath and table tree as klimt.
i'd use the subjunctive, if i were you
Francisco Sancha - Madrid viejo. Apuntes sobre el carácter (1924)
I hate my life I’m going to [remembers suicide jokes are bad for mental health] Graceland Graceland Memphis Tennessee

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Gluten Free Raspberry Chocolate Cake
Artist: Hisanori Miyashita born 1922
Title: Dojoji
Description: Dancer is playing a small drum in “Dojoji”.
Rudolf Swoboda - Warseli (1886-1888)
not to be a hedonist but. pleasure IS the whole point, my loves. we are made for pleasure. humans have not survived out of spite or sheer grit or simply to make more humans. we live for pleasure. the pleasure of licking the last delicious crumbs off your fingers and feeling sunlight on your skin and massaging a loved one's shoulders. we're made to fill our bellies with delicious food, to nap in soft grass, to touch each other in joy and comfort.
there is no shame or guilt in our bodies doing what they were made to do. and we are made for pleasure.
Cliffside Retreat, 2025 by Kate Lewis (American, b. 1977); Acrylic on canvas, 31 × 25 in

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two. If my writing is a psychodrama I don’t think it is because I have, as the internet would have it, so many feels, but because the correct balance and weight to be given to each of these three elements is never self-evident to me. It’s this self — whose boundaries are uncertain, whose language is never pure, whose world is in no way “self-evident” — that I try to write from and to. My hope is for a reader who, like the author, often wonders how free she really is, and who takes it for granted that reading involves all the same liberties and exigencies as writing.”
— Zadie Smith, “Forward”, Feel Free
Wenzel Hablik (Czech, 1881-1934) - The Cloud (1910)