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Mjolk
https://www.jennikayne.com/ripandtan/juli-daoust-baker-on-elevating-the-everyday-normal/

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Hemmi House (for his brother) by Michael Hemmi
Sigve Knutson
Sine Wave Mirror by Moving Mountains Studio

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Amelia Giller
Breathe House by SO-IL
New York architecture studio SO-IL has designed Breathe, an installation for British brand MINI at Milanâs Salone del Mobile exploring the future of urban living. Within a compact footprint of five metres wide by ten metres tall, the installation is contained within a transparent, flexible outer skin that filters the air while allowing natural light to enter the interior.
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âWe thought about the sensual relationship between city inhabitants and asked ourselves how can buildings become more than just a passive mass,â says Oke Hauser, creative lead on MINI LIVING. âHow can they become active contributors to better and healthier urban surroundings?â Based on the companyâs principle of a âcreative use of spaceâ the installation is intended as a vertical micro-neighbourhood that activates an urban void in the heart of Milan.
Itâs essentially a prototype for how we might live in the near future, though in contrast to the Jetsons-esque retro-futuristic visions of humankind served by robots in a home interlaced with technology, it instead re-focuses on nature. Its breathable, translucent skin brings in air and light from outdoors; its lush roof garden aims to improve air quality, and incorporates a rainwater collection system, adding to the conceptâs sustainability quota; and its structure is made using environmentally-friendly and recyclable materials. The building itself makes a positive contribution to its environment, and encourages its three (hypothetical) residents to do the same.
âA more conscious way of living can be sensed in all aspects of urbanity,â continues Oke, saying that society is overall more selfless and conscious of its context nowadays. âPeople just care more about their sensual relationship with themselves, with each other and also with their urban surroundings and products â whether itâs the rise of healthy food or finding their inner urban zen. We think that architecture should also contribute to a healthier and more joyful urban experience.â
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The skin is a PVC fabric with a special âpurifyingâ coating, Ilias explains. When the sun hits the surface, it decomposes dirt and several polluting agents. It cleans itself while also purifying the air around it. It exists, Ilias says âit just hasnât been used widely on buildings yet. There are also people studying its application to clothing. The more surface you have, the greater the volume of purified air you get.â The wrap had the added benefit of being âlike a cloth that dresses the structure,â making it interchangeable in different locations and conditions, and adaptable for possible iterations of the structure, which can be disassembled and installed in different locations.
From Hanne Berkaakâs The boy who fell and the man who picked him up again
Assemblage 5 by Faye Toogood at Friedman Benda
Each piece in the new collection is made from one of three materials, chosen to symbolize water, earth, and the moon. Earth is represented by a rich, matte cob composite in a deep red-clay tone; moon is characterized using bronze with a burnished finish of silver nitrate; and water is represented using a fine lithium-barium crystal that alternates between clear polished and satin-frosted surfaces, creating blurred sections that contrast with the clarity and depth of the crystal.

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LUCA NICHETTO & LERA MOISEEVA Aureola Tea Set at Mjolk
Studio Formafantasma
Based in Amsterdam, the two founded the firm in 2009, opting against using their own names because âwe wanted to be a different entity than what we are as individuals,â says Farresin, 36. The name means âghost shape,â which is indicative of their process â one that emphasizes the amorphous early stages of creation, when the mind is âcloudy and full of potential,â says Trimarchi, 33.
âWe hate futurism,â says Farresin. âWe donât think the future or the new is necessarily the best solution,â Trimarchi clarifies, âbut we donât think the past is the best either. Creating something with what is already there is better.â