btw pls always feel free to ask me to add content warning tags n that on stuff i post / reblog !!! no point in me havin fun here if it's hurting folk

Kiana Khansmith
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Noah Kahan

#extradirty
hello vonnie
taylor price
The Bowery Presents
ojovivo
2025 on Tumblr: Trends That Defined the Year

titsay
untitled
Keni

gracie abrams
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❣ Chile in a Photography ❣
Sade Olutola

@theartofmadeline

★
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@rentagoth
btw pls always feel free to ask me to add content warning tags n that on stuff i post / reblog !!! no point in me havin fun here if it's hurting folk

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dna is often explained as if it was computer code, but its important to remember its literally a bunch of physical strings. just as important as the sequence itself is how these physical strings are packaged and where proteins attach to them, because this determines which parts can even be read
purified dna looks like this in bulk
my beautiful singular gram of DNA
Here are some other images:
It's not ALL DNA, I don't recall the specifics right now, but yes, it does turn into this stringy thing when you purify it for DNA extraction. I was amazed when I saw it for the first time, it really looks like what you would imagine it to be.
Got thrown out of the tarot reading for counting cards. fuck this place
Got thrown out of the tarot reading for counting cards. fuck this place

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LARGE FRAGMENT OF ROMAN IMPERIAL PORPHYRY
GEBEL DOKHAN, EGYPT, C. 1ST – 5TH CENTURY A.D.
Lyon and Turnbull
John Singer Sargent, ‘Gassed’ and ‘Six Studies for Gassed’ (1918)
In Gassed there is little suffering. Or rather, what suffering there is is outweighed by the painting’s compassion. In spite of the vomiting figure the scene has almost nothing in common with Owen’s vision of the gas victim whose blood comes ‘gargling from the froth-corrupted lungs’. What Sargent has depicted, instead, is the solace of the blind: the comfort of putting your trust in someone, of being safely led.
— geoff dyer, the missing of the somme
its summer so all prints and originals are on discount on my site go find yourself something nice okay love u
„Brown and Blacks in Reds“ (1957) – Mark Rothko
Pam Grier circa (1973)

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Hiding Place in the Woods by Moki Mioke
Jackson Pollock, Yellow islands, 1952
Harbour Seal/knubbsäl. Öland, Sweden (October 3, 2024).

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makeup by machiko on akuol deng atem
Amanda Kate Walker - Home, 2024 - Acrylic on raw canvas