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@robotkin

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There is a great darkness shrouding the condition of humankind. This great darkness spreading is sitting at the edge of your couch, it is upright in your lap, it is facedown in your pocket, and it is singing softly through the cords in your ears. It glares so hard into the back of your head that it aches, your eyes are left dry, and you have forgotten how to sleep. Soon you will forget how to eat because food will always be brought to you. You will forget how to walk the Earth because it will always be moved under you. And when at last, you realize these things to be true, it will be too late, your only means to speak against this darkness will be to let it speak for you. But despite this, the continuance of our conditions are not inevitable. When it is realized that what we were given to connect only deepens the source of our alienation, we will cast off this darkness-
This world will be united through mutual boredom- then realizing at the last moment that only we have the power, together, to sleepwalk off the edge of the cliff of this dream.
I despise being here
EarthĀ
the United States
New York
Brooklyn
my four foot tall plywood room
my human body,
whatever.Ā
I want a comet
to fling downĀ
and carry me away,
stardust. Ā
Our city is a labor camp run by warring chieftains. So on my weeknights I invite the anarchists over and screen movies about armed insurrection. But only one comes and falls asleep half way through. While he sleeps, through my wall window I look for whales but instead see the whole frame is boxed with shipping containers slowly moving on a shipping container ship, with a belly wrenching grind. I can hear it in my sleep from four floors down. I remember dreaming of you there but never told you, instead I told her, in the dream of her I was in. she, who I used to dream of often.

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Sunrise Ā - Ā Ā Dennis SheehanĀ
American, Ā b. 1950-
Oil on canvas, 24 x 20ā³
my primary goal as a writer I assume is contrary to most others, in that I just want to communicate without coming off as a pompous asshole, in this, perhaps I have failed. We occupy a unique period of understanding writing, in that we operate off an assumption that oral conversations in the seminar and in our personal relations remain supplementary, secondary, and unnecessary to the real work being done in the essay, in the novel, in the highly stylized and partially fabricated autobiography.. of someone who maybe ran for office. Cheeky coconut oiled faces on the front. Little white dots in their pupils. I think this is a fundamental error of assumption. The written word has gained an eternality greater than the humans that write it, as do our recent cities and mostly the reinforced concrete they occupy. But this is a blip in time unreality, that reifies our present conditions. I don't think so much about 9th grade macbeth's tumbling through deep space. There will come a point in which humans will no longer have the capacity for even paper and pencils, and that will be tragic. But not as bad as the deafening silence for millions of years after.
I think so often of leaving that my reflection drifts off glass in similitude of water.
sittinā on hot tea while that fuckinā dog stares up me and begs- up into the loop of my arm ātil both our heads are hanging, mine, main from the tisane. mine, pounding dribble of a night to night fornever; and the drumming courts at the end of the glass, icy and down three falls at the cracking asphalt in bone at the base of the knob of bird attached at hip. there where creaking speaks there numb and hollow, and waits for me to sleep.

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Audrey Niffenegger āI feel wrong I donāt understandā 2012
Harbor with boats at twilight Ā - Ā Ā Lev Feliksovich Lagorio Ā , 1886
Russian, 1827 - 1905
Oil on canvas
itās dark wine and hollow: here in empty air, there- swallowed upā¦
to the throbbing clutch at the back of the Broca of I and you.
pick nimble and swift at ice with pick, then leave me there to thaw when I wash ashore in the springtime.
been working this job that typically puts me and a few guys in a car a few times a day forced to listen to whatever is on, so my exposure to the top 40 these days is more in depth than an occasional trip to the supermarket, or from the sidewalk as a car goes by. every few years the PR wizards come up with a new trick to woo us into forgetting we have no idea what these songs mean, who they are by, or how we ended up listening to them. the most recent of which is this recurrent vocal oscillation effect. imagine autotune except more automaton than before, now it echoes in and out and augments actual vocal rhythms, or exaggerates them or something I donāt know, but youāve all heard it. though I usually find this sort of thing gimmicky, this one I find particularly hypnotic. it just sticks in my head obsessively, it is all so predictable and simultaneously satisfying. like maybe finally some part of my brain stem has been convinced to be impressed at the ability for the rapid vocal range a machine has as opposed to a human. like maybe I am okay with the slow replacement of people by their robotic versions of their negations, just because the vibrations they can put down my ear canal quench some vital compulsion. like I can just ignore the doomsday scenario lurking the back of my head, where the vast majority of us have lost the opportunity to use production for collective human liberation, yet production continued to advance all in preparation to instead replace our increasingly meaningless functions as workers. and at some point we all decided it was okay to lay down our heads as hard drives hummed us lullabies, indifferent to the capacity of the pillow coming down upon our head to smother us into oblivion.
When Trump is elected president let it be clear that it is not abstaining left leaning folks to blame but instead the incredibly insidious effort to nominate a candidate who the majority of the American populace have been incredulous about for over a decade much less willing to go door to door for. You canāt shame millions of people into participating in a popularity contest especially for someone who denies the most basic acknowledgement of the suffering and worsening of conditions of entirety of that populace.
The Democratic leadership knew they were risking the entire country by unfairly favoring a candidate much less likely to win against Trump, they consciously risked having Trump over Sanders because Sanders represents more of a concession of their favored interests (as mild as it may have been.) And the minute Trump is in office these same goons from the Democratic Party will come back at working class people demanding finger wagging at one another, when they sealed our fates alone- cutting off the only electoral conversation even remotely critical of capitalism.
Do not insult these people who have seen the money sucked out of their back pockets by the neoliberal policies of the Clintons and others with this gun-to-your-head higher than thou logic. If the so-called left party has no viable alternatives to Trump than Clinton they donāt deserve to win, if their political imagination has become that banal then they have failed to prove to the public that any of their alternatives would be any better to the worst possible scenario.
Far right uprisings donāt happen because people refuse to embrace those like the Clintons, they happen when those in power refuse to acknowledge the most basic grievances of the vast majority and then the left presents no alternative dialogue.
This is why I have no sympathy for the lesser evil Clinton argument. It is a backwards strategy to throw your weight towards a campaign whose rhetoric inspires reactionary ideology, a campaign which for this reason would never fairly win a popular vote in these times to begin with. Sanders is no friend of socialist discourse and proved that again most recently with his tail in between his legs on stage this week at the DNC. But he had the potential to squarely win against Trump, Democrats- that was your lesser evil candidate who you sacrificed for a Trump presidency.

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It's tiring to stay alive so long that the static in your eyes turns snow to concrete.
I'm sick to my heart,
yearning; pig-like; braised at best;
soldering knee deep in silver wheat and picking pebbles from the bloody palms I trot on.